Tag Archives: landscape

Panamint Valley and Mountains

Panamint Valley and Mountains
Looking into Panamint Valley and toward the Panamint Mountain Range

Panamint Valley and Mountains. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking into Panamint Valley and toward the Panamint Mountain Range

When most people think of Death Valley they probably think of incredibly hot desert conditions. Those conditions are real, and are among the reasons that I do not visit the place during the warmer times of the year. But the conditions are quite a bit more varied than that reputation would suggest. I have been snowed on in Death Valley — on one memorable occasion photographic desert wildflowers in a snow storm! — and I have encountered temperatures ranging from over 100 degrees to below freezing. The variations are related to seasons (there are some very cold places here in the winter!) and to elevation, which ranges from below sea level to over 11,000′.

This photograph captures a range of those conditions in one image. It was a pleasantly warm, though cloudy, day as I left the park. The winds were howling down below in Panamint Valley, where a dust storm was beginning to kick up. Winter snow was still thick on the highest peaks of the Panamint range, and an incoming storm was developing and promising more precipitation.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Urban Fishermen, Dusk, San Francisco Bay

Urban Fishermen, Dusk, San Francisco Bay
A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

Urban Fishermen, Dusk, San Francisco Bay. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

During the last weekend of April I joined a group of fellow street photography and night photography enthusiasts in San Francisco. We met up for dinner in the Chinatown district, and afterwards we wandered down to the Embarcadero and the waterfront, busy with tourists at this time of year. Ultimately we ended up in a spot very popular with such folks, a pier the affords walking access to the waters of the bay. I spent perhaps a half hour out there photographing: people, the bay, passing ships and boats, the City skyline.

These urban fisherman are a regular part of the San Francisco urban scene and they represent a sort of intersection between the human and the natural worlds. They are everywhere along the City’s waterfront, and often are fishing within earshot and “eyeshot” of the busy urban scene. Stop and think about what this means and there is a lot to ponder. Even in a busy and fast-paced place like San Fransisco, it is possible to walk a few feet and find yourself standing quietly above the bay in dusk, perhaps with a few friends — one way to help maintain sanity in the urban world. These guys appeared to be finishing up for the evening and were simply standing around and talking as they packed up and as tourists stopped to watch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Buttes, Evening Light

Buttes, Evening Light
Evening light into Blackwater Wash illuminates buttes above Death Valley

Buttes, Evening Light. Death Valley National Park, California. April 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light into Blackwater Wash illuminates buttes above Death Valley

These buttes or hills have fascinated me for a long time. They project out of the gigantic gravel fields of the alluvial fan at the base of the Panamint Mountains known as Blackwater Wash. They are visible from the floor of Death Valley, across its wide expanse to the west, often partially obscured by haze late in the day. From a few high points in the Panamint range they are also visible from above, often poking up above ridges or framed by v-shaped canyons.

I made this photograph from one of those higher positions, a location along the summit ridge of the Panamint Mountains that provides views in all directions, including down into Death Valley itself. This time I was there near the end of the day, as haze filled the valley and the last sunlight of the day came over the summit of the mountain range, casting beams of light down into the canyon and lighting these hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Lenticular Clouds, Death Valley

Lenticular Clouds, Death Valley
Dawn lenticular clouds from above the Black Mountains and Death Valley

Lenticular Clouds, Death Valley. Death Valley National Park, California. April 7, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dawn lenticular clouds from above the Black Mountains and Death Valley

After a cold and windy final night camping in the Panamint Mountains of Death Valley National Park this spring, I woke up early and headed to an overlook along the summit ridge for the range before dawn. The most typical experience here is to watch the sun rise into clear skies above the desert landscape, but this time a weather system was approaching. It was cold, extremely windy, and the sky was filled with dark clouds. The only sunrise color I saw was along a distant band of light at the horizon, produced by clearer skies far to the southeast.

I had seen the giant lenticular cloud forming the previous afternoon. These clouds are almost a part of the landscape at times, arising in predictable locations and formed by interactions between the atmosphere and features such as mountain ridges. Unlike other clouds, the lenticular can remain almost stationary for long periods of time — but this is the first time I’ve awakened to see clouds from the previous day still there. The choice to use a monochrome interpretation allowed me greater interpretative latitude in the final image, and this let me draw attention to certain shapes mirrored by the clouds and the geology in the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.