Tag Archives: landscape

Death Valley From The Panamint Range

Death Valley From The Panamint Range
Looking down from the ridge of the Panamint Range toward Death Valley

Death Valley From The Panamint Range. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking down from the ridge of the Panamint Range toward Death Valley

I have paused near this spot many times while traveling in the Panamint Mountains of Death Valley, sometimes thinking about making a photograph but never quite seeing it. It probably hasn’t helped that I’ve typically been on my way to another location as I passed by, and I didn’t really want to linger here too long while the light was waiting for me at my destination. In fact, on my outward journey I more or less passed right by this time, too. I went on to my destination, spent time there making photographs of a subject that I had in mind, took time to fix breakfast “on the road,” and then turned back.

By the time I passed by this spot again on the return trip it was well past the typical photography hours in Death Valley, where the light can become quite harsh and washed out closer to the middle of the day. But this time that seemed to almost work to my advantage, especially since a bit to thin high cloudiness muted the light just a bit, and the distant haze in the Valley helped produce a near-far distance effect. So I stopped, in a spot close to by not exactly where I had previous thought about photographing, noticed that the hills at the close edge of the Valley were just visible through the slot between the converging slopes on either side of the gully, and made a photograph which I anticipated would become a monochrome image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Temblor Range Wildflowers

Temblor Range Wildflowers
Temblor Range slopes covered with spring wildflowers

Temblor Range Wildflowers. Carrizo Plain National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Temblor Range slopes covered with spring wildflowers

In the right locations, for a few weeks in spring following a wet winter, California’s grasslands can produce absolutely stunning wildflower displays. They typically occur near the very end of what I call the “impossibly green season,” when the typically dry and brown grasslands are brilliantly green from winter rains but just about to turn golden-brown once again. There are many places to find these flowers, but the Carrizo Plains can, in good years, produce exceptional colors. This spring, following a winter of record-breaking precipitation, has been one of those years.

I drove though this area on my way to Death Valley, and when I arrived I found hundreds (perhaps thousands?) of Sunday visitors to the flowers. By late afternoon many of these people were leaving, and our small group set out to look for colors along the lower slopes for the Temblor Range. (So named because they formed along the path of the great San Andreas fault.) We picked a one-lane gravel road and followed it up the lower slopes to where it dead-ended, then got out and continued up the into the hills on foot. I made this photograph near the top of our climb, shortly before sunset as the light from the evening sun passed over the flower-covered ridges of this gully at a low angle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Hills And Alluvial Fan

Hills And Alluvial Fan
Morning light on desert hills and a gigantic alluvial fan above the salt flats of Death Valley

Hills And Alluvial Fan. Death Valley National Park, California. april 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning light on desert hills and a gigantic alluvial fan above the salt flats of Death Valley

There are a number of things that characterize Death Valley for me — the arid climate, of course, but also the exposed geology, the texture and sound of gravel underfoot, the widely scattered plant life, the quality of atmosphere and light. But most of all I think it is the immense scale of the place that impresses me. It is easy to overlook the fact that the small hill or those dunes or that peak that seem so close may be far enough away that you could not walk there in a day, or that it might take a few hours of driving.

That scale is visible in this photograph, though it may not be immediately apparent. While the foreground was, with its low walls illuminated by early morning light, is very close, and getting to the first dark hill might take no more than 15 minutes, the further hill down on the lower portion of the alluvial fan might require a morning’s walk. It would likely take all day to get to the closest portion of the distant salt flats, and the furthest areas at the upper part of the frame would require a few days of walking. I arrived at this place — but not by walking! — before the sun rose, when it was cloudy and seemed like it might not be a good day for light. But there were a few breaks in the clouds, and across the valley to the right of the scene some sun was striking a mountain ridge. Before long, as the sun came up and rose higher in the sky, that light began to move closer until it finally washed across the landscape in front of me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Chasing Spring Color In The Temblor Range

Chasing Spring Color In The Temblor Range
Photographers Robert Eckhardt and Michael Frye photographing spring wildflowers in California’s Temblor Range

Chasing Spring Color In The Temblor Range. Carrizo Plains National Monument, California. April 2, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Photographers Robert Eckhardt and Michael Frye photographing spring wildflowers in California’s Temblor Range

It has been my tradition for a number of years to spend the better part of a week photographing in Death Valley National Park around the beginning of April. It turned out that this year’s spring bloom in the Carrizo Plain area was reported to be stupendous, and when I heard that friends of mine would be there photographing I altered my plans to pass through there on my way to DEVA, giving myself an evening and a morning to photograph the wildflowers and landscape.

The group of us decided to head out to some hillsides at the base of the Temblor Range, which runs along the edge of the plain. We drove as far as we could up a dead-end gravel road, then got out, loaded up camera gear, and headed up into the hills, where lots of flowers were covering sections of the hillsides. Here photographers Robert Eckhardt and Michael Frye photograph in a field of yellow and purple high above the base of the hills and the Carrizo Plain.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.