Tag Archives: low

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Evening Dunes

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Evening Dunes
Low dunes in soft evening side-light, Death Valley National Park.

Evening Dunes. © Copyright 2022 G Dan Mitchell.

Low dunes in soft evening side-light, Death Valley National Park.

Rather than being the result of a carefully planned and scheduled shoot, this photograph was a last-minute photograph of opportunity. We had spent the day in a remote location in Death Valley National Park, at the end of a long and rough backcountry road, where we had parked and hiked a few miles further into a canyon. The light in deep canyons tends to be best while the sun is still high in the sky, so we finished in the late afternoon and then drove out. We decided to stop for an early dinner and not worry about evening photography.

We finished dinner and as walked back to the vehicle it occurred to me that there was just enough light to squeeze in a bit of photography if we hurried to a nearby spot. We immediately parked and set up equipment as the last direct sunlight began to fade on the landscape below. I exposed three frames before the light was gone, and the soft light enhances the sensuous quality of all of those sand formations.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Dusk Dunes

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Dusk Dunes
Soft evening light on low sand dunes

Dusk Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft evening light on low sand dunes.

Sand dunes are perhaps the most classic “desert” photography subject. For most people, they are their first association with these places, and their dry, bare (or so it seems), and utterly dry features are some combination of beautiful, intriguing, and dangerous. I am certainly not immune to their appeal, and photographing them can be an endlessly challenging activity. One reason is that as photographic subjects they are much more varied than you might initially imagine. While they have their own shapes and colors, these are changed radically by wind, color and intensity of light, and more. They provide one other challenge, too — when I first look at them it always seems like they will be easy to photograph, but they always end up presenting more challenges than I expected.

I love photographing dunes in the marginal light at the start and end of the day, and especially the time right around and just after sunset. At these times the dunes undergo sometimes-astonishing color transformations. The warmer tones, which are sometimes sun-blasted into neutrality during the day, begin to emerge in the softer light. And the dunes pick and reflect a wide variety of colors — blue from darker sky; reds, yellows, and even purple from sunset clouds. I photographed these smaller dune formations from a distance in the early evening.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Northern California, Photographs: Ocean & Coast

Evening, Wildfire Smoke, Tomales Bay

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Evening, Wildfire Smoke, Tomales Bay
Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

Evening, Wildfire Smoke, Tomales Bay. Near Point Reyes National Seashore, California. October 15, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Wildfire smoke from northern California wildfires colors the evening sky at upper Tomales Bay

In what is perhaps an example of astonishingly bad timing, we were in the region just north of San Francisco for the past few days — near the areas afflicted by the terrible wildfires that have taken lives, destroyed property, and burned over huge swathes of wild land and agricultural areas. The scope of the damage is virtually unprecedented in California, and the events are not yet over as I write this. We were in Petaluma on Friday and most of Saturday, where Patty was to participate in a long-planned wedding of one of her former oboe students. The fires were close enough to Petaluma that breathing masks were provided to those attending the wedding, and at times ash fell from the sky like very light snow flurries.

On Saturday we moved closer to Point Reyes National Seashore. Our original plan had been to spend a couple of days photographing there, but the conditions were not conducive to photography for the most part. We visited the Seashore on Sunday, but the smoke and the naturally brown October conditions, combined with a complete lack of moody for or other clouds left us a bit uninspired. We found a few things to photograph, but we finally decided to just drive north up that coast a ways. We got just past Jenner, where the smoke become even thicker — and we turned around. The smoke was not the only evidence of the fires. Signs were up everywhere — restaurants and similar places — with announcements of fund-raisers, requests for donation, notes from people looking for a place to stay. It was also clear the folks from inland had headed out toward the ocean to try to escape the fires. We left Jenner and headed back toward our lodgings in the Point Reyes area, and just at sunset we arrived at upper Tomales Bay. It was quiet and still as we stopped at a high point from which we could look out over the bay and north toward its mouth. It was still smokey, but here the smoke merely softened the features of the landscape and added color to the sky and the reflecting water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Northern California, Photographs: Ocean & Coast

Pier, Low Tide

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Pier, Low Tide
A pier extends across tidal flats at the edge of Tomales Bay, Inverness, California

Pier, Low Tide. Inverness, California. July 23, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A pier extends across tidal flats at the edge of Tomales Bay, Inverness, California

In late July I took a day to visit Point Reyes. My main goal was a long hike over the barren bluffs above Drakes Estero, with my plan being to follow a route all the way to the coast at Drakes Bay, hopefully arriving at just about the time the fog cleared. It was a wonderful hike, with some clearing early on, but ultimately it never did clear at the coast. On a day when merely a few miles inland the temperatures rose into the 90 degree range, here in the fog and wind it never got out of the fifties, and it was almost like enjoying a winter day in July.

Before I began my hike I drove along the shore of long, narrow Tomales Bay, where the road mostly travels right along the shoreline, often only feet from the water. This bay is very sheltered, with a narrow entrance and then a long distance from there to its inner reaches. At the upper end the tides regularly turn the bay into a mudflat. I always am on the lookout for photographs as I drive this route, and as I passed this spot I caught a glimpse of the stark backlight and the brilliant reflections on the mudflat — so I turned around and headed back to make a few pictures of this pier and the building out over the way.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.