Tag Archives: morning

Alcatraz, Sunrise

Alcatraz, Sunrise
Alcatraz, Sunrise

Alcatraz, Sunrise. San Francisco Bay, California. March 24, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Alcatraz Island silhouetted against reflected sunrise light on San Francisco Bay

On this morning I crossed the Golden Gate Bridge heading north around dawn, on my way to redwoods and the coast. As I cross the bridge I’m always on the lookout for potentially interesting conditions of light or atmosphere or interesting things happening on the bay. Having heard a weather forecast of “no fog,” I was a bit surprised to find… fog in the hills on the north side of the bridge, along with a slightly opaque atmosphere over the bay. I wouldn’t call that “fog” exactly – more like “could have been fog if the wind had blown a different direction or the temperature had been a bit colder.” In any case, it was an interesting development – more interesting to me than the potential for perfectly clear air.

So I left highway 101 on the north side of the bridge and detoured briefly up into the Marin Headlands, not sure what my subject might be but certain that the light looked interesting. I started to wander out to a spot where a view across the “Gate” is found, but didn’t get that far. Instead, I found interesting light in other directions – down toward Sausalito, across the Bay toward the Embarcadero and the Bay Bridge and, as in this photograph, Alcatraz. By good fortune it happened that on this morning the reflection of the rising sun was just in line with the left edge of the island. This light is almost too bright to look at, but with a long lens and the right exposure the camera can look at it just fine! The water tower on the island casts a shadow on the reflections in front of Alcatraz, and beyond the flat area of Treasure Island is visible, with even more reflective bay water beyond that. Oakland and the East Bay hills and shoreline are completely lost in the golden haze.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Tree, Fog, Dawn Sky

Tree, Fog, Dawn Sky
Tree, Fog, Dawn Sky

Tree, Fog, Dawn Sky. San Joaquin Valley, California. March 9, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Dawn light on a solitary tree in a foggy pasture under morning clouds, San Joaquin Valley, California

Spring seemed to arrive too soon (for me, anyway) this year in California. I like spring, but I think I like winter more, and I would be fine if spring took its time arriving. However, what started out as a wetter and colder winter than usual here, ended seeming like a very short and mostly mild season as our winter rains more or less stopped in January and February and the hoped-for “March Miracle” of late season rain never came. Instead, as I write this in mid-March, we are experiencing beautiful, sunny weather with temperatures more typical of April than of March.

Against this backdrop I decided to make at least one more trip to some of my favorite San Joaquin Valley migratory bird refuges to photograph geese, cranes, herons, ibises, white pelicans, egrets, and whatever else I could find. Arriving in the Valley very early, in the first dim light I could see that it was a clear morning. I prefer a bit of fog, but dawn light is good light in any case. But as I got closer to the refuge, I was surprised but pleased to see some fog forming over this very wet and marshy area, and before long there was some quite nice fog filling in as the sun began to light the high clouds above. The effects of early morning light in fog can be quite subtle, but a favorite sort of light is that which comes faintly through partially clearing mist, casting a bit of light on features like this tree and parting enough to reveal the sky overhead. Because this light and atmosphere were so appealing – and because it can be darned hard to photograph birds in fog! – I took a break from bird photography and spent a bit of time shooting elements in this foggy landscape.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Morning Haze, Death Valley

Morning Haze, Death Valley
Morning Haze, Death Valley

Morning Haze, Death Valley. Death Valley National Park, California. March 30, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Distant snow-covered peaks are barely visible across the vast space of Death Valley in hazy morning light

This photograph was made from Dantes View, high in the mountains along the eastern border of Death Valley itself, and with a commanding, panoramic view of a huge portion of the surrounding terrain and especially down into Death Valley and the Badwater area almost right beneath the peak. The view here looks roughly north or northwest, past the location of Furnace Creek and beyond the Mesquite Dunes area to the far northern end of the Valley and then beyond to distant snow-covered peaks.

I have written before that Dantes View has been a difficult place for me to photograph. At first glance, the location has a lot going for it. At about a mile above the Valley floor below, the views encompass a huge area of interesting terrain, ranging from the lowest reaches of Death Valley itself to the 11,000+” Telescope in the Panamint Range to other features so distant that they often fade into the haze. But for me these same features make it very difficult to pick out anything that can draw the larger components of the scene together. There have been times when I have gone there with the intention of photographing, gotten out, looked around, been impressed by the location, and made no photographs at all. This time I mostly shot details of the Valley using a very long lens, but I thought that the shadows of the passing clouds brought enough relieve to the uniformity of the Valley to make this photograph, which I hope conveys some sense of the scale of the place.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Devil’s Cornfield

Devil's Cornfield
Devil’s Cornfield

Devil’s Cornfield. Death Valley National Park, California. March 31, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Early morning light slants across the arrow weed plants of the Devil’s Cornfield area of Death Valley National Park

For the record, while I have no evidence either way regarding the role of the devil in creating this terrain, there is definitely no corn growing in this field! The plant is known as “arrowweed” (or arroweed or arrow weed), and the tall shapes are apparently formed as the sand erodes from around the roots.

This spot is one of several in Death Valley that have been hard for me to see as photographs. (Other “challenges” include the Devil’s Golf Course – which mostly looks like crusty, dried mud to me – and Salt Creek – which I’ve mostly visited at the times of day when the light hasn’t been idea.) I came close once before with a closer view of the plants that revealed their actual color a bit more and which placed them in front of a backdrop of more distant barren mountains. This photograph certainly doesn’t provide a strong center of visual interest, but I like the sense of the plants leading off into the distance, the angles of the blue shadows, and the contrasting warm colors of the plants in near golden-hour light.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.