Tag Archives: light

El Capitan, Morning Light and Clouds

El Capitan, Morning Light and Clouds
Clouds and mist shroud El Capitan shortly after sunrise

El Capitan, Morning Light and Clouds. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds and mist shroud El Capitan shortly after sunrise

This morning was (yet another) lesson about not making assumptions too quickly, and about being ready to react quickly to changing conditions. I was up well before dawn and after coffee I quickly packed and headed out the door to my vehicle, ready to start the drive from Wawona to The Valley. There was enough light to get some idea of the conditions, and they did not warrant much optimism — the sky was completely covered by clouds, and as I drove they seemed to be getting thicker to the west, suggesting that they were increasing rather than thinning. As I continued to drive, crossing the road’s high point before descending toward Yosemite Valley, the light began to suggest the possibility of breaks in the clouds to the east. Sure enough, as I got my first long view of The Valley, there was open sky in that direction. What had promised to be dull and gray was starting to look more like their could be potential for special atmospheric conditions.

I made a few quick photographs at this first viewpoint and quickly moved on, driving through Wawona Tunnel and existing to the famous view of the Valley. Typically there are very few photographers here in the early morning — the opposite of the typical evening crowd — but the unfolding light show caused some of us to pull up short here and make some photographs. At this point I rarely do “the shot” of the full Valley scene in anything short of astounding conditions, preferring instead to focus on smaller components of the grand scene. As I photographed with a long lens, light appeared and disappeared, clouds drifted, beams struck isolated elements of the landscape, and there were bits of visual drama everywhere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Sunlight, Waterfall Spray

Trees, Sunlight, Waterfall Spray
Forms of bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

Trees, Sunlight, Waterfall Spray. © Copyright 2018 G Dan Mitchell – all rights reserved.

Bare trees silhouetted against the sunlit spray of a Yosemite waterfall.

For decades I have had an informal tradition of stopping at a waterfall during my first spring visit to Yosemite Valley, and getting as close — and as wet! — as possible as my way of saying goodbye to the cold winter season and hello to the upcoming warmer times of the year. Most often the location has been Bridal Veil Fall, one of the most accessible in The Valley and one that reliably produces clothing-soaking mist early in the season. Although I have photographed this “event,” the point of the visit has rarely been photographic — it is more about a reconnection with a favorite time of year in the Sierra and a personal celebration of the wild flow of melting snow at this time of the year.

But, of course, I can’t entirely avoid photographing the thing. That said, photographing the drenching torrent up close presents some problems. Cameras don’t like mist-filled air, especially when the mist is sometimes thick enough to act more like rain. Even if your camera is protected against water, you lens is going to get soaked quickly, and water-covered lenses and most landscape photography don’t mix. So my approach is to work quickly with a handheld camera. I know these lovely trees from previous visits, and I was hoping I could get close enough to photograph them against the clouds of spray coming from the waterfall, silhouetted against the brilliant backlit mist. I pre-selected a lens, stuck the camera in a waterproof bag, and headed up the short trail, quickly getting to the location of these trees. Standing behind a larger tree, I unzipped the bag and took out the camera. I stepped out of the shelter of the tree, pointed the camera up towards these slender trees, composed the image I had in mind, and made perhaps a half-dozen exposures before things got to wet and I had to retreat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Waterfall and Trees, Spring Evening

Waterfall and Trees, Spring Evening
Evening light on Yosemite Falls and meadow trees

Waterfall and Trees, Spring Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening light on Yosemite Falls and meadow trees

I have had my eyes on this composition for some time. The photograph is, in many ways, a pretty straightforward thing, and it certainly doesn’t require any logistical difficulty or long hikes. However, there are a few variables in play that are not entirely under the photographer’s control, and timing is critical — as to the season, the time of day, and the momentary conditions. The green of that group of trees is briefly at its most intense for a period in the spring. As in so many photographs, the momentary effect of light is critical and ephemeral. Two days earlier I had photographed this same scene, with results I liked but not as much as what happened here.

Speaking of that earlier photograph of the same subject, I had not made a firm decision to re-photograph the scene on the evening when I made this version. I was thinking about several potential subjects on this final evening in the Valley for this trip, but it was the infamous Yosemite Valley traffic that put me here at the right moment. I had parked in a day use lot while I went on an afternoon hike, returning to my vehicle in time to finalize my evening plans. The traffic was completely stopped due to the combination of large numbers of spring visitor and construction work to the west. So I headed across the Valley and back to the east, looping around towards this spot. Some distance away the traffic stopped completely once again, so I simply pulled to the side, loaded my equipment on my back abandoned (temporarily!) my vehicle, and started walking. I could see good light ahead through the trees, but as I arrived some clouds blocked it. But since I wasn’t going to have much luck trying to drive elsewhere I simply decided to stick around and watch. Eventually there was a short break in the clouds, and a brief moment of lovely light illuminated these trees. And then the show was over.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Afternoon Light, Blowing Sand

Dunes, Afternoon Light, Blowing Sand
Late afternoon light and blowing dust above Death Valley sand dunes

Dunes, Afternoon Light, Blowing Sand. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light and blowing dust above Death Valley sand dunes

Wind and blowing dust on sand dunes can produce an otherworldly and spectacular scene. They are also very difficult to work in — tough on equipment and tough on photographers! (I recently read some advice about entering the dunes during serious sand storms. Basically, the recommendation was, “don’t.” For the stubborn, who would do it anyway, the text continued with a recommendation to wear protective clothing, eye protection, and some kind of mask — perhaps towels soaked in water. Fun, eh?) The conditions on this occasion were not really that bad, probably not even as challenging as they might appear to be in the photograph, but it was an afternoon of blowing wind and sand.

We were in a section of low dunes, a distance away from the popular areas where the challenge seems to be to surmount the highest dune. In these lower areas there is plenty to see and photograph, and I usually prefer them to the less accessible and higher areas. Here there are plenty of plants growing in the same, and the more intimate landscape of hills and valleys provides endless subjects. As I was working that terrain I happened to look west toward the late day sun — barely out of the frame — to see the complex patters leading away on the closer dunes, the dark shape of the more distant tall dune, and the light shining through the wind-blown sand in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.