Tag Archives: man

Tasty Hand-Pulled Noodles

Tasty Hand-Pulled Noodles
Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

Tasty Hand-Pulled Noodles. © Copyright 2017 G Dan Mitchell – all rights reserved.

Man in vest and helmet emerges from Tasty Hand-Pulled Noodles, Inc.

This is another quite street photography photograph made in Manhattan, almost certainly along the edges of its Chinatown district. On the scale from instant and intuitive to slow and methodical, this photograph fits in the former category. I think I recall stopping for no longer than a few seconds to photograph this place, and timing a couple of the exposures to include this fellow coming out through the door. Once he was out of the picture my interest waned and we moved on.

Of course the name of the business caught my attention — not just “Noodles” or that word plus someone’s name, but “Tasty, hand-pulled noodles, Inc.”, and on a shop that wasn’t, well, very pretentious. The fellow coming out the door was wearing one of those bright orange reflective vests and a bicycle helmet. I saw no bicycle nearby, but perhaps he was a messenger. Not clear from the photograph, unless you notice how much clothing he is wearing, is that he was apparently out on a bicycle on a day when the temperature barely reached twenty degrees and the wind was blowing strongly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Crossing Lexington

Crossing Lexington
A man crosses Lexington on a winter afternoon in New York City

Crossing Lexington. © Copyright 2018 G Dan Mitchell – all rights reserved.

A man crosses Lexington on a winter afternoon in New York City

I made this photograph on one of the coldest in a string of very cold winter days in New York City between Christmas and New Year’s Day. On such days we still were out walking around Manhattan quite a bit, but we also sought out shelter and warmer activities. On this day the plan was to visit an exhibit at the Guggenheim. We took the subway up there and arrived late enough that we had to join a line waiting, we presumed, for folks in the already-crowded building to leave so that we could enter. After fifteen or twenty minutes in the line, standing in freezing wind, we realized that the line was not moving at all, and we bailed out for a nearby restaurant where we could warm up.

After lunch we ended up on Lexington, where there was plenty to see and photograph. Many of my photographs on this afternoon took advantage of winter sunlight obliquely slanting across buildings and windows and reflecting onto the sidewalk and street. However, the light for this photograph was different — a sort of soft glow filtering down from the strip of sky above the street. This is a busy place, but during a momentary break in the pedestrian and vehicle traffic this solitary man slowly crossed the street in front of me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Barbershop, Manhattan

Barbershop, Manhattan
Barbershop storefront in the Chinatown section of Manhattan

Barbershop, Manhattan. © Copyright 2017 G Dan Mitchell – all rights reserved.

Barbershop storefront in the Chinatown section of Manhattan

As I continue my somewhat binary posting pattern — street and urban photography one day, with nature, wildlife, and landscape the next — today I’m back in New York City, during out end-of-year December 2017 week spent there, visiting family, eating, walking, and doing photography. Oh, and freezing. We managed to arrive just before a bout of exceptionally cold weather — at least for these Californians — during which daytime temperatures didn’t always make it into the twenties. It didn’t snow until the final day, but it surely was cold enough.

The cold didn’t keep us indoors, though. We were out every day, walking through as much of Manhattan as we could. A typically walk started near our hotel at the end of Lower Manhattan and (if we didn’t get a head start on the subway) worked its way north along any of several paths. Eventually the cold and wind would become too much, and we would stop for coffee or food, then head back out. On one morning our uptown-bound route took us into the narrow streets of Manhattan’s Chinatown, a place I always like to see. (On our previous visit we stayed for a week on essentially the boundary between Chinatown and Little Italy.) Things here are often a bit ragged around the edges and it can be crowded, but there is plenty to see. The dense patterns of people walking the streets, the interiors of shops, the scenes on the sidewalks are all interesting.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Path Above San Francisco

Path Above San Francisco
A person walks on a path through a grove above the night lights of San Francisco

© Copyright 2017 G Dan Mitchell – all rights reserved.

A person walks on a path through a grove above the night lights of San Francisco

This is another of my handheld night photographs, something I’ve been experimenting with for a couple of years now. Newer high ISO small handheld cameras make it possible to work without a tripod in the urban landscape, essentially doing street photography in the (near) darkness. While there are some compromises in pure image quality — more noise to deal with in post, and greater potential for motion blur, working this way makes in possible to photograph in ways that just aren’t possible with a tripod. I can move quickly and respond to changing subjects more readily, and I’m less of an obvious intrusion on the scene.

This photograph might seem like one for which a tripod would be appropriate. I can’t argue with that on a technical basis. But I point out that between the time I saw this person walking along the path and the time I made three quick exposures was measured in seconds. With a tripod-mounted camera I simply would not have been able to make the photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.