Tag Archives: geometry

Mondrian Wall

Mondrian Wall
“Mondrian Wall” — A wall of a school building closed during the pandemic.

Why, yes, this is from the “Postcards from Pandemia” series of photographs made on my almost-daily walks in the greater neighborhood, an area including a range of subjects in suburban neighborhoods, apartment complexes, closed schools, nearly empty parks, a largely shuttered business district, and light industrial zones.

This is a detail of a wall at the front of a school that is became deserted at about the time when students would have been pushing through the last part of the academic year and looking forward to summer. If you are like me, you might find more than one way to look at this scene.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Windows, Oblique Light

Windows, Oblique Light
The shadows of windows in oblique lighting on a Berlin building

Windows, Oblique Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

The shadows of windows in oblique lighting on a Berlin building.

You might regard this as “what happens when they let landscape photographers do street photography.” For me, street photography combines a bunch of possible components — the human element, the crystallization of a “moment,” the light and color and patterns, and the nature of urban landscape. I do think of the urban scene as a landscape, and in some ways — though not all! — I approach it that way. (Depending on how far you want to go with that thought… it does have “valleys,” and “faces,” and “peaks,” and even flora and wildlife.)

We had spent the day walking through parts of Berlin, starting at our hotel a way off from the central city, heading past the East Side Gallery area of the Wall, then walking back toward the central area of the Brandenburg Gate. As we got closer to this center we improvised a route that did not take the largest, most popular streets, and it a few places we ended up in rather non-touristy spots. I’d have to go back and consult a map to see precisely where this was photographed, but I was intrigued by the minimalist quality of the architecture, the shadows cast by the protruding window frames, and the contrast between the warm red-brown tones of the wall and the cool blue tones of the windows — and even a resonance with the landscapes of the American Southwest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Doorway, Heidelberg

Doorway, Heidelberg
A graffiti-covered doorway on a narrow Heidelberg street

Doorway, Heidelberg. © Copyright 2018 G Dan Mitchell – all rights reserved.

A graffiti-covered doorway on a narrow Heidelberg street

To the extent that a photograph can be “about” things — I tend to think that a photograph “is” a thing — this one is perhaps about my obsession with geometries, about light, and about the door, with its graffiti, and what that might tell us about the door and how people here treat this “street art.” And by “about” I don’t necessarily mean that it tells us about these things — more that it may be about questions raised by such things.

The doorway is on a back street in the old part of Heidelberg, where we wandered on an August day earlier this year. These colors and this sort of paint and decoration seem fairly characteristic of this area. As we walked, the left side of the street was in shadow and the right was struck obliquely by sunlight that was somewhat softened by hazy cloudiness. Without that filtering the light would likely have been almost to stark for the photograph. Here I notice, as I did with an earlier photograph from Amsterdam, that there seem to be some “rules” constraining the application of the graffiti. It is on the door but not, for the most part, on the walls. Oddly, it all seems to be in black or other very dark colors. (I actually wonder if it was created by the people who live/work in this building.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Urban Geometry

Urban Geometry
A study in shapes, colors, and textures, Manhattan

Urban Geometry. New York City. July 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A study in shapes, colors, and textures, Manhattan

When I photograph urban/street subjects I am usually looking for quite a range of different things: individual people doing interesting things, masses of people, odd little vignettes, color and line, and sometimes the urban landscape itself. It is, I think, possible to regard the city as a kind of landscape, and even to photograph it in ways that are similar but perhaps not identical to how we photograph the so-called natural landscape.

On this day I was on foot (hiking?) through Manhattan, on my way to meet people, when we passed through the area around Washington Square. The stark and angular architecture of this bit of a building caught my attention, and some of the colors and textures brought to mind a sort of idealized representation of the red rock canyons of the Southwest.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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