An old gate and fence in the wildflower-dotted landscape of the Calero Hills.
Photos are temporarily being shared without additional commentary. Watch for commentary to resume in late summer.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A stairway with curving metal railing and gate, Upper West Side, Manhattan.
The story of our “holiday pandemic” visit to New York continues. In our previous episode we heard that after pondering the go-don’t-go question during a week when we carefully watched rising case reports, our decision was to go ahead and do a long-scheduled holiday visit to Manhattan to visit family, including some we had not seen in person in two years. We’re triple-vaccinated, we loaded up with N95 masks, we avoided most of the usual non-family New York attractions, so we were about as safe as we could be — not perfectly safe, since no one is, but generally fine.
Given the unusual circumstances of visiting Manhattan (and The Bronx) during a pandemic, our routines necessarily changed. Every morning began with a quick, masked trip to a downstairs bakery, where we retrieved coffee and pastry that we ate in our hotel room while waiting for the 15-minute rapid tests to complete. When we were not with family, our options for entertainment were somewhat limited, but we eventually worked out a rough walking loop that we followed a few times. It took us through some West Side neighborhoods between Broadway and Central Park, including the street where I photographed this fascinating metal stairway and gate.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A weathered fence along an urban trail, San Jose, CA.
This is another in the occasional series of photographs from the neighborhood, make while on one of my (almost) daily walks. The walks are not primarily about photography, though I always have a camera with me. They are mostly about “stretching my legs” (for perhaps three to eight or more miles) and clearing my mind. Few things allow the mind to wander productively more than walking.
Years ago I discovered that having a camera in hand can alter the way we (or at least I!) see the world around me. Often when I walk I don’t regard the urban landscape with any great focus, but as soon as I think of myself as a photographer and visual opportunist I start to see things that I had not noticed. I distinctly recall a winter walk years ago when I first realized this. I headed out through the same areas that I see every day… and suddenly I saw all kinds of things that I simply had not paid attention to before: the second story of downtown buildings, shadows on walls, old tiles, patterns in the sidewalk, and more. This more recent photograph features a section of fence that I probably pass once or more per week.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A gate in a fence along a trail, photographed on a neighborhood walk.
As I have shared in the past, during the pandemic I have cut way back on longer photographic outings, which sadly means less time in places like the Sierra Nevada and similar. (I still go to those places — carefully! — but much less frequently.) On the other hand, initially to compensate but now because it has become habitual, I’m doing a lot of walking in a radius of a few miles around our home. Walks are very close to daily events, and they vary between a couple of miles and up to occasionally as much as eight miles. Among other benefits, these walks open my eyes to local features that I would otherwise overlook. (I have informally referred to the resulting photographs as “postcards from Pandemia.”)
This photo comes from one such recent walk. The subject is simply a gate in a fence along a trail that I probably walk two or three times each week. After months of walking past this, for some reason the gate caught my attention this time. I’ve gone with a black and white rendition here — I’m leaning towards focusing on monochrome for this series now — and a very dark interpretation of the subject. For a long time all of my photographs have tended to try to put more light into the scene. Don’t expect that to stop, however I’m also starting to consider how I can explore images that lean toward darker tones.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
