A new trillium plant emerges and begins to blossom beneath the redwood forest canopy.
With enough time to observe these plants – and a few return visits to fill in observational gaps – it is possible to see the full process of their unfolding. Though I still haven’t spotted the very earliest sprouts – probably because I didn’t look quite closely enough – I can spot the newly emerging plants that are about to open up and blossom. The leaves wrap around the incipient flower, and when they begin to open the appearance of the flower itself isn’t far behind.
On this visit to Muir Woods National Monument I found trillium plants in all stages from tiny plants with small leaves to those that had already blossomed and even lost the flowers. A few were at this wonderful stage when the cradling outside leaves are just opening to reveal the new flower. Soon the leaves will drop and flatten to produce the familiar three-part shape and the flower will stand (or droop!) above the leaves.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Exterior walls of San Francisco’s De Young Museum.
In early March I was at San Francisco’s De Young Museum for an event associated with the “San Francisco 1964” exhibit of the photography of Arthur Tress, at which Tress spoke to a small group of San Francisco photographers about his work. (Thank you to Adobe for inviting me and the other photographers. The exhibit continues, and San Francisco Bay Area photography fans and others visiting the area should consider a visit to the show.) Unless I’m heading up there for certain musical performance, I almost always take a camera to The City, and I certainly brought one this time. I mainly photographed Tress during his talk, but once it was over and I left the museum I had a bit of time to wander around and shoot the nearby area.
I started in the Music Concourse, a lowered area in front of the museum that features some ominous-looking dormant trees at this time of year. After finishing there I walked back around the museum to head back to my car, and I passed by this “side” wall of the facility near the tower section of the building. The exterior walls are very interesting. They are apparently constructed of some sort of copper panels that have been “dimpled” in a range of ways that evolve across its surface, and it looks like some of the upper level “walls” are more like screens than solid material. As I understand it, the idea was that this metallic surface would “age” and acquire a patina that might make it blend in more with the natural surroundings of the park. (Though it is hard to imagine that tower blending in!) In the soft light on this shaded side of the building the range of colors and tones in the material was striking, ranging from the blacks of dark shadow areas, to the expected reddish copper tones, to all sorts of blueish shades.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California.
It is probably obvious by now that I’m a trillium fanatic. Early March is “trillium season” in the redwood forests around the San Francisco Bay Area, so I have been out photographing these flowers during the past couple of weeks. I was originally concerned that this might be a very poor year for them since we are in the midst of a serious drought in California, but some early March rain seems to have provided enough water to get them to sprout. In fact, this past weekend I saw lots of new plants just starting to emerge, so it seems to me that there may be some life left in the this year’s bloom. (And now we are looking hopefully at an upcoming week of much-needed rain.)
I photographed this pair along a trail that traverses a hillside above a valley filled with coast redwoods. I arrived in this spot just as morning light was beginning to filter down through the tall canopy of this forest and, in spots, hit the ground and the new plants. The trick is is to get some of the brighter color of this sunlight but to avoid the direct sun – the latter is far too harsh for photographing these flowers. So I worked in the shaded areas or, at times, in those spots that were right on the sun/shade boundary. I probably most often photograph single flowers, but when I can find a group I like to see how I can make a composition out of them. It is a bit trickier than it might seem, as there are a bunch of elements that must work together. First, the two flowers need to be fairly close together, and they both need to be at roughly the same point in their development – it isn’t so wonderful to get one beautiful flower and one half-dead, dried hulk. Then they must both be illuminated in roughly the same way – it won’t work so well if one is in brighter light than the other. The background is a tricky thing, too. If it is too bright or too busy (or too well focused) it can easily distract from the flowers themselves, so I usually look for something in shadow and without any very bright objects. While I may be able to find a camera position that accomplishes this, sometimes I need to move a small, bright leaf or twig. And once all of this is worked out, the flowers must be roughly in a plane parallel to the camera’s sensor so that both will be in focus – and this must happen while shooting at the large apertures necessary to throw the background out of focus. And last, but not least, exposure can be slightly tricky – it is very easy to over-expose the bright but delicate form of the flower’s petals, and end up losing detail.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer Arthur Tress speaks about his photography on March 9, 2012 at his exhibit at the De Young Museum, San Francisco.
Last week I was fortunate to be among a small group of San Francisco Bay Area photographers invited by Adobe to attend an event at San Francisco’s De Young Museum in connection with the opening of “San Francisco 1964,” an exhibit of the photography of Arthur Tress. The exhibit includes a large selection of work which, as I understand it, Tress shot as a young man upon his arrival in San Francisco in 1964, the year when both the Republican Convention and the Beatles arrived in The City.
While Tress’s photographs are certainly interesting historically in that they capture many elements, both small and large, that characterize the visual nature of that time, they are also just plain wonderful photographs. Many capture odd and ironic juxtapositions of elements, others focus on the people watching the main events (civil rights demonstrations, etc) taking place in front of them – and some are simply touching recordings of individual people. (One of my favorites, among many, is a haunting but seemingly simple photograph of a young woman sitting at a table.)
If you are a Bay Area photographer or photography aficionado – or even a fan of the history of the Bay Area – I encourage you to visit the De Young to see this show. And, again, thanks to Adobe for giving me the opportunity to see the photographs and, even more, to hear Tress speak about his work. (This photograph of Tress is presented in black and white and in a square format – once you see his show you will understand why… ;-)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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