Tag Archives: national

Desert Hills, Evening Shadows

Desert Hills, Evening Shadows
Evening light and shadows on desert hills and Death Valley salt flats

Desert Hills, Evening Shadows. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light and shadows on desert hills and Death Valley salt flats

My first visit to the park was in the late 1990s, but I’ve been a regular since then. I visit Death Valley for about a week at least once each year, and have photographed all over the park. In a way, this first surprised me a bit, since when I was younger I was not attracted to the desert at all, having been brought up on the notion of the “desert wasteland,” and having been a huge fan of the high Sierra since I was young. So even though the desert was nearby I didn’t visit before a chance encounter that came about when I was one of the adult chaperones on a trip introducing high school and middle school kids to the place. Literally from my first view of the place (after crawling out of a tent in a high place at dawn to look across the valley), I was entranced.

The photographic subjects in this national park (and similar desert locations) range from intimate to immense, and several things always draw my attention. Because of the hot and dry environment, the landscape is laid bare in ways that are uncommon in other mountains. (Unless you go above tree line, into another of my favorite worlds.) The land-forming effects of uplift, mountain-building, water (!) and wind are easy to see. And this naked landscape is often painted and colored by the light in beautiful ways. This photograph, at least as I see it, offers several contrasts: between the low hills and the flatness of their surroundings, between the shadow and light, and between the small and the large.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Mud Hills, Evening Light

Mud Hills, Evening Light
Mud hills near the mouth of a Death Valley canyon

Mud Hills, Evening Light. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Mud hills near the mouth of a Death Valley canyon

On this evening I had taken a “random” walk into a canyon that I hadn’t visited before. It isn’t a tremendously popular place, so I had its narrow confines almost completely to myself, even though I wasn’t all that far from some rather popular Death Valley locations. The canyon itself was not the most visually striking Death Valley location I have visited, though its narrow dimensions and solitude were notable. I reached a blockage some distance up the canyon, and since the hour was getting late I decided to reverse course and head back out for early evening light.

As is so often the case with these canyons, I emerged from the dark and narrow canyon onto a broad wash that expanded onto an alluvial fan littered with boulders, cut by water courses, and open to more distant views. Golden hour light was beginning, so there was a lot to photograph, and it took me quite a while to work my way down from here toward the trailhead. As I walked, the surrounding hills became lower and more rounded as they gradually merged with the alluvial slopes that tend to line the valley. As the light faded with the already behind hills to the west, I made a final stop to photograph these folded forms, glowing in the filtered and soft light of early evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dogwood and Granite, Autumn

Dogwood and Granite, Autumn
A small dogwood tree with autumn colors against the face of a granite boulder

Dogwood and Granite, Autumn. Yosemite Valley, California. October 21, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small dogwood tree with autumn colors against the face of a granite boulder

I’m certainly not the only photographer in Yosemite Valley to be intrigued by the juxtaposition of (near) permanent granite and impermanent seasonal subjects, but how can anyone resist? Such opportunities are everywhere, given that the valley is ringed by granite cliffs and filled with large reminders that chunks of these cliffs do periodically break loose and fall into the valley below. We often seem surprised with the news of a rock slide in the Valley, but even a little familiarity with the place makes it obvious that these are the rule and not the exception. Giant rock piles sit at the bases of cliffs. Recent slides are visible. And almost everywhere in the Valley, often surprisingly far from the cliffs, there are gigantic boulders that could only have arrived there from one source.

I happened upon this yellow autumn dogwood and its boulder while driving along one of the valley roads. Yes, that is almost an embarrassing admission — though most of my photographs of this type come while hiking. It was one of those moments when I catch a glimpse of something out of the corner of my eye, immediately pull over (from driving or hiking) and see if I can find a photograph in it. Since I’ve already admitted to finding this photograph while driving, how about another admission? The biggest challenge of making this photograph? Waiting for the leaves to stop swinging back and forth in the breeze created by passing cars!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Trees, Meadow, Autumn Light

Trees, Meadow, Autumn Light, Yosemite Valley
“Trees, Meadow, Autumn Light” — Hazy autumn light and trees in a Yosemite Valley meadow

Every autumn the Sierra Nevada experiences days when the air is full of wildfire smoke. It was only recently that I came to recognize that a large component of what I’ve always identified as “autumn light” is the atmospheric haze from wildfires — not just those nearby in the Sierra, but including the diffused smoke from wildfires further away in California and even beyond California’s borders. Yes, the lower angle light is part of the effect, but it is the soft and hazy atmosphere that is perhaps the most major element. I’m amazed that it took me this long to fully make the connection, but also happy to find there are still new things to “discover” and understand!

The atmospheric light in this photograph is the result of this effect. It was a very smoky day in Yosemite Valley — the sort of day when you might consider wearing a breathing mask. A big fire was still smoldering just south of Yosemite Valley, its smoke collecting each evening and then flowing downwards into the Valley. I made the photograph just as the edge of the shadow from nearby cliffs was beginning to cross this meadow, and the sunlight caused the smokey atmosphere to glow behind the trees. It is easy to think of wildfire smoke as an impediment to photography, but if you turn your thinking around just a bit you soon realize that these conditions can provide some very special and even lovely possibilities, ranging from the muted and slightly sienna tones of the light to enhanced effects of atmospheric recession. The potentials for producing moody and evocative photographs may actually increase on days like this!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.