Tag Archives: mine

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Morning Shadows, Panamint Mountains

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Morning Shadows, Panamint Mountains
Morning shadows stretch across a wide valley high in the Panamint Mountains.

Morning Shadows, Panamint Mountains. © Copyright 2012 G Dan Mitchell – all rights reserved.

Morning shadows stretch across a wide valley high in the Panamint Mountains.

This photograph comes from a wonderful winter week in Death Valley a few years ago. Death Valley has increasingly become another busy national park, especially during the late winter and spring, and even more so during spring break and some of the longer winter holidays. But that had not quite taken off eight years ago when I spent a wonderfully lonely week in the park, having many places completely to myself… and experiencing some of the coldest weather I have encountered there.

I had been up high in the Panamint Mountains at dawn on this morning. After finishing with some photography of a particular subject up there, it was time to move on to the next subject. I headed down a gravel backcountry road, dropping into one high valley, and then continuing into an even larger valley below that. I paused here to look into those two valleys as the rising sun was casting long shadows across the landscape. This place always evokes the silence and immense expanse of this desert landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Death Valley, Photographs: Desert, Photographs: Ghost Towns, Photographs: Structures and Objects

Abandoned Mill

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Abandoned Mill
The ruins of an abandoned mill in the desert backcountry

Abandoned Mill. Desert Mountains, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The ruins of an abandoned mill in the California desert backcountry

During the nearly twenty years since I first “discovered” California deserts, my experience with them has changed. To be honest, as a person largely focused on the coast and the Sierra, when I was younger I didn’t really know much about these wild places, and I wasn’t really attracted to them. It wasn’t until the late 1990s that I actually made a serious visit and began to “get it” about the things that make these areas so marvelous. At first, like almost anyone else, I focused on some of the most obvious and iconic places. But eventually as I returned to these places, especially to Death Valley National Park, I began to push out my boundaries bit by bit. As I did so I discovered many more interesting things about these places, both the natural wilderness and the human history. One of the first experiences that connected me to the human history was an accident. One evening I wandered away from a camp and just sat down on a boulder in an elevated location on an alluvial fan. I happened to look down to see an unusual rock. I picked it up and quickly realized that it was a cutting implement left their by the earliest people to make their lives here — and my notions of the depth and variety of human experience in the desert was profoundly altered.

That human influence has many facets. Certainly the experience of the people we now refer to as “native Americans” is central. (I like Canada’s term: “first people.”) Later settlers showed up for a range of reasons — pioneers passing through, prospectors chasing the dream of the big strike, folks looking for a job, people not well suited to living in the civilized world, and other. They all left traces. The prospectors and miners left lots of them all over the desert landscape, and you can’t travel around these places without running into it. The photograph is a detail from one amazing structure high on a desert ridge, abandoned only recently in the context of the larger scale of history, but still putting us in touch with an era that is mostly gone now from these places.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Southern California, Photographs: Structures and Objects

Mining Relic, Death Valley

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Mining Relic, Death Valley
Mining Relic, Death Valley

Mining Relic, Death Valley. Death Valley National Park, California. April 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A piece of rusted and weathered metal from an abandoned mining site, Death Valley National Park

Between having our sunrise light interrupted by an incoming storm (though it was not a compete washout) and retreating from the road past the charcoal kilns in heavily falling snow, we stopped for a while at the old Harrisburg site, where Harris and Aguereberry ran a mine for a number of years. (They reportedly didn’t get rich, but they also avoided going bust—the story is that they extracted enough ore to make it work.)

Calling the place “Harrisburg” is perhaps over-selling it a bit! There is a small cluster of cabins—three, to be precises—tucked up into a slight indentation at the base of a low hill in a high, broad Panamint Range valley.The mine is found at the far end of the hill and around its far side, and a variety of mining detritus litters the landscape: remnants of old rails leading into the mine, some impressive scaffolding, lots of rusted stuff, an old abandoned vehicle. The cabins are in a state of advanced decay. They still have walls and some interior walls and flooring are still there, though increasing numbers of holes have appeared. Enough remains to give you an idea of what life might have been like here. In some ways it seems very simply and primitive, but in other ways surprisingly modern. As we poked around near the mine I found this old hunk of weathered sheet metal hanging from some wooden structures.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Desert, Photographs: Northern California, Photographs: Structures and Objects

Chimneys and Building Details, Standard Mill

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Chimneys and Building Details, Standard Mill
Chimneys and Building Details, Standard Mill

Chimneys and Building Details, Standard Mill. Bodie, California. October 13, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Details of buildings and chimneys at the Standard Mill, Bodie ghost town, California

On the final day of our October eastern Sierra visit we covered a lot of ground, starting with dawn virga and light snow near Mammoth Lakes before heading east into the high desert toward the Nevada border and then north by back roads past Mono Lake to Lee Vining, where we finally stopped for a very late breakfast. We headed north from Lee Vining, first stopping to photograph aspens near Conway Summit, and the snow that was still falling above along the Sierra crest. With this “interesting” weather still around, it seemed like it might be worth a trip out to Bodie.

I’ve been to Bodie a number of times, and while the historical story is fascinating and the presence of such a large abandoned town is remarkable, I have sometimes been frustrated by the stark and cloudless skies and the realization that the place has been photographed so darned much! But a number of years ago I made it out there on a spring day when there was light snow falling, and I realized that in the right conditions it is still well worth a visit. Since there was a possibility of similar weather this time – though snow did not fall after we arrived – and since it was the off-season, the drive seemed worth it. And it was. Along the way we saw high desert aspen groves, which have a very different appearance than those of the eastern Sierra. The weather gave us a combination of blue skies, partial clouds, and occasional mists covering hill tops – and all of this was constantly changing as the clouds thickened and thinned. As I have walked around Bodie in the past I have been fascinated by the large Standard Mill that sits across the Valley. Since it is fenced off and access isn’t permitted without a guide, I was not able to walk among the buildings… but I was able to get close enough to make some photographs of the interesting juxtapositions of stark metal walls, windows, and chimneys.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.