Tag Archives: golden

Reflected Mountain Slopes

Reflected Mountain Slopes
Golden hour light on the lower slopes of a high Sierra peak is reflected by the surface of a lake

Reflected Mountain Slopes. Hoover Wilderness Area, California. August 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Golden hour light on the lower slopes of a high Sierra peak is reflected by the surface of a lake

On this evening our camp was at a large subalpine lake, improbably located directly on the summit of the ridge of the Sierra, albeit in a relatively low spot that was under 10,000′ of elevation. When I write “on the summit,” I mean it — this lake has two outlets, with one draining to the west into Yosemite National Park, and the other draining to the east, ultimately sending the water into Nevada.

It was a joy this year to once again to see the Sierra with snow on the peaks and filling the gullies. It was so nice that I even managed to avoid resenting the places where the trail was slightly obliterated by remaining patches of snow! As the evening arrived I found a high spot with a good view of the lake and surrounding mountains and made this photograph as the shadows of the last light of the day began to creep up the sides of this peak, with golden light reflecting off the surface of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Grove of Slender Aspens, Autumn

Grove of Slender Aspens, Autumn
An eastern Sierra grove of slender aspens with a hint of fall color remaining

Grove of Slender Aspens, Autumn. Eastern Sierra Nevada, California. October 10, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

An eastern Sierra grove of slender aspens with a hint of fall color remaining

There are interesting subtleties to the autumn transition of aspen color in the eastern Sierra. Unlike forests in some other areas, where the trees are more similar across wide areas, and thus tend to change colors at the same time, in the Sierra the color change has many variations of region, climate, moisture, and elevation. It is quite possible to arrive at a grove to find that almost all of the leaves have fallen… only to visit another grove not too far away where the color change is still getting underway.

This is a somewhat unusual little grove. The trees are very slender and crowded closely tighter. They are also, generally, smaller than those in the more-or-less typical Sierra aspen grove, where trees may be larger but also tend to be bent and even misshapen. These slender trees stand tall and straight, and at the time I made the photograph they had lost nearly all of their leaves, leaving a somewhat ghostly forest of bare trunks.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens, Earth Shadow, Morning

Aspens, Earth Shadow, Morning
The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

Aspens, Earth Shadow, Morning. East of the Sierra Nevada. September 17, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

On a cold and clear morning in mid-September earlier this year I left my camp in the Sierra and headed east, past Mono Lake and on out into the mountains east of the Sierra Nevada and east of US 395. I did not have a specific goal in mind, but I thought I would do a bit of early season aspen color reconnaissance in preparation for planned visits to photograph fall color a few weeks later. I gradually worked my way further out from the Sierra, stopping from time to time and poking around the ends of various gravel roads. Finally I found one that looked promising and took it.

I knew that I had previously seen aspens atop ridges in the general area of this road, and I had made a note to come back this way in the fall. I don’t typically expect to see much fall color by mid-September in the Sierra, but I soon found quite a bit of it — a whole mountain top was covered with small trees that were beginning to turn colors almost uniformly. I took a short spur road to an overlook and parked — from here there was an almost unobstructed view of a big section of the Sierra crest. It was cold enough to let me know that autumn wasn’t far away as I waited for the sun, beginning to photograph in that lovely predawn period of warm colors when the earth’s shadow can be seen in the darkened atmosphere just above the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dense Aspen Grove

Dense Aspen Grove
Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

Dense Aspen Grove. Eastern Sierra Nevada, California. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

While the exuberant colors of large groves of autumn aspens are attractive, there is something about the trunks that is hard to resist, even when the colors may have diminished a bit — or perhaps because the colors are less striking. I know I’m not the only photographer who returns to this “take” on the subject. It is fun and more than a bit challenging to make compositions out of such complexity. Frequently I’ll stop and look at a grove, think “that will make a great photograph,” and then gradually discover that some subtle element is not quite right and the whole thing won’t work. I’m continually surprised that a subject that seems so simple often isn’t.

To a great extent it is a question of balance of several sorts. The complex patterns of trunks cannot be completely uniform or there will be no form to the image. There must be some differentiation in the ways that trunks are grouped and among the angles of branches. But too much differentiation is also a problem. There is a “just right” quality to these compositions that is hard to explain, but which I know when I see it. A bit of “dissonance” can help, too — a little bit of something that seems to step outside the predominant patterns. In this photograph that could be the diagonal branches at coming across from the right, or it might be the group of closer leaves along one side. There is also some sense of depth, and if you look closely you may see a good distance into the more distant and darker areas of the small grove. And aside from the obvious vertical lines, there are three horizontal layers — brush at the bottom, trunks in the middle, and yellow leaves at the top.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.