Tag Archives: morning

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Alpine Lake Shoreline

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Alpine Lake Shoreline
Morning light on shoreline terrain at a backcountry Yosemite lake.

Alpine Lake Shoreline. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light on shoreline terrain at a backcountry Yosemite lake.

Today I continue the retrospective reminiscence, looking at a few older photographs made more than a decade ago at a favorite Yosemite backcountry location. By the time I made the photographs in this series, I had probably been visiting this place virtually every year for over two decades. Perhaps because it is the sort of place where you can get to high elevations pretty quickly, it drew me back again and again. Over time I became very familiar with the lake and its surroundings, to the extent that it became a sort of backcountry home away from home.

I would typically camp here in an area sheltered by trees and equipped with glacial rocks apparently designed with excellent sitting and cooking opportunities in mind. Over the years I tended to go later and later in the season, often making this the last trip of a season after the summer crowds had departed. While there are lots of photographic opportunities in the surrounding alpine meadows and ridges, I often simply got up and wandered around the lake in the early morning light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Light, Alpine Lake

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Morning Light, Alpine Lake
The last evening light and reflections along the shoreline of an alpine lake, Yosemite National Park

Morning Light, Alpine Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last evening light and reflections along the shoreline of an alpine lake, Yosemite National Park.

Continuing my look back at backcountry trips that illustrate my connection with the First Light photographers group, here is another from the 2008 visit where I first met up with them (rather briefly!) in the mountains. My interaction with the group (who had been doing these trips together for something like seven years already at that time) consisted of two meetings. Although I knew they were in the area I had not seen them until my chance encounter with Keith at the inlet to an alpine lake. On the final day of my (solo) visit I took a short detour to pass by their camp as I started my hike out to the trailhead. I save the details of that story for another time, but let’s just say that I was impressed.

This photograph comes from the nearby lake where I camped for three nights on my parallel solo photography trip into this area. It is one of those Sierra backcountry spots that I have returned to many times over the years, so I’ve gotten to know it intimately and I have pushed out the boundaries of my experience here to include much of the surrounding landscape. On this morning I was focusing on the first early morning light on granite and brush along the shoreline, and on juxtaposing those features with the patterns submerged beneath the lake’s surface.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Northern California, Photographs: San Francisco, Photographs: Urban/Street

560 Blue

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560 Blue
“560 Blue” — A man walks past a blue San Francisco building in morning sunlight.

Let me start by pointing out that this is not the first time I have shared this photograph. An earlier interpretation of it exists using a different aspect ratio. I came across it again recently as I scanned through my old raw files, and I decided to take another look at it. This time I altered the aspect ratio, retaining the original 3:2, though I more typically work with 4:3. This allowed me to include the decorative rectangles at the upper right and left. In addition, as I thought more about the role of the blue color in this photograph I decided to simply remove a few elements that were dissonant with that.

The scene is a San Francisco street, and I made the photograph on one of my day trips up to “The City” by train, something that was a regular photographic event for me prior to the pandemic. I was walking up into the main downtown area from the train station, pausing along the way to photograph interesting subjects in the full morning sun across the wide street. I had already made a couple of photograph of this very blue building when I saw the man walking into the scene.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Photographs: Nature, Photographs: Ocean & Coast

Forest and Fog

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Forest and Fog
Sunlight begins to thin the morning fog in a Monterey Peninsula forest.

Forest and Fog. © Copyright 2013 G Dan Mitchell – all rights reserved.

Sunlight begins to thin the morning fog in a Monterey Peninsula forest.

Today we visit the California coast below the Monterey Peninsula, at the Point Lobos State Reserve. (That is the actual name, though many of us casually refer to it as a state “park.”) I have gone to this place for decades, since my parents took us there as kids. Back then the big attractions were the tide pools (the number one attraction!), the various sea mammals, and the surf. Those are still on my list when I go there, though now I’m more likely to go with the goal of making photographs. (The place, like so much of the Big Sur coast, has become almost impossibly popular, so I try to visit at odd, off-peak times.)

I had gone down there on this 2013 early spring day to make photographs. My typical routine is to arrive very early, before those crowds show up, and spend a few hours photographing in relative quiet. This time I headed to a location in the more northerly portion of the small preserve, where there are views back across the coastal forests and toward the low hills to the east. Because it was morning, the sun was coming over those hills just as the fog was starting to then, allowing a bit more light into the gaps between the trees.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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