Tag Archives: new

Considering the Fujifilm X-E5

Fujifilm recently announced the X-E5, the latest camera in their X-E series. I think this model series is intriguing.. It is small and lightweight, well designed. has a lot of useful features, incorporates a high resolution sensor and IBIS (in body image stabilization) , and is compatible with Fujifilm’s excellent lenses. It has a few other features that may or may not appeal, along with one “elephant in the room” issue.

Fujifilm XE5 Silver Body
Fujifilm XE5 Silver body. (Used with permission from Fujifilm.)

(Notes: I omit the hyphens between X and E in this article. I have rounded prices to the nearest dollar. Photographs of Fujifilm products used by permission from Fujifilm. Affiliate links in this article lead to B&H Photo — they return a small fee to this website if you use them to make a purchase — thanks in advance!.)

Right up front, let me be clear about one thing: I have not had my hands on the XE5 yet. I owned the XE1, my first Fujifilm camera, about a dozen years ago. Our photographic household has had the XE2, XE3, and XE4, and I have recommended all of them to various potential buyers over the years. While I cannot give a “hands on” review of the new camera at this point — hey Fujifilm, I’m here if you have one to loan! — I am qualified to comment on its features and who may find them appealing.

The XE Series

Let’s start with a bit of XE history. The original XE1 camera came out in 2012. At that time it was one of only two interchangeable lens x-trans* cameras from Fujifilm — the other was the more expensive “flagship model,” the XPro1. The XE1 was a smaller, less-expensive alternative for those who wanted a Fujifilm rangefinder-style camera with interchangeable lenses. Importantly, the XE1 (like later XE models) used the same sensor found in high-end Fujiflm APS-C cameras, which at that time was the 16MP sensor used in the “flagship” XPro1.)

(*”x-trans” refers to Fujifilm’s unique arrangement of the red, blue, and green photo sites on the sensor, a design that was said to help control aliasing/moire on cameras that do not use anti-aliasing filters, among other things.)

Continue reading Considering the Fujifilm X-E5

New Hampshire Hills, Autumn

New Hampshire Hills, Autumn
“New Hampshire Hills, Autumn” — An autumn view across hazy New England hills in New Hampshire.

If I recall correctly, this was our first morning out and about on the Kancamagus Parkway, that popular fall color route in New Hampshire. We had driven over it late previous day when we arrived to check into a hotel, but there had been little time to stop and photograph. So the next morning we got up early and headed back up into the hills to start photography.

This is perhaps not the most colorful New England autumn photograph. In fact, I think it might be a bit more like my California landscape photographs in some ways. The colors are there, but they are muted by the early morning atmosphere and light. The photograph looks across a series of ridges and into the far distance where morning clouds have not yet lifted.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Carpet of Color

Carpet of Color
“Carpet of Color” — A nearly unbroken carpet of colorful autumn trees in New Hampshire.

As I have shared New England fall color photographs you may nave noticed that I often contrast that spectacle with my more familiar western aspen groves. One of the main reasons I made this photograph was practical — I wanted to illustrate just how significant that difference is. Aspens in California tend to cluster in relatively small and separate groves. Even the larger groves are typically surrounded by conifers, scrub, or open terrain. In autumn, the effect is often to produce small areas of color set off against areas with little or no fall color.

This photograph illustrates the difference in New England. I made it near a high point on New Hampshire’s “Kancamagus Scenic Byway, ” among the most popular places for viewing East Coast autumn color. You are looking down at a hardwood forest full of different trees of different colors. And the trees shown here are a tiny fraction of the forest that was spread out before me, rising from valleys toward the high ridges — with almost everywhere the same wild blanket of colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

New England Leaves

New England Leaves
“New England Leaves” — Close-up photograph of New England autumn leaves, New Hampshire.

This miniature landscape comes from our visit to New England to photograph fall color a couple of years ago. (Wow, has it really been two years?!) With the help of some New England natives who set us straight on timing, we showed up at exactly the peak of color in this area of New Hampshire. More accurately, we arrived a day or two ahead of the peak and left the day after. Yes, it changed that quickly, and on our final morning it was apparent to use that the colors, while still remarkable, were starting their inevitable fade out.

But this photograph came from that peak day or just before. Almost every imaginable autumn color was present that day, I think I managed to squeeze most of them into this photograph of an area measuring not more than a couple of square feet. I’d like to tell a story of how hard I had to search for this scene, but the truth is that colors like this were everywhere — and I made the photograph at the quiet end of a parking lot filled with leaf-peepers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.