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Canon EOS 5D II: Notes on Today’s Photograph

Since today’s photograph (“Redwood Forest, Morning“) was one of the first landscape photographs I shot with my new Canon EOS 5D II, I was interested to see how the camera would perform and what print quality might look like.

This photograph was a bit trickier than may be apparent. It was overcast and early in the morning, I was in the bottom of a deep valley, the wind was blowing, and the light was constantly changing. In addition I used a 85mm lens (the excellent EF 85mm f/1.8) on a full frame DSLR, so I had to shoot at a rather small aperture for DOF reasons, necessitating a very slow shutter speed in order to work at my preferred ISO 100.

With all of those challenges, when I made the first small test print of this photograph last night I was very impressed with the level of detail in the photograph and I’m certain that it will work as a very good sized print – in fact, this particular image almost needs to displayed large.

When a new camera body is introduced there always seems to be a string of reports of poor performance. Sometimes there is some truth to the reports, but it is my opinion that many of the reports are the result of poor technique, unrealistic expectations,  obsession with “issues” that are irrelevant in actual photographs, and general mistrust of any Big Company that sells expensive camera equipment. I read these reports and think about them a bit, but I don’t assume that they are correct until I see evidence – preferably evidence that I produce myself. The first direct evidence comes from looking closely at photographs on the monitor as I work on them in ACR and then in Photoshop, but the real evidence comes when I make a print. After doing both of the above – and contrary to some rumors you may hear – there are no issues with noise in the shadows and the overall image – even with the increased number of photosites – seems excellent in every way to me.

Does my Canon EOS 5D II produce excellent image quality? Yes. Am I seeing unusual or troubling amounts of noise? No. Are banding problems in the shadows impairing my photographs? No. Do carefully made photographs using this equipment have the potential to produce excellent prints? Yes.

Am I pleased with the results from my 5DII at this point? Yes.

Notes on Today’s Photograph

I have posted a revised version of this message above.

Redwood Forest, Morning

Redwood Forest, Morning. Muir Woods National Monument, California. © Copyright G Dan Mitchell.

Redwood Forest, Morning. Muir Woods National Monument, California. February 28, 2009. © Copyright G Dan Mitchell – all rights reserved.

Filtered morning light in the redwood forest at Muir Woods National Monument, California.

I got up early on Saturday morning, February 28 and was on the well before dawn – through San Francisco, across the Golden Gate Bridge, and on to Muir Woods. The park wasn’t open when arrived – though one can still get it – and it appeared that I was the second visitor to arrive. The sky was overcast, with occasional breaks that allowed the sun to filter through the redwoods at times – all of which amounts to pretty much ideal light for photographing the forest at Muir Woods.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Canon EOS 5D II: Early Observations on Image Quality

I posted earlier today about increasing availability of the Canon EOS 5D II at places like B&H, so I thought it might be useful to begin posting on some of my experiences with the camera during the couple of weeks (and perhaps a thousand frames) that I’ve had it. Here is a copy of something I posted elsewhere earlier this week, in response to a post concerning image quality from this camera:

I’ve shot with cropped sensor bodies extensively in the past. I have shot with a full-frame 5D for the past two years. I recently began shooting with a 5DII and have done a thousand or so frames with it.

I cannot see image quality problems in my images, even in those that stress the ability of the camera in ways that should produce them if they are there: shooting wide dynamic range scenes, using high ISOs (up to 1600), inspecting at large on-screen magnifications, and making careful prints.

My photos have very low noise all the way through the shadows to pure black, even in some photographs where I’ve pushed the shadows either during RAW conversion and/or via the shadow/highlight tool in post. I’m seeing very highly detailed images with smooth tonal transitions. As far as I’ve seen the 5D II has a rather substantial dynamic range – as reported in a number of tests – and it is at least as great as that of the 5D.

Let me repost a couple of 100% magnification crops that I posted elsewhere from the 5DII.

The first was shot at ISO 100 at, IIRC, f/16 using a 35mm prime with the camera on tripod. The crop is a 100% magnification section from the very far lower right corner of the shot. The dark areas were pushed slightly, too, so if there were noise anywhere it would certainly appear here – but I don’t see it even at this resolution, which would be equivalent to a print width of five or six FEET wide. Seems like pretty good resolution to me! (It also speaks well for the EF 35mm f/2 lens.)

The second example is pretty much a noise “torture test” – it is a very dark section of a much larger image. (Again a 100% crop). It was shot using a 100-400mm zoom handheld at ISO 400 in cloudy conditions. There is some noise in the shot, but that is entirely normal – and this noise would be completely invisible even in a very large print. (The pattern on the lighter fabric near the left side of the frame is that of the fabric itself.)

My observations from 100% on-screen pixel peeping are confirmed by the more important test of printing.


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