Tag Archives: mesquite

Receding Dunes

Receding Dunes
A subjective interpretation of a scene of receding sand dunes.

Receding Dunes. © Copyright 2019 G Dan Mitchell – all rights reserved.

A subjective interpretation of a scene of receding sand dunes.

Sand dunes are a compelling subject for just about every photographer I know, and almost certainly for every photographer who has visited them. They are a virtual laboratory of forms and textures and the interplay of light and shadow. While their colors can be quite subtle, the daily cycles of light write a continuous cycle of change on them between the morning and evening twilight hours. And they are adaptable to a wide range of interpretations — ostensibly “realistic” views, views that emphasize the naturally occurring (and sometimes not so naturally occurring!) colors, effects of wind, and the freedom of monochromatic interpretations.

One evening we decided to visit the dunes, and we planned to investigate a location I had spotted from a morning shoot — an area where a playa led to the edge of low dunes that built up one after another toward the center of the dunes. By the time we arrived I was becoming concerned that I might not be where I wanted to be during the best evening light, so I high-tailed it across the playa without stopping, heading straight for the area where I made this photograph. What appealed to me about the location was primarily this stair-step arrangement of gradually higher dunes, but also the fact that it was backed by distant back-lit mountains rather than by sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dusk Sand Storm

Dusk Sand Storm
Clouds from a desert sand storm climb into the Amargosa Mountains at dusk

Dusk Sand Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

Clouds from a desert sand storm climb into the Amargosa Mountains at dusk.

Here is yet one more photograph from that wild early April evening in Death Valley National Park, when a sand storm was brewing in the upper Valley, starting near Stovepipe Wells and then moving northeast across the mountains of the Amargosa Range. Because I had advance warning of the conditions I was watching for this to develop, and I had a rough plan in place to make photographs of the event. That said, you never know exactly how these things will play out. For example, I had not anticipated the amount of “stuff” that would be blown up into the Amargosa Range, nor could I have predicted the potential for a last bit of twilight color.

During the first part of the event we headed up toward the Amargosa Range, taking the Beatty Cutoff toward the road to Daylight Pass. Up there the most impressive factors were the wind (it was howling!) and the general level of dust in the atmosphere. Eventually we worked out way back down into the valley and finally to near the source of the dust and sand near Stovepipe Wells. Often it such conditions I’ll try to stop just outside the worst of it and use a long lens to photograph into the conditions. That was the idea here, though there was a lot of wind and flying sand where I stopped, and I had to hide in the (slight) protection of the leeward side of my vehicle. Overall the scene was initially quite colorless, but at twilight a pink color came to the sky above and beyond the mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dune Patterns, Evening

Dune Patterns, Evening
Evening light on layers of Death Valley sand dunes.

Dune Patterns, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light on layers of Death Valley sand dunes.

This photograph provides an opportunity to tell a little story on myself. Sometimes I’m very good at getting going early enough to arrive at a location in plenty of time. But sometimes I’m not. This was almost one of those times. The right way to photograph here would have been to arrive perhaps an hour earlier, at a time when the light would have seen fairly uninteresting to me, and then to set up and wait. That’s not what happened.

I did have a plan to be in this spot, but I may have underestimated the time it would take to get to the exact location. We arrived before the beautiful light arrived… but I had a bit of a hike to get in position. I started walking and quickly realized that I was cutting it close. I put my head down and took off in a beeline for this spot where I knew I would fine sequences of rising dunes, building one upon the other. I did not stop or slow down until I got to “the spot,” at which point I immediately picked a first composition, set things up, and went to work. I was on time, but only barely, and I had perhaps ten minutes of lovely, colorful light before sunset.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sand Storm, Sunset Virga

Sand Storm, Sunset Virga
Virga drops from sunset clouds above a desert sand storm

Sand Storm, Sunset Virga. © Copyright 2019 G Dan Mitchell – all rights reserved.

Virga drops from sunset clouds above a desert sand storm.

This photograph represents Death Valley as a place of “apocalyptic beauty.” Most of the time this landscape is quiet, and the predominant impressions it makes on me are about stillness and immense space. But it can also produce incredibly dynamic, powerful, and even intimidating conditions, sometimes without a whole lot of prior notice.

This scene is a conjunction of three conditions that I’ve only experienced together a few times there. A weather front was moving through and trying to drop rain on the landscape — here the clouds are releasing virga, curtains of rainfall that don’t make it to the ground. Extreme winds from the southwest were whipping up a sand storm that was rising into the Amargosa Mountains to the east of the valley. (I was standing in tremendous winds and blowing sand when I made this photograph.) Then all of this came together with a brief moment of sunset light as the rain was clearing from the west to leave an open sky in the direction of the setting sun.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.