Tag Archives: nature

Photographs: Central California, Photographs: Nature

Fog and Reeds

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Fog and Reeds
Dense winter tule fog, tule islands, and a wetland pond.

Fog and Reeds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Dense winter tule fog, tule islands, and a wetland pond.

From time to time I like to do visual experiments, seeing how minimal the content of the image can be and still work. Sometimes these photograph balance on an edge between portrayal of the real and pure color and form. I feel that images like this can portray or evoke the mood of a subject, even if they don’t include much detail at all. The idea is to suggest more than to tell.

The winter tule fogs of California’s Central Valley often do a fine job of minimizing landscape details. (They also do a fine job of minimizing the details of the roads I drive to get there, but I digress…) These shallow fog layers settle in during the winter and can be some of the thickest fogs you’ll ever encounter. Oddly, because they are so shallow, sometimes your vision straight upwards is barely impeded at all — and as I made this photograph the nearly-full moon was clearly visible overhead. But the view out into the landscape was radically limited, hardly extending more than a few tens of feet and muting details of closer subjects.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Winter Trees, Fog

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Winter Trees, Fog
Tule fog surrounds a stand of. barren winter trees, Central Valley.

Winter Trees, Fog. © Copyright 2021 G Dan Mitchell – all rights reserved.

Tule fog surrounds a stand of. barren winter trees, Central Valley.

Something tells me that California Central Valley residents might disagree with me when I say that the winter tule fogs are among the biggest attractions of the region. I understand that days (or weeks!) of the gray can be depressing, and I’ve heard the stories about traffic accidents in zero-visibility fog. It is wet. It s cold. You can’t see through it. It interferes with travel.

But I love the mystery that the tule fog brings to this area. On clear summer days this is a broad, flat landscape that is largely agricultural. That has the potential to give it a bucolic quality, but the nature of modern Central Valley agriculture is that it also borders on an industrial process. But when the fog rises the world shrinks down to a radius that might be measured in yards rather than miles, more distant distractions disappear, details are muted, and the shallow but thick layer of fog glows luminously on a winter morning.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Wetlands, Winter Sunset Sky

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Wetlands, Winter Sunset Sky
Clouds from an approaching winter weather system above Central Valley wetlands at sunset.

Wetlands, Winter Sunset Sky. © Copyright 2021 G Dan Mitchell – all rights reserved.

Clouds from an approaching winter weather system above Central Valley wetlands at sunset.

Who can resist a winter sunset sky, a reflecting pond, a few bits of vegetation, and distant mountains? I know I cannot. Recently I have written about sunsets several times — once to describe one that surprised me at the end of a rather gray day and another that, well, stayed gray. On both of those occasions I had little idea about how the sunset would turn out, but I stuck around just to see what, if anything, might develop. This time the event was almost predictable. The front edges of a Pacific weather front was approaching, and the line of clouds had been visible for a couple of hours. I almost hate to admit it, but I showed up in this spot only above five minutes before sunset.

In addition to their colorful attractions, sunsets like this one speak to Californians in an additional way right now. It has been (again!) a very dry start to our wet season, and after too many recent drought years we are getting a bad feeling about this winter. So these clouds, signaling something other than more “perfect” blue sky weather, are exciting in their promise of the potential for rain.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Sandhill Cranes and Tree, Tule Fog

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Sandhill Cranes and Tree, Tule Fog
“Sandhill Cranes and Tree, Tule Fog” — A flock of lesser sandhill cranes in a wetland pond in front of a solitary tree in winter tule fog.

Sometimes the way that photographs come into existence seems strange. We put a lot of effort into doing all the things that increase the chances of success — practice, learn technique, develop our ability to see, take care to have the appropriate equipment, go to the locations where photographs are possible, time things correctly, and more. All of these are efforts, I think, to diminish the role of chance. Or, perhaps giving ourselves a bit more credit, steps that increase the odds that we’ll be able to take advantage of good fortune when it comes to us.

The series of recent photographs of sandhill cranes in fog is an example of this dynamic. They certainly involved all of those controllable factors that I listed in the previous paragraph. But I can’t help but acknowledge what it means to create a series of photographs from, literally, not more than a few minutes (perhaps a half hour?) in one spot on one particular morning. Aside from the fact that I knew it was possible that I’d find a scene like this, it was not exactly predictable. The weather could easily have been different, the birds could have been elsewhere, I might have chosen a different day to be there. Yet, on this morning it came together and this series of photographs was the result.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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