Tag Archives: geometry

Bricks, Reflection

Bricks, Reflection
Bricks and water reflecting urban sky.

Bricks, Reflection. San Francisco, California. May 29, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Bricks and water reflecting urban sky.

Walking up Market Street in San Francisco I was watching out for anything that could be photographically interesting — architecture, people, vehicles, light — when I looked down and saw this little vignette of… not much at all really. Perhaps someone had been cleaning the street earlier, and now a puddle of water covered some sidewalk bricks and flowed over the gaps between others.

I stopped, more or less in the middle of the sidewalk, likely forcing a few people to take a path around me or perhaps just wonder what I was photographing with my camera pointed straight down. What I saw was, first, the water itself. Then I saw the narrow vertical band of lighter tones, where there was a break between reflected buildings. I only paused for a moment to make a couple of exposures, and then I continued on.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


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Fence and Metal Wall

Fence and Metal Wall
“Fence and Metal Wall” — The patterns of a fence and metal wall

In some ways there is not much to say about this photograph and in some ways there should be much to say about it. But that’s never stopped me before… While I could say more about the subject and the circumstances of the photograph, I don’t think it is that important to do so. I’ll limit myself to saying that I made the photograph while walking through part of San Francisco and that it lies somewhere between being a “quick snap” (which it isn’t) and an image I completely understood at the moment I made it (it isn’t quite that either).

I’ve recently read some (occasionally odd) online discussions of minimalism in photography — what it is and what it isn’t. My ideas about minimalism are only partially based on visual concepts of the “ism,” and more based on my experience with musical minimalism, which I’ve known about for quite a long time. In a sense there are two threads that may ultimately arrive at a similar place. One simply tries to create an image (or other sound/visual object) from as little content as possible. Another may include denser content but rather the representing real things in an objective way it presents patterns or processes to the viewer/listener. (Composer Steve Reich’s concept comes to mind: “Music as a gradual process.”) In both cases I think the object encourages the viewer listener to look past the (often minimal) surface content of the work and into the material and structure of the thing. How it works might be more important than what it is.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others.

Window Shades

Window Shades
“Window Shades” — A walkway with window shades, Getty Center

I visit the Getty Center (perhaps once or so each year) as much to photograph the architecture as to see the art. The overall effect of the space, on the large and small levels, is stunning. It sits on top of a ridge with long views over the Los Angeles basin and out to see near Santa Monica. The Center sprawls along the top of the ridge, with many levels to the buildings and with an unusual garden below. The details are also fascinating — among other things, rectangular forms are reflected in almost all aspects of the design, yet there are things that are set off at odd angles from this regularity.

I made this photograph in a small interior area, more or less a sort of hallway and stairway with a walkway crossing in front of a wall of windows that are covered by translucent shades. As I looked at it I thought of it as a sort of cubist subject, and I found the colors (the various transparencies and the strips of muted blue sky beyond) and varying decrees of opacity/transparency very interesting.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Windows and Stucco Walls

Windows and Stucco Walls
Windows and Stucco Walls

Windows and Stucco Walls. Salzburg, Austria. July 15, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Tall stucco buildings with almost uniform white-framed windows line a narrow Salzburg, Austria street

Yes, another photograph of windows and walls along narrow back-streets in Salzburg Austria… In the late afternoon, the sun had dropped low enough that no direct light was making its way down into the canyons of these narrow streets except where the streets were pointing directly toward the sun. These buildings were a long a section where the street curved – the streets here are apparently so old that they do not follow the geometric logic of more modern cities. Along the curve the fronts of building are, obviously, going to be at slight angles to one another. Here, that bit of non-linearity, plus the converging perspective lines from the upward-pointing camera position, seemed to create a sort of off-kilter effect.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.