Tag Archives: national

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Dune Waves

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Dune Waves
Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park

Dune Waves. © Copyright 2019 G Dan Mitchell – all rights reserved.

Waves of sand dunes retreat toward distance desert mountains, Death Valley National Park.

As photographers, we often take a great deal of photographic license in our creative interpretations of subjects. It is a myth, quite frankly, that some kind of objectively “pure” version of a photograph even exists. And if such a thing did exist, it seems like it would usually be a pretty boring thing for everyone except those using photographs as evidence of a thing. Most of us prefer photographs as a mode of expression, a sharing of the photographer’s way of seeing the world. I like to think that a good photograph or group of photographs tells us more about the person making the images than it tells us about the putative subject.

Sand dune landscapes lend themselves especially well to this way to this approach. While they do have a real geological appeal, when you look at them from an aesthetic perspective they are perhaps less about the fact of sand and more about light, line, weight, form, and color. They are never the same — the light changes, the conditions alter them, and each of us sees them differently. In this interpretation I decided to work in high-key and monochrome, hopefully creating a photograph that reflects the quiet stillness of the static wave forms of the dunes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature

Sunrise, Fog, Spring HIlls

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Sunrise, Fog, Spring HIlls
Soft dawn light and drifting fog above springtime California hills.

Sunrise, Fog, Spring HIlls. © Copyright 2019 G Dan Mitchell – all rights reserved.

Soft dawn light and drifting fog above springtime California hills.

This morning completely surprised me. I was in the inland hills of California, between the coastal valleys and the Central Valley, primarily to photograph the spring wildflowers. I had arrived late the night before, setting up my tent in a campground up in the hills before doing some late-day photography. I returned to my camp, made dinner, set my alarm for way before dawn, and went to sleep with a plan of driving down into the large valley nearby to photograph vast fields of flowers.

I got up well before dawn and tried to sneak quietly out of camp without disturbing the normal people who sleep in, fix coffee, have a nice breakfast, and only then head out. As I drove down the gravel road toward that valley I could see that it was completely covered by tule fog, much to my surprise given the arid nature of the place. However, off in the distance, in the direction of the rising sun, haze and drifting fog and soft dawn light produced an entirely different landscape than the one I had been looking for.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

At The Edge Of The Dunes, EVening

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At The Edge Of The Dunes, Evening
Evening light on sand dunes, Death Valley National Park.

At The Edge Of The Dunes, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light on sand dunes, Death Valley National Park.

Much of Death Valley consists of landscape laid bare, with the earth itself exposed in ways that aren’t seen in other landscapes where forests and meadows dominate. Even the places where sagebrush and similar desert plants grow are only thinly covered, and other than a short period each year these plants have the same colors as the earth.

At first this can seem, well, barren. But after you make a few adjustments this sort of landscape presents remarkable opportunities. Of course, this landscape turns out to be less barren than you first thought. Perhaps a single bush can be more remarkable when it stands alone. But even more important, the quality and color of light become more evident as it works its magic on this ostensibly barren place.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Creosote, Dunes, Shadows

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Creosote, Dunes, Shadows
A clump of creosote among dunes shadowed by early morning light.

Creosote, Dunes, Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.

A clump of creosote among dunes shadowed by early morning light.

This photograph comes from nearly one year ago on the 2019 edition of my annual early spring visits to Death Valley National Park. (There will be no spring visit this year, what with shelter-in-place orders and so forth — fortunately I was there in January.) The late March and early April time frame is often ideal for wildflowers and for splitting the difference between winter cold and the unbearable heat that arrives in spring. Is there a downside? Yes. Lots of other people seem to have the same idea, and the number increases every year.

The sand dunes are an unending source of photographic opportunities. I prefer to photograph them either very early in the morning or during the sunset to early dusk time periods, when the light goes through remarkable transitions. My favorites include the subtly colored dusk hours and the moments of first/last direct sun, when the light is warmly colored and there are transitory shadows. I usually steer clear of the most popular ares of the dunes, generally finding more interesting things out along their boundaries.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.