Tag Archives: mnwr

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Red-Winged Blackbird Territorial Display

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Red-Winged Blackbird Territorial Display
Red-Winged blackbird on its perch, late-winter territorial display.

Red-Winged Blackbird Territorial Display. © Copyright 2022 G Dan Mitchell.

Red-Winged blackbird on its perch, late-winter territorial display.

One beneficial personal effect of my bird photography has been greater awareness of parts of the local natural world that I had not paid a lot of attention to. As I have mentioned previously, I not really a “birder” in the usual sense of the word, and while I’ve enjoyed observing birds in the wild I can’t claim to be an expert on them. But photographing them has encouraged me to ask questions about what I’m seeing and to learn more.

There are two similar types of small blackbirds where I photograph, the tricolored blackbird and the red-winged blackbird. Both seem to my untrained bird-watching eyes to be pretty darned similar, apart from the extra bands of color on the shoulders of the former. Both are common in grasslands and related agricultural areas. Some sources suggest that populations have declined due to climate change and the loss of habitat, and that their range has shrunk. Apparently the eye-catching display — puffed out feathers and “exhibit of the colorful shoulder patches — is, at least during the late-winter period when I made the photograph, used to mark territory prior to the breeding season.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Into The Air

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Into The Air
Lesser sandhill cranes rise from a wetland pond into foggy Central Valley winter sky.

Into The Air. © Copyright 2022 G Dan Mitchell.

Lesser sandhill cranes rise from a wetland pond into foggy Central Valley winter sky.

Although this isn’t glorious dawn light, it is rather typical of what you’ll find in places like this one on a late-winter morning around sunrise — some combination of fog, a bit of haze, and (on this morning) some high clouds. All of this combines to produce an atmosphere suggesting cold, damp, stillness, and quiet. (Though the cries of a few thousand birds may interfere with the “quiet” part of that.)

As the first light begins, the sandhill cranes are mostly standing in shallow wet areas, presumably for protection from predators. As sunrise approaches they begin to become more active, and gradually small groups begin to take to the sky and fly off to distant locations. Unlike geese, who often take off by the thousands, the cranes tend to depart in groups of two or three, and rarely more than a dozen. The hints of their imminent departure can be subtle, and I often get barely any warning before they take off. Among the birds in this photograph you can spot individuals at almost every stage of departure, from standing and waiting through fully airborne.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Three Cranes in Formation

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Three Cranes in Formation
“Three Cranes in Formation” — Three lesser sandhill cranes against blue winter sky above California’s Central Valley.

As I posted this I was considering the title… and it occurred to me that “Three More Cranes” might be the appropriate modification, considering how many crane photographs I have been sharing! And I’m not done — there are still a few more in the queue. Think of it as a sort of end-of-season (at least in Central California) crane fest, with the photographs coming from my final two visits to local crane areas this winter.

Getting a good, close photograph of cranes in flight is more of a challenge than you might think. On a day like this one, the cranes are everywhere, and they are quite active. But a whole bunch of things have to fall into place for it to work, and most of them are decidedly not under the photographer’s control. There must be some sort of good light, and the cranes must be flying in a good direction relative to that light. Their flight must take them near (and preferably over) my position, but cranes are notoriously finicky about flying directly over people. The individual birds must align themselves in aesthetic ways — not blocking one another or creating awkward shadows, wings in an interesting position, yet close enough to one another to fit in the frame. The truth is that a day of photography may not produce a photograph with the birds aligned as beautifully as this trio.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Four Cranes in Flight

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Four Cranes in Flight
Four lesser sandhill cranes in flight against blue sky.

Four Cranes in Flight. © Copyright 2022 G Dan Mitchell.

Four lesser sandhill cranes in flight against blue sky.

So often photography is about composition, controlling the relationships among elements within the frame —left and right, front and back, up and down, relationships among colors and luminosity levels, lines, curves, and all the rest. This is certainly the case when photographing from the tripod, and it is usually true even when shooting with a handheld camera. Even in situations when things happen quickly, we try to maintain some awareness of how the different elements fit together.

Then some birds fly overhead against a pure blue sky… and one just makes exposures. In the midst of photographing birds in the larger landscape, I realized that I was in a spot that groups of sandhill cranes were traversing, often nearly directly overhead. To some extent you take what you get in these situations, and you don’t have any control over the relative positions of the birds. But you do have some control, at least if you have been photographing birds for a while. Rather than just blasting away in burst mode — which is sometimes the only realistic strategy — you can watch the birds, track their movements relative to one another, and increase the odds a bit by timing the exposures.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.