Tag Archives: high

Post-processing Workflow, Software, Technique

What You Get Is Not What You See

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Recently I spent more than a week photographing in a beautiful area of the Sierra Nevada backcountry. A short walk above the spot where we camped was a magical meadow — a place filled with light, grasses still green but starting to turn golden, high elevation trees scattered around the edge of the meadows, and a deep valley separating us from alpine valleys topped by steep granite peaks and ridges with scattered snow fields. At times clouds would float by and add some interest to the blue Sierra Nevada sky.

What I saw

Here is one of several photographs I made in this meadow, with the first example being a small version of a print-ready final interpretation…

Subalpine Meadow, Forest, and Peaks
At the edge of a subalpine meadow, surrounded by forest and high peaks

Here is another version of the photograph, straight out of my raw file conversion program and before I did additional work in Photoshop…

File after raw conversion operations

I think it reflects fairly well what I saw while I stood behind the tripod as light softened by closer clouds spread across the meadow. I’m confident that anyone who had been there with me would agree.

What the camera saw

But that is not what the camera saw. Here is what my captured file looked like before I did my raw conversion post-processing…

RAW file as exposed before conversion processing

Yuck!

This SOOC (“straight out of camera”) image looks pretty bad. The sky is OK, but the meadow is dark and flat-looking, not showing the actual quality of light at all, and the forest appears to be almost completely black.

What’s up here? Am I trying to trick you and present a false version of the scene? Am I an incompetent photographer who completely blew the exposure? Am I trying to “compensate” for a bad exposure by using radical post-processing?

The answer is “none of the above.” Continue reading What You Get Is Not What You See →

Photographs: Nature, Photographs: Sierra Nevada

Subalpine Meadow, Forest, and Peaks

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Subalpine Meadow, Forest, and Peaks
At the edge of a subalpine meadow, surrounded by forest and high peaks

Subalpine Meadow, Forest, and Peaks. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

At the edge of a subalpine meadow, surrounded by forest and high peaks

I’ll have to go back and look through a week’s worth of photographs to see if I’m just imagining it, but it seemed to me that we could almost watch the high meadows start to change from green to golden during this late-season trip into the John Muir Wilderness. It was surprisingly green when we arrived about a week from the end of August — the surroundings looked more like perhaps lake July of a normal year, with lush green vegetation in the meadows and extraordinary numbers of blooming wildflowers. One doesn’t typically go to the Sierra near the beginning of September to photograph wildflowers, but that was quite possible this year. But by the first days of September, a week later, it seemed like the usual transition from green to golden was finally happening.

We were also fortunate to experience “interesting” weather, which is not always a sure bet in the Sierra. Talk to a few long-time High Sierra photographers and you’ll hear griping about the terrible, awful “week of boring blue skies!” That may seem like an odd complaint to those who frequently must photograph through challenging weather, but we can be frustrated by too much blue sky! We did have these conditions on this trip, but we also had clouds and rain, including one surprise after-dark shower. The clouds in this photograph are small, but it was still morning — such clouds are often the harbingers of afternoon thunder showers.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

High Country Meadow, Evening Light

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High Country Meadow, Evening Light
Late-day light on a stormy evening high in the John Muir Wilderness

High Country Meadow, Evening Light. John Muir Wilderness, California. August 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Late-day light on a stormy evening high in the John Muir Wilderness

For more than the past week, we occupied a Sierra Nevada backcountry landscape full of surprises and riches — more than enough variety of conditions and subjects to keep us busy. A group of eight of us hiked over a 12,000+’ Sierra crest pass (with assistance from pack train support) and set up a base camp from which we set out each day to explore and photograph the spectacular surroundings. The pleasures of such a trip extend beyond photography — to include contemplation of this landscape, occasionally without a camera, and the joy of sharing the high country with a small circle of like-minded friends. This time it was even more special, as Patricia Mitchell returned to the back-country with me for the first time in many years.

I made this photograph on an evening when late day sunlight filled this subalpine meadow and storm clouds cast shadows over the distant peaks. There was a trail to this meadow, but it was hardly necessary, and once in the meadow we were free to explore all of it and the surrounding domes and peaks — which we did on many mornings and evenings. Those with Sierra Nevada high country experience may be surprised that this photograph was made near the end of August when meadows are typically turning golden brown. Last winter’s extraordinary snowfall delayed the onset of summer conditions, and the meadows were still green and wildflowers were everywhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Lake and Mountain, Morning

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Lake and Mountain, Morning
Dawn light comes to mountain slopes above a reflecting High Sierra backcountry lake

Lake and Mountain, Morning. Hoover Wilderness Area, California. August 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dawn light comes to mountain slopes above a reflecting High Sierra backcountry lake

I woke up early on the third and final morning of this pack trip — not early by photographic standards, but just before dawn, nonetheless. The rest of my party — perhaps because they are not photographers — continued to sleep in for another hour or more as I crawled out of my tent, gathered up my (downsized for this trip) camera equipment, and wandered off to see what I could see.

The sun had still not quite risen as I came to the top of a small hill above the lake, but very soon its light began to touch the highest peaks and stream across the shoulder of the large peak towering above the opposite shoreline of the lake. Sometimes the scale of a subject such as this mountain seems more obvious to me when I choose to not include all of it, so I chose to crop tightly enough to not show the peak — or the relatively uninteresting plain blue sky above it. (My theory is that a photograph framed so that the entire subject isn’t visible can sometimes produce an impression that the subject is so large that it cannot be contained within the frame.) As I made this exposure the first light was hitting the rocky face of the upper slopes of the mountain, and that light was reflected in the undisturbed early morning surface of the lake.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.