Tag Archives: nevada

Eastern Sierra Pack Station, Fall Colors

Eastern Sierra Pack Station, Fall Colors
Autumn cottonwood and willow color at the McGee Creek pack station at the base of McGee Canyon

Eastern Sierra Pack Station, Fall Colors. McGee Canyon, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Autumn cottonwood and willow color at the McGee Creek pack station at the base of McGee Canyon

These eastern Sierra Nevada canyons have long fascinated me. My initial orientation to the range came from decades of approaching the mountains from the west, where they rise gradually, beginning almost imperceptibly with small irregularities and hills far out in the eastern portions of the Great Central Valley and then build slowly over many miles to eventually reach the Sierra crest. I “discovered” the east side of the range decades later, and was amazed by the contrast. Rather than beginning in the gentle west side grassland and agricultural areas, the base of the east side is frequently high desert, a spare and dry land of sage and open vistas. The Sierra begins abruptly, and in some cases you can stand at the actual base of the escarpment and look almost straight up to peaks that are many thousands of feet above you. The east side is cut by many short but deep canyons, where steep creeks drain a terrain originally cut by glaciers. In a very short distance — often traversed in a single day — one can move from high desert to the alpine zone.

In addition to focusing on that landscape, this photograph includes an element representing another component of life on the east side, a trailhead pack station. Here, too, my experience was such that I only recognized the role of these outfits more recently. For decades I was primarily oriented to the range as a backpacker and, to be honest, I regarded those using pack animals as representing an intrusion in the wilderness experience that I sought. (On the other hand, I recall many years ago seeing the occasional individual backpacker leading a single donkey along the trail, something you almost never see any more.) A few years ago I began to work with photographic colleagues who use pack trains once each year to get into the back country to photograph in ways that are more or less impossible when traveling on foot, and before long I had my first real experience with packers. I’m less certain of my old disdain for those who rely on pack animals, and I’m now much more aware of the long history of these pack outfits in the eastern Sierra. My perspective has changed. While I think that their place must evolve, I also have come to think of them as an intrinsic part of what makes the Sierra the Sierra, and I have acquired a real respect for the wranglers and the work they do.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Eastern Sierra Sunrise, Autumn

Eastern Sierra Sunrise, Autumn
First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

Eastern Sierra Sunrise, Autumn. Eastern Sierra Nevada, California. October 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

This is a special place, high along the eastern escarpment of the Sierra Nevada and open to the first dawn light from the east. It is also just far enough off the beaten track and difficult enough to access that it is usually not very crowded. (Don’t worry if you can’t get to it, there are thousands of other places where you can have a similar experience in the eastern Sierra.) We recently got up early enough to drive here and arrive well before sun rise. To this day, despite seeing many sunrises, I still often am surprised at how quickly the light comes and how silently. Living in a culture in which every spectacular thing, or thing that we are supposed to regard as being spectacular, is pumped up with loud music and lots of action, the sunrise comes often comes in complete silence and with little warning — you look up and notice that the light has already struck some small element of the scene, and soon you discover it moving across the landscape and quietly lighting more and more bits and pieces. I made this photograph when this first light had hit the rugged upper slopes above this aspen-covered bench, but before it had worked its way down to the trees.

This photograph also illustrates something I finally figured out about this strange eastern Sierra fall of 2015. This year the season began oddly, with very early first color in many places. In addition, many groves simply did not have leaves — either they lost them so early that I never saw them or perhaps they did not put out leaves this year. In other groves the leaves went almost straight “from green to gone,” with little or not brilliant color phase. Where this happened, I think it was the result of the four-year drought creating tremendous stress on the trees. At the same time, other climate factors thought by some to be associated with the drought also had the effect of delaying the color change of trees that were not as stressed by the shortage of water. Instead, these trees are changing later, likely due to overall warming temperatures. So far, this has been a season not quite like any other I’ve experienced. In this photograph you can spot examples of almost all of these conditions — completely bare groves, groves that have turned and already dropped leaves, some that are going straight from green to having no leaves, and even some trees that are still very green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Round Valley, Autumn Snow

Round Valley, Autumn Snow
Sun shines on autumn-dry pastures and cottonwood trees in Round Valley as early autumn snow falls on Mount Tom

Round Valley, Autumn Snow. Eastern Sierra Nevada, California. October 4, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Sun shines on autumn-dry pastures and cottonwood trees in Round Valley as early autumn snow falls on Mount Tom

After a few early October days and nights photographing fall subjects in Bishop Canyon, on my final morning in camp I woke up to temperatures in the middle thirties and snow pellets, with the surround peaking shrouded in clouds that occasionally parted to reveal new snowfall. I got up, headed out to make a few photographs, and worked for a couple of hours before the storm arrived in earnest, with rain and snow up higher. At this point, photography was becoming a less attractive and even possible project, so it was time to bail out and start my long drive home. I stopped in the town of Bishop long enough to get coffee and breakfast, and then I was off on what would be a rather long drive home — multiple trans-Sierra passes having been closed by the storm.

My plan was to move along efficiently and not stop too much, but nature had other ideas. I had hardly gone ten miles before I looked to my left and saw these beautiful cottonwood trees in the middle of golden-brown pastures, with a huge storm brewing over the flanks of Mount Tom and the rest of the Sierra. I pulled over and found a high spot and waited for the right conditions of light and clouds — enough clearing to make out the shape of the mountain with its crown of newly fallen snow plus some light on the pasture and the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Young Lake, Mount Conness

Young Lake, Mount Conness
Cloud shadows race across the landscape on a summer day near the Sierra crest below Mount Conness

Young Lake, Mount Conness. Yosemite National Park. September 11, 2007. © Copyright 2015 G Dan Mitchell – all rights reserved.

Cloud shadows race across the landscape on a summer day near the Sierra crest below Mount Conness

This is an older photograph, made eight years ago back in 2007 on a late-season solo backpack trip into the Yosemite back-country. A week or so after the Labor Day holiday, the crowds almost disappear from the park’s high country, and everything seems to sort of slow down as the summer comes to and end and the inevitable signs of impending autumn remind us that summer is over and winter is not that far away. I think that this can be the most beautiful time of year in the Sierra, especially on a day with beautiful, warm autumn-like light, golden brown meadows, blue sky, comfortable temperatures, solitude, and perhaps a few passing clouds.

There is a story about how I found myself in this high spot overlooking this lake and the mountains beyond. That morning I had been poking around near by bivy sack camp when I saw someone napping in the lakeside meadow. It turned out to be a backcountry ranger. I made some wise-guy remark (intended entirely in jest, and he took it that way) about the challenges of the ranger’s life, and we got to talking. For him, this late season period was a time to slow down a bit and enjoy his own solitude. As we talked he pointed up towards a rocky saddle above the lake and pointed out what, in retrospect, should have been obvious to me — there was a well-used cross-country route through the saddle. So I decide to depart the lake via this alternative route, and when I reached the top of the climb and looked back I saw this spectacular Sierra panorama.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.