The last autumn aspen leaves hang from the branches of nearly bare trees against a granite cliff
So many aspen photographs focus on the wild autumn colors — for good reason! But this is not the only interesting phase of the autumn transition, and I also like the reappearance of the bare, white trunks of the trees as the leaves drop away.
I made this photograph late in the day and in a canyon area where little light penetrates after mid-afternoon, and where trees grow right up against a jumbled granite cliff that is fractured and full of blocks and angles. Late in the day, when the only light comes from the blue sky overhead, the quality of the light becomes quite cold. (At this time of year the air also becomes cold quickly late in the day!) I stuck around after most others had left and photographed these nearly bare trunks into the blue hour period.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Granite slabs and forest trees reflected in the still surface of a subalpine lake, Yosemite National Park
This is the sort of beautiful and peaceful scene that greeted us each morning as we worked to photograph the area surrounding this subalpine lake in the Yosemite backcountry. Every morning the routine was: up before sunrise, grab the photography equipment and walk down to the lake, wander around looking carefully and critically for photographs… and enjoy the still quiet of the Sierra morning.
In visual terms the shoreline of such a lake is a very interesting and complex subject. On one hand, there are potential subjects everywhere. On the other, the complexity of the scene can be a challenge when it comes to finding compositions. The options include “thinking small” and isolating small elements within the overall scene, looking for juxtapositions and relationships that help bring some form to the details, or simply embracing the complexity. (Adding to the challenge, the dynamic range between the deep forest shade and the sunlit granite can be huge.) I think that this photograph perhaps combines a bit of the second option and a lot of the third. Every portion of the frame is filled with details, yet I think that in the end not all of them are equally important.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Stained and fractured rock slabs in the Yosemite National Park backcountry
This “intimate landscape” photograph of what is, objectively speaking, no more than a crack separating two pieces of granite actually tells a number of more interesting and complex stories. At least one of them is a story of the events of the day on which the photograph was made, while others are much older stories, bits of which can be seen in the rocks.
The story of this day involved wildfire. On the day we arrived at our camp in this area, the Yosemite “Meadow” fire took off in the area bounded roughly by Half Dome, Clouds Rest, and Mount Starr King. There was barely any smoke visible in the early morning, but as winds rose to surprising levels, the fire took off… and by late in the day the sky was filled with smoke that sometimes blotted out the sun and turned the sky an odd yellow-brown color. These rocks are stained a sort of reddish-brown, but the warm colors are enhanced a great deal by this smoky light. The older stories are complex and I cannot attempt to tell them completely here, but there are a few things to notice and think about in this rock scene. The area was glaciated, and the smooth rock surface at lower left and lower right is glacial polish, which provides evidence of the slow, grinding passage of an ancient glacier. The crack in the exfoliated granite provides evidence of other forces of weather that work slowly but irresistibly to weather and break up even this strong granite.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A group of small trees find a marginal existence growing along a crack at the edge of an exfoliated slab of granite, Yosemite National Park
It took me three tries, on successive days, to finally get the photograph of this little bit of granite slab and trees that I was looking for. On evening of our first day camping in the vicinity we were under the thick smoke plume from the early September “Meadow” fire in Yosemite, which was burning some miles away in the Little Yosemite Valley area — but also sending dense smoke towards us and dropping ash from the sky. I did make a few photographs in this eerie light the first night, but it was a very tricky situation that did not work well for this subject. I went back on the second evening, when the smoke had diminished at our location to the point that it wasn’t a major factor in “intimate landscape” photographs like this one. I went to the top of a large granite bowl before the light was good and scouted for likely photographs to make as the evening light improved. I spotted this lengthy crack at the edge of an exfoliated granite slab, in which a number of small trees had taken tenuous root and decided that it could be an interesting subject with evening sidelight. I wasn’t the only one, however, and three members of our party had the same idea! We are a cooperative bunch, so I photographed some other things while my partners worked this spot, and then returned to set up a shot that looked more directly up the length of the crack that curves through the composition in this version. Later that evening I was quickly reviewing my shots from the day, and I realized that one of my buddies had cast a long shadow into part of the frame! Ah, well, such things happen.
So I made plans to go back yet again on our final evening in the area and try once more. In the end, I’m glad that I did. I’m now convinced that by going back I found a more interesting composition that accomplished several things. First, no one’s shadow is in the image! Second, I think that positioning the large crack so that it curves more diagonally through the frame works better than my original composition. Third, due to this different camera position and somewhat different light, I was able to let the shadow of the tree create a sort of mirror image of its form, resulting in a relationship between the tree and the shadow that I like. There are spots much like this one all over the place in Yosemite — smooth slabs of granite on which tiny but often mature trees manage to find just enough sustenance. In this little spot, a somewhat unusual number of these trees seem to have made a success of it.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
