Tag Archives: in

Cranes Departing

Cranes Departing
“Cranes Departing” — Restless sandhill cranes take flight from wetlands on a winter morning.

On a typical winter morning where migratory birds hang out, the cycle of early photography often follows a familiar arc. I arrive in near-darkness and start photographing right away, especially when the birds are very active. Rather than being selective about where and when… I follow the patterns that the birds present. If cranes are taking off from a pond, I go there. If a huge flock of geese is flying out, I photograph that. Despite arriving with a plan, these first moments are often about improvising with the conditions I find.

Then, around sunrise or just afterwards, things may slow down a bit. A bit more strategizing may be effective, and I take stock of the light and atmosphere, the locations of birds before figuring out what I’ll do next and where I’ll do it. On this morning I settled on near a large group of sandhill cranes that was still hanging out in and around a shallow pond. I stopped and waited, expecting that they would soon become restless and begin to fly out, a few birds at a time. And, indeed, that is what happened.


COMMENT OR QUESTION? Scroll down to the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sharing the Sky

Sharing the Sky
Three sandhill cranes share the Central Valley sky with a few geese.

Sharing the Sky. © Copyright 2022 G Dan Mitchell.

Three sandhill cranes share the Central Valley sky with a few geese.

During the first part of March, the migratory birds that call the Central Valley home during the winter seem to become restless. At this time of the year I think back to my first late-autumn visits to the birds and recall how it was sometimes hard to find them at all back then, and when I did they were frequently in small groups and at times in places that were not accessible to me. But by the end of their annual residency, they become much more active and appear in greater numbers.

It seems to me that the different kinds of large birds interact with other species much more late in the season. In the early season I might find cranes in one place and geese in an entirely different sort of location. By late winter they often appear together, and mixed groups are often seen in the air and on the ground. In this photograph you can see three varieties of migratory birds — the large sandhill cranes in the middle, a couple of white-fronted geese below, and a group of white snow geese above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Six Cranes in Flight

Six Cranes in Flight
Six cranes in flight against California Central Valley winter sky

Six Cranes in Flight. © Copyright 2022 G Dan Mitchell.

Six cranes in flight against California Central Valley winter sky.

This was a very cooperative flock of lesser sandhill cranes. Although, as expected, they did divert away from my position to avoid flying over me as they passed, the did face into the light in just the right way, and they managed to (intentionally, I’m sure!) coordinate their wing positions so that almost all of the basic wing positions are visible. Even more: not one of them blocks another bird, and all of them are completely visible.

I photographed this group on a late-winter day when I had gone to California’s Great Central Valley. Based on past years the departure of the great flocks of snow and Ross’s geese was only days away, and I hoped to photograph them one more time. The end of “goose season” (though a few other types of geese stick around) is perhaps the best time to photograph geese and cranes in their active modes. Huge flocks of both kinds of birds are around, and they are often easier to photograph at this time of year.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question. (Click this post’s title first if you are viewing on the home page.)


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Cranes in Formation

Three Cranes in Formation
“Three Cranes in Formation” — Three lesser sandhill cranes against blue winter sky above California’s Central Valley.

As I posted this I was considering the title… and it occurred to me that “Three More Cranes” might be the appropriate modification, considering how many crane photographs I have been sharing! And I’m not done — there are still a few more in the queue. Think of it as a sort of end-of-season (at least in Central California) crane fest, with the photographs coming from my final two visits to local crane areas this winter.

Getting a good, close photograph of cranes in flight is more of a challenge than you might think. On a day like this one, the cranes are everywhere, and they are quite active. But a whole bunch of things have to fall into place for it to work, and most of them are decidedly not under the photographer’s control. There must be some sort of good light, and the cranes must be flying in a good direction relative to that light. Their flight must take them near (and preferably over) my position, but cranes are notoriously finicky about flying directly over people. The individual birds must align themselves in aesthetic ways — not blocking one another or creating awkward shadows, wings in an interesting position, yet close enough to one another to fit in the frame. The truth is that a day of photography may not produce a photograph with the birds aligned as beautifully as this trio.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.