Tag Archives: new

Fujifilm Announces XT2 Mirrorless Digital Camera

Everyone knew it was coming — and knew most of the specifications — but Fujifilm has announced the new X-T2 mirrorless digital camera.

Fujifilm XT2 Mirrorless Digital Camera Views
Fujifilm XT2 Mirrorless Digital Camera Views

X-T2 Mirrorless Digital Camera

The X-T2 takes its place alongside the X-Pro2 as the second of Fujifilm’s two “flagship” camera bodies. Both  use a 24.3MP X-trans 1.5x cropped sensor and both work with the excellent selection of Fujifilm lenses. Like its predecessor,  the popular X-T1, the X-T2 has a DSLR-like design with an electronic viewfinder (EVF). Fujifilm says that it improves on the autofocus system of the X-T1. The camera also can make 4k video, a first for Fujifilm, it has impressive burst mode speeds, and a flip out view screen on the back of the camera. There are rumors that the X-T2 can be charged directly using USB.

If you are ready to go out and buy one… you’d better be patient. First deliveries are scheduled for around September 8, 2016.

Preorders are available now:

  • Fujifilm X-T2 Mirrorless Digital Camera (body only) $1599: B&H | Adorama
  • Fujifilm X-T2 Mirrorless Digital Camera with 18-55mm lens $1899 B&H | Adorama

X-T2 Vertical Power Booster Grip

Fujifilm has also announced the X-T2 Vertical Power Booster Grip, a long-rumored vertical grip for the X-T2. The grip holds two extra batteries (for a total of three in the camera), which extends shooting time without a battery change and also enables higher speed shooting and 4k video recordings of up to a half hour. Price is $329.99.

Fujifilm XT2 With Vertical Grip
Fujifilm XT2 With Vertical Grip

The XT-2 Vertical Power Booster Grip is expected to be available in September 2016. Preorders are available now: B&H | Adorama

EF-X500 Electronic Flash

One weakness of the Fujifilm system for some photographer has been the lack of support for electronic flash. Despite periodic rumors nothing has been released… until now. Fujifilm also announced a new EF-X500 electronic flash unit. List price is $499.99.

Fujifilm EF-X500 Electronic Flash
Fujifilm EF-X500 Electronic Flash

Expected availability for shipping is September 2016. Preorders are available now: B&H | Adorama

Updated “Lens Roadmap”

Fujifilm, unlike some other manufacturers, has provided a “lens roadmap” describing their overall system of lenses, including both current and planned future products. The roadmap was updated at the time of the X-T2 announcement to include three new lenses and planned introduction timelines. Continue reading Fujifilm Announces XT2 Mirrorless Digital Camera

At the Gallery

At the Gallery
Visitors at the new SFMOMA museum in San Francisco

At the Gallery. San Francisco, California. May 6, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Visitors at the new SFMOMA museum in San Francisco

The newly expanded and refurbished SFMOMA (San Francisco Museum of Modern Art) reopened recently, and we had an opportunity to spend a day there during the week before the public opening. The new building is a success in our minds — full of interesting and sometimes surprising interior spaces, with new portals connecting it visually to the surrounding city, and beautiful galleries to display the work. (There are a few oddities — the space on the ground floor seems sort of sprawling and disorganized, but I digress…)

I always like photographing in museums, especially those with more modern architecture. The light and the angles of walls and entry ways are often fascinating, and people behave in ways that are much different from what I might see in other venues. I usually photograph quickly in these places, partly because I don’t want to intrude on the experience of other visitors and partly because scenes and juxtapositions often assemble themselves and then disappear so quickly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Flag Makers Building

Flag Makers Building
The Flag Makers building behind a couple sitting on a bench at the San Francisco Museum of Modern Art

Flag Makers Building. San Francisco, California. May 6, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The Flag Makers building behind a couple sitting on a bench at the San Francisco Museum of Modern Art

Today (Saturday, May 14, 2016, as I write this) marks the re-opening of the newly renovated and expanded San Francisco Museum of Modern Art, or SFMOMA. As members we got an early look about a week ago, and we spent the better part of a day exploring the place. We like it! A lot. There are quite a few things I could write about — the architecture, the expanded space inside, the collections, the photographs — but all I’ll write for now is that I agree with one architecture critic who pointed out that where the old museum felt walled off from San Francisco the new version connects directly with the surrounding neighborhood, with many windows and open balconies providing plenty of opportunities to see and interact the urban San Francisco landscape. You could have a bit of fun thinking carefully about all of the lines and angles in this scene and what might explain them…

These photographs of SFMOMA are also some of the first I’ve made using a new camera from Fujifilm, the X-Pro2, about which I’ll likely have a lot more to say in the future. It is a rangefinder-style interchangeable lens mirrorless body with a hybrid optical/electronic viewfinder system that mostly succeeds in providing a sort of best of both worlds design. I like it for this kind of photography because the camera not only produced excellent image quality (with its 24MP sensor and fine Fujifilm lenses), but it is also small and fairly unobtrusive.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fujifilm X-Pro2

Fujifilm just released their newest camera, the X-Pro2. Since I have been relying on an earlier Fujifilm camera (the original X-E1) for over three years — and liking the results a whole lot — it seemed like time to move up to the newer, more refined body. My new X-Pro2 arrived a few days ago, and so far I’m quite impressed. (My time with the camera has been limited thus far, and I’ll share a much more detailed report once I have had a chance to use it extensively.)

Fujifilm X-Pro2
Fujifilm X-Pro2 with the new XF 35mm f/2 WR lens

The Fujifilm “x-trans” sensor cameras are appealing for a number of reasons:

  • Small, light mirrorless designs offer an alternative to larger DSLR systems.
  • The x-trans sensor produces excellent image quality and uses a photo site layout that is designed to minimize aliasing without using anti-aliasing filters.
  • The Fujifilm lenses are truly top-notch, from primes to zooms, and there is a complete and diverse selection of available lenses.

Until now all of these cameras have use 16 megapixel (MP) 1.5x cropped sensor designs. 16MP is plenty for almost all photographers, and I make beautiful 18″ x 24″ prints from the files. One of the main updates on the X-Pro2 is the addition of an optimized 24MP sensor. If anything, this sensor improves the low light performance and dynamic range of the 16MP versions, and it provides a bit more resolution.

The X-Pro2 also improves on many of the ideas behind the original (and now a bit long in the tooth, though quite inexpensive) X-Pro1. Both cameras use a hybrid viewfinder that incorporates both an optical viewfinder (OVF) and an electronic viewfinder (EVF), both of which have advantages in various situations. The OVF works beautifully with many primes, eliminates shutter blackout, and allows the photographer to see what is going on just outside the borders of the image. The design overlays an electronic display on top of the optical image. These features are very useful to those doing street photography and similar things.

The EVF works well with all lenses, from ultra wide to telephoto and especially with zoom lenses. It can be advantageous in very low light, such as night street photography. It also shows the precise frame edge lines and can display even more image data than the OVF.

The camera feels light but also solid and well-constructed, and it recalls classic rangefinder cameras.

I got mine with the new XF 35mm f/2 WR lens, one of five newer lenses that are optimized to autofocus more quickly on the X-Pro2 (and, presumably, future X-series cameras). It is also weather resistant. I can report that it focuses quickly and accurately in a wide range of situations. Since I also have my older XF 35mm f/1.4 lens, I haven’t yet decided whether I will end up valuing the extra stop of the f/1.4 lens enough to give up the faster AF and smaller size of the new f/2 lens.

That’s all I’ll say for now, but expect more in the not-too-distant future as I gain more experience with the camera. For now, I don’t see any reason to not recommend it.

  • Fujifilm X-Pro2 digital camera body — $1699 at B&H or Adorama
  • Fujinon XF 35mm f/2 WR lens — $399 / $299* with X-Pro2 at B&H or Adorama (*limited time offer)

(If you find this website and posts like this useful and you are going to get one of these products, consider making your purchase through links on this site. Your price will be the same, but the purchases help support the operation of the site. Thanks!)

Also see:  Taking Stock of the Fujifilm X-E1, X-E2, S-T1 Mirrorless Cameras


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.