Tag Archives: lodgepole

Forest, Granite Ridges

Forest, Granite Ridges
Morning light and thin forest along granite ridges, Yosemite National Park

Forest, Granite Ridges. Yosemite National Park, California. July 16, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Morning light and thin forest along granite ridges, Yosemite National Park

This is to be a summer of travel, and a great deal of it will take me a long ways from my Sierra Nevada mountains — to other wonderful places, but not places that are wild and natural. (At least not until September, when my visits to the Sierra will recommence.) So I managed to get up into the Yosemite high country for four days in mid-July to do some photography… and breathing!

On the last morning, before returning to break camp, I headed out early to look for subjects in morning light. In fact, I had been watching this particular area and had in mind to photograph these trees, growing on an old glaciated granite ridge, against the background of more distant, haze-muted, ridges. Once I got there it was a bonus to notice the diagonal shadows of the distant trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Forest and River, Evening

Forest and River, Evening
Evening light comes to the Tuolumne River and surrounding forest

Forest and River, Evening. Yosemite National Park, California. July 13, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Evening light comes to the Tuolumne River and surrounding forest

A scene like this can be deceiving, at least when it comes to assumptions about how it might be photographed. It is a peaceful and tranquil scene, and that impression supports the idea that photographing such a subject might be a slow, contemplative, and measured process: explore slowly, consider compositions, set up the camera and fine tune, wait, then photograph.

Nothing could be further from the truth. At this time of day — unless one is photographing a subject that has been specifically planned and scheduled in advance — things happen with extraordinary speed, especially when it comes to the transitions of light.  For example, the last light coming through the forest to strike the central tree lasted only moments. Knowing this, as soon as I saw it I photographed more or less instinctively, working quickly and hoping that I would have time before the light was gone— which it was only a moment later.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Ridgetop Trees, Cloudy Sky

Ridgetop Trees, Cloudy Sky
A momentary break in a September storm lights ridgetop trees against a cloudy sky

Ridgetop Trees, Cloudy Sky. Yosemite National Park, California. September 15, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A momentary break in a September storm lights ridgetop trees against a cloudy sky

In a way, I sneaked up on this stand of trees over a period of several days. A small group of us camped at a backcountry Sierra lake for about a week back in September. The experience of photographing in one limited area for this long is quite different from photographing while actively backpacking or while moving around by vehicle. Each morning one wakes up in the same place, and each morning one heads out into the same landscape, looking for new views of it or for subjects and locations that were not immediately apparent. We also have the opportunity to return to subjects more than once as the conditions change — different times of day, different atmospheric conditions, and so forth.

These trees stand atop a glacially carved ridge above “out” lake and between it and another similar lake below. The rocky terrain limits the growth of trees and they tend to stand apart from one another, often revealing more clearly the shapes of individual trees. I first saw this area and it trees very early on during our visit, and I climbed the low ridge a number of times. Near the end of our stay a storm swept in and we had on and off rain for a couple of day. I went out on this somewhat soggy day, alternately walking around the landscape and using that very landscape to hide from the intermittent showers that passed through. I hiked up the hill in the rain, using a thicker bit of forest for cover, and I emerged into the open as the clouds thinned a bit and the rain momentarily diminished, and the landscape lightened as weak sunlight shone. This clump of trees stands resolutely near the very top of the ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Granite Ridge, Trees

Granite Ridge, Trees
Tall trees on top of a granite ridge, Yosemite National Park

Granite Ridge, Trees. Yosemite National Park, California. September 12, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Tall trees on top of a granite ridge, Yosemite National Park

This has been a period of unprecedented drought in California as a whole and particularly in the Sierra Nevada. In the fourth of this series of drought years the Sierra is showing the strain. Creeks have stopped flowing, lake levels are significantly low, trees are under stress and dying throughout the range. This summer the annual wildfire season began much earlier than usual, and many fires spread quickly and took longer to contain. We certainly saw all of these effects during our week-long photographic sojourn in the Yosemite backcountry. Until we had a couple of days of (welcome!) rain near the end of the trip, the smoke was a major factor. On many days we had smoke so thick that we were concerned about our health, and the pall often made photography somewhat challenging. Fortunately, even on the smokiest days there were times when it was clear, too.

However, it is possible to see how to make photographs even in smoky conditions. On the plus side, some smoke can soften the light a bit, and the haze can enhance the atmospheric recession effect, which can emphasize the distances between subjects in front of the camera. The haze in this photograph comes partially from wildfire smoke. Here it muted to sometimes-difficult highlights on the granite, and it softened and muted the distant forest across the valley.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.