Tag Archives: hills

Flower-Covered Hills

Flower-Covered Hills
Spring wildflowers in the Temblor Range, California

Flower-Covered Hills. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Spring wildflowers in the Temblor Range, California

I made several photographs of this little valley, with its large number of small receding ridges, covered with flowers and separated by small gullies. We had gone out searching for wildflower prospects in the evening. We drove up into the hills on a one-lane gravel road and eventually found ourselves at a dead-end where the road was closed. We got out, loaded up packs with camera equipment, and continued on up into the Temblor Hills foothills. We left the trail, crossed gully, found a route along and ascending ridge, and before long we were high enough to gain a panoramic view of the Carrizo Plains, and we began to encounter more and more flowers.

After we arrived at the highest point on our hike, which was still far below the summit of these mountains, we set about making photographs. We started on the broad summit of a nearby hill, and from there we could look across a small valley toward these hills, where a series of small ridges ascended toward the evening light. Although there were probably a bit early for the true peak of wildflower color in this spot, there were still thick beds of yellow flowers almost everywhere.

Note: This scene is very similar to that in a photograph I shared just a few days ago. As sometimes happens — especially with my idiosyncratic workflow! — I sometimes end up thinking that my second choice pleases me more than my first.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Temblor Range Wildflowers

Temblor Range Wildflowers
Temblor Range slopes covered with spring wildflowers

Temblor Range Wildflowers. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Temblor Range slopes covered with spring wildflowers

In the right locations, for a few weeks in spring following a wet winter, California’s grasslands can produce absolutely stunning wildflower displays. They typically occur near the very end of what I call the “impossibly green season,” when the typically dry and brown grasslands are brilliantly green from winter rains but just about to turn golden-brown once again. There are many places to find these flowers, but the Carrizo Plains can, in good years, produce exceptional colors. This spring, following a winter of record-breaking precipitation, has been one of those years.

I drove though this area on my way to Death Valley, and when I arrived I found hundreds (perhaps thousands?) of Sunday visitors to the flowers. By late afternoon many of these people were leaving, and our small group set out to look for colors along the lower slopes for the Temblor Range. (So named because they formed along the path of the great San Andreas fault.) We picked a one-lane gravel road and followed it up the lower slopes to where it dead-ended, then got out and continued up the into the hills on foot. I made this photograph near the top of our climb, shortly before sunset as the light from the evening sun passed over the flower-covered ridges of this gully at a low angle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hills And Alluvial Fan

Hills And Alluvial Fan
Morning light on desert hills and a gigantic alluvial fan above the salt flats of Death Valley

Hills And Alluvial Fan. Death Valley National Park, California. april 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light on desert hills and a gigantic alluvial fan above the salt flats of Death Valley

There are a number of things that characterize Death Valley for me — the arid climate, of course, but also the exposed geology, the texture and sound of gravel underfoot, the widely scattered plant life, the quality of atmosphere and light. But most of all I think it is the immense scale of the place that impresses me. It is easy to overlook the fact that the small hill or those dunes or that peak that seem so close may be far enough away that you could not walk there in a day, or that it might take a few hours of driving.

That scale is visible in this photograph, though it may not be immediately apparent. While the foreground was, with its low walls illuminated by early morning light, is very close, and getting to the first dark hill might take no more than 15 minutes, the further hill down on the lower portion of the alluvial fan might require a morning’s walk. It would likely take all day to get to the closest portion of the distant salt flats, and the furthest areas at the upper part of the frame would require a few days of walking. I arrived at this place — but not by walking! — before the sun rose, when it was cloudy and seemed like it might not be a good day for light. But there were a few breaks in the clouds, and across the valley to the right of the scene some sun was striking a mountain ridge. Before long, as the sun came up and rose higher in the sky, that light began to move closer until it finally washed across the landscape in front of me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Hills, Morning

Desert Hills, Morning
Morning light slants across desert hills, Death Valley National Park

Desert Hills, Morning. Death Valley National Park, California. April 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light slants across desert hills, Death Valley National Park

If you know Death Valley well, you already know this — but to many of you it may come as a surprise to realize just how much of Death Valley’s character is the result of the actions of water. The main valley itself was once the floor of a huge lake, and quite a few formations were formed beneath its surface. Once you realize this you begin to see the evidence everywhere. And in the time since the lake’s waters receded, the effects of water have continued in other ways. Evidence of flowing water is everywhere, from the gullies inscribed into the hillsides, to the washes that are found almost everywhere, and including the gigantic alluvial fans forms as floods carried eroded material from the high mountains out onto the desert floor. This extraordinarily dry landscape is, oddly enough, one of the easiest places to see the effects of water.

I had originally planned to photograph in a salt flat area where a bit of water flows, but when I arrived and found that my intended distant subject was under dim, cloudy light I decided to go with plan b and move on to higher ground. I had scoped out this location on a previous evening and was intrigued by the overlapping patterns of darker hills rising above the alluvial fan and the way they recede into distant haze. In the morning I could tell from a distance that there was light up here, so I quickly headed this direction, arriving just as the first light touched some clouds overhead. As I continued to photograph the clouds moved, bringing alternating periods of hazy gloom and then beautiful light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.