Desert landscapes can have an almost surreal quality, with features that are close to unbelievable. (I suspect that this happens in most landscapes, but the “barren” desert reveals them more clearly.) The landscape is laid bard, and we get a clear view of eroded features, twisted rock strata, contrasting colors produced by layers of different materials.
In certain places, in the right light, the contests and patterns become even more striking. This is one of those locations, and it was a day with that kind of light. These eroded hills are threaded with both very light and very dark strata, sometimes directly juxtaposed. On this morning the low-angle, directional light was softened a bit by high clouds.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
The colors of some of the strata laid bare in desert regions like this one are sometimes wild and occasionally unbelievable. The blue tones often provide some of the most striking surprises, since that may be the last color we expect to see in soil or large expanses of rock — reds, browns, yellows are far more common.
I made this photograph in a little area that is almost a lab of eroded forms and varied colors. I like to photograph here in the morning, when I often have the place to myself and when there is the possibility of soft, low-angle light. Here the strata of tan, red, and blue materials run at right angles to the lines produced by erosion.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Morning light shines on eroded hills and a desert wash.
This was the final morning of my spring photographic excursion to Death Valley. On the last day of these visits I always seem to follow the same general ritual — I get up well before dawn (of course!) and visit one final photography location very early, then go back and break camp before leaving the park and starting the long drove back to the San Francisco Bay Area. This means that I almost always pick a familiar “sure thing” location for the last morning, and one that is not too far from wherever I camped the night before. I rarely make this a spur-of-the-moment decision, instead typically deciding ahead of time where I’ll go — there isn’t a lot of time to waste on this final, long day. On this trip I headed back to a little area not far from a familiar Death Valley icon. (I would stop at that icon, but only if the conditions turned out to be spectacularly unusual — I certainly don’t need another photograph of it otherwise, as beautiful as it is.)
I turned off the main road onto the gravel side road, slowed to a crawl, parked and got out with camera gear in hand, and quickly settled into the quiet and stillness of this place in the moments before dawn. Even though I have been to this spot many times, I’m still surprised by how quiet it is and by how few others go here. Although I know specific locations that might offer reliable and predictable photographs, once I’m here I prefer to take my time and look for and at things that I had not previously noticed. At first — and it was the case on this morning — it seems like there is little special to see, and I may momentarily wonder if I’m going to be able to find photographs. But as I slow down and begin to see, I invariably find things that I would have missed if I had not given the place some time. This photograph was the result of spotting a little path up to a higher spot — the path itself intrigued me so I followed it, and I was happy to find that it overlooked this little bit of classic Death Valley geography.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A rising series of colorful eroded hills, Death Valley National Park
I get to use this photograph to tell a story at my own expense. Before arriving in Death Valley I had previous shot a very different subject. I don’t recall if it was birds in fading dusk light or perhaps classical musicians in stage lighting and backstage work lights. (Some of you can already guess where this is headed…) On the first morning in Death Valley I headed to a place that I like to photograph in early light – a place where there usually aren’t too many people, despite the easily accessible location, and where the eroded and colorful geology is almost completely devoid of plants. I arrived before sunrise and soon found a nice composition that I had not photographed before. I spent some time working that scene before moving on and photographing another a little ways away. Partway through that second set of shots I realized that my camera was still on the settings for the prior low-light subject – namely ISO 3200. That is not exactly a typical landscape sort of setting, and while good results are possible when shooting low light subjects that way, the noise levels are far from ideal for landscape. I reset and continued shooting. (I did return to the location on the final morning of the trip to reshoot that first subject.)
This scene was one of the first that I shot after realizing my error. These very eroded hills place different color material in a series of rising hills – tan, reddish, purple-black, brown, and more. The smooth features along the tops of some of the small ridges contrast with the very sharp and angular lines of the eroded channels that lead down to the wash. Later in the day the light here is almost impossibly harsh and the colors fade, but for a few minutes at the start (especially) and end of the day the colors briefly intensify.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
