Tag Archives: manhattan

Buddha Bodai One

Buddha Bodai One
People assemble outside of Buddha Bodai One on Christmas Eve

Buddha Bodai One. Manhattan. December 24, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

People assemble outside of Buddha Bodai One on Christmas Eve

Christmas Eve in New York City, and after joining the throngs up on Fifth Avenue we headed down to China Town for dinner, planning to eat at a place that we’ve gone to in the past. We arrived and it was surprisingly crowded and when I asked I was told that the wait would be “an hour and a half or longer!” Hey, the food is good… but not that good, so we set out to find an alternative. We wandered the area a bit, figured out that just about everything on Mott Street was similarly crowded, and then headed off to a different street where we found a quieter Vietnamese place.

While wandering Mott Street to look for an alternative I kept the camera out and made a series of photographs of scenes along this street. It was a great spot to photograph, with lots of people who were often somewhat static in front of businesses and restaurants, and streets so narrow that signs from lights tended to fill in the shadows across the street. For me the elements of a photograph in a place like this include the light itself, whether flowing across sidewalks and into the streets or the light of the business signs; lots of color; and people assembling themselves into interesting arrangements. Here many of the individuals in the group are doing interesting things — a woman pushes a child in a stroller (which, for some reason, is starting to be a motive in my street photography), another woman seems to be slightly off-balance, a couple is in a darker area off to the right, and an older man stands along in front of a stairway, looking alone and slightly uncomfortable.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Lower Manhattan, Bridge Cables

Lower Manhattan, Bridge Cables
Lower Manhattan as seen from the Brooklyn Bridge

Lower Manhattan, Bridge Cables. New York City. December 26, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Lower Manhattan as seen from the Brooklyn Bridge

In late December 2015 we spent a week in New York, staying in Brooklyn very close to the Bridge. For most of the week we mostly didn’t pay a lot of attention to this landmark, but near the end of our visit we had some time to kill one morning before meeting our sons in Manhattan, so we decided to take the famous walk out onto the bridge. It was a fairly cold morning, threatening rain, so the scene had a wintry appearance. That didn’t stop the crowds though, and we shared the bridge with lots of other walkers.

Photographing from the bridge I made a conscious decision to not make “that photograph” of the cables leading up to the towers. Instead I looked to subjects that included the cables and other elements of the bridge structure either as the primary subject or as part of the setting for other subjects. I decided to “play” a bit in post with this photograph. One way to stretch post-processing skills is to think about how to replicate effects that we see in the work of other photographers. This isn’t about imitating them — it is about trying to broaden one’s skills as a photographer. In this case, I went towards (but not all the way to) a kind of processing that I see in some currently popular urban and architectural photography… and I learned a few things by doing so.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer Louis Mendes

Photographer Louis Mendes
“Photographer Louis Mendes” — Photographer Louis Mendes rides a historic New York subway car

The timing of our December 2015 visit to New York City coincided with a special event on the New York Subway system — a day when historic subway trains run along one Manhattan route. Our sons had told us about this before, and we all met up at the south end of the line to catch the first train. It is made up of a variety of cars — some from just before the vintage of the current trains and others from much further in the past. It is a big event, and by the time the second run began there were big crowds. (One fun thing was watching the looks of the faces of folks at stations who didn’t know about this… as ancient subway trains rolled in and stopped to take on passengers.)

As I walked through one of the cars there was a big group of photographers, many holding vintage film cameras, some rigged up to work with modern electronic flash units. This fellow immediately caught my eye, and for a bunch of reasons. Many years ago my father had a camera almost exactly like his, and I thought it was the coolest thing back then. I also was taken by the contrast between his rig, with his giant camera and multiple flash units, and what I use to photograph in circumstance these days… a very small mirrorless system that works so well in low light than I never use flash. And I was pretty sure I recognized him, and thought that I had read about him somewhere. It was too crowded and noisy to talk, but I later figured out that he is street photographer Louis Mendes, who is well-known for photographing with this eclectic equipment in Manhattan. (I later ran into him again in front of the B&H store, and I recently read an interview in which he said that is his “third favorite” location for photographing.)

There is an article in The New Yorker about Mendex” New York City’s Most Classic Street Photographer. (2016)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Woman Photographing Brick Wall

Woman Photographing Brick Wall
A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

Woman Photographing Brick Wall. New York City. © Copyright 2015 G Dan Mitchell – all rights reserved.

A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

I made this photograph on a winter’s day walk along the High Line Park in western Manhattan — the increasingly well-known park that extends along the abandoned path of an old elevated railroad bed. The park is very popular, and even on a winter day there were many, many people out walking along it, and the surrounding neighborhoods were also filled. Of course, there is a lot going on in this Chelsea neighborhood — the Whitney Museum is now open at the southern end of the park, there are lots of restaurants and more along its length, and the north end now terminates at the busy construction site of the Hudson Yards.

When I made the photograph I probably wasn’t thinking consciously about much or than the possibility of isolating the figure of the woman, engrossed in making a close up photograph the bricks, against the small and large patterns of the background wall, with the slight natural intrusion of the tree at the right edge. Later I thought about what she was photographing, and how most people might simply wonder what the heck she sees there, in a place where there is nothing apparent to photograph. This might be a bit of a metaphor for lots of photography, where the act of capturing “something you see” defines your world and presents a personal vision of it to others. And I still do like the complex set of interlocking patterns of the wall, the wooden structure, the window, and the single figure.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.