Tag Archives: landscape

Autumn Color Transition

Autumn Color Transition
Brush and aspens undergoing the autumn color transition in the eastern Sierra Nevada

Autumn Color Transition. Eastern Sierra Nevada, California. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Brush and aspens undergoing the autumn color transition in the eastern Sierra Nevada

When we think of fall color in the Sierra Nevada, for many the first (and perhaps only?) thoughts are of the aspens. The aspens are beautiful — more about them in a moment — but they aren’t the whole show. For example, where the high desert environment meets the mountain environment there can be a lot of spectacularly colorful brush, and the dried grasses contribute their own golden brown tones. Willows can become quite yellow, and even some ferns can glow in the right light. I suppose that this photograph is largely about aspens, but it chose to include some of those other color sources, too.

The aspen color transition is not a sudden thing. In fact, if you start with the earliest oddball individual yellow leaves, often seen by mid September and sometimes earlier, and look all the way out until late October when the last leaves finally fall, you can be looking at a period of as long as six weeks. (To be clear, the core of the season is still the first half of October plus a little.) Even in individual locations the color rarely changes all at once, and brilliantly colorful trees may stand next to trees that are still green. This location along the eastern base of the range is a fine example. Obviously some of the trees are approaching peak color. But if you look closely you may spot a few trees that are already bare. And the great or almost-entirely green trees area still several days to a week before their best color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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First Snow At First Light

First Snow At First Light
Dawn light and shadows on an eastern Sierra ridge with dusting of early autumn snow.

First Snow At First Light. Eastern Sierra Nevada, California. October 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dawn light and shadows on an eastern Sierra ridge with dusting of early autumn snow.

On this early October morning I had a bit of time for photography before I had to start my drive back to the Bay Area. I had a plan to visit a somewhat lonely high spot from which I might have a view of aspen groves lit by dawn light, so I was up way before sunrise. I broke camp and headed out, driving some gravel roads to get to my destination and arriving before dawn. It was cold! This was the sort of autumn morning that makes it clear the summer is over and winter is coming. When I got up it was 27 degrees, but when I arrived at my destination it was 23. I put on lots of layers, got out of my vehicle, and set up my tripod and camera.

My initial subject was to be the aspens, and I began photographing them in the soft predawn light. A few minutes later the first direct sun hit the tall ridge of the Sierra crest above me and I turned my camera in that direction. As the light swept across ridges and gullies, there was a big contrast between the extremely warm colors of the rock lit by dawn sun and the deep blue light on the snow in the ravines. A day and a half earlier the first snow of October had dusted the Sierra crest. Looked at in a particular way, this photograph appears to me as an almost abstract pattern out of which the forms of the mountain resolve themselves only when I look more closely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens, Early Evening

Aspens, Early Evening
Early evening light slants across eastern Sierra Nevada foothills and aspen groves beneath snow-covered peaks

Aspens, Early Evening. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early evening light slants across eastern Sierra Nevada foothills and aspen groves beneath snow-covered peaks

I made my first Sierra Nevada autumn aspen trip earlier this week. (This wasn’t my first aspen hunt of the season, though — a week ago I went into Eastern Nevada to look for them, too.) I just had a couple of days this time, though I’ll be back there again before too long. I did a rather high-mileage trip for such a short visit. On Tuesday I traveled east from the Bay Area to cross the crest at Carson Pass. I headed south over Monitor Pass to get to US 395, and then I headed south to find a campsite in Bishop Canyon. It was an “interesting” weather day — I drove through light snow flurries on the upper portion of US 395, though it cleared once I got south of Mammoth Lakes. Aspen conditions? In short, color is changing in many places, though had only peaked in a very few, so there is plenty of color left to come.

People often ask, “Where is the best place to find aspen color?” (You may have heard — I wrote a book on the subject!) I think that the best answer is perhaps not to name one or another place but to consider how aspen color evolves each fall and the many potential places to look for it. A short answer is that you can head over just about any trans-Sierra pass from highway 80 south and keep your eyes peeled! In general, things tend to move from north to south and from high to low, so keep that in mind as you look. But right now, if you cross any of these passes and take a cruise up and down US 395, all you really need to do is keep your eyes open and be prepared to do a bit of investigating… and you are almost certain to be rewarded.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dormant and Alive

Dormant and Alive
dormant and live trees form patterns against a cliff face, Great Basin National Park

Dormant and Alive. Great Basin National Park, Nevada. September 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dormant and live trees form patterns against a cliff face, Great Basin National Park

On my first visit to Nevada’s Great Basin National Park near the end of September, my initial impression was that the “big features” of the park that probably draw the most visitors are two: The Lehman Caves near the entrance and visitor center and the high, alpine area close to Wheeler Peak, the highest point in the park and the second tallest in the state of Nevada. I did not visit the caves, but I did spend a fair amount of time high up near the peaks, photographing and hiking to the alpine lakes and the bristlecone pine groves. (My one regret is that I started out a bit too late on the bristlecone pine visit, and I didn’t have enough time to cover the additional two miles up to and back from the Wheeler Glacier.)

Eventually, as typically happens, I had made my acquaintance with the iconic subjects in the park, and I started to feel the familiar impulse to look around a bit for things that might not be so obvious or immediately impressive. The first foray was up a gravel road past some less developed campgrounds, where I came across at section of low cliff running alongside a gravel road and stream bed. The autumn colors were just beginning to arrive here, so I got out and wandered a bit, looking for juxtapositions of rock and tree. This little vignette attracted my attention, and I was fascinated by the pairing of a living tree full of leaves (albeit just about to turn colors and drop) and the nearby bare, white branches holding only dead leaves, with both set off from the rock behind them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.