Tag Archives: new

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Trees and New Snow

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Trees and New Snow
Trees with new snow in sun and shadow at the base of a Yosemite Valley cliff

Trees and New Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Trees with new snow in sun and shadow at the base of a Yosemite Valley cliff

During this weeklong late-February visit to Yosemite National Park (thanks to an artist-in-residency from Yosemite Renaissance) the weather was quite cold, even for the Sierra Nevada in winter, and there was light snow at times throughout the period. In many ways, this is almost idea for photography in Yosemite Valley — although the snow and cold complicate the process of making photographs, they also have some beneficial effects. Obviously, the snow changes the appearance of the landscape in many ways, and the cold weather tends to reduce the number of people who are out and about.

It had snowed a few inches in the Valley since the previous afternoon. (The storm was varied, and I work up to considerably more snow than that where I was staying, outside the Valley.) Because of the unusual cold — it barely got out of the teens — the snow stayed “dry” and didn’t immediately melt out of the trees. In the photograph you can see a bit of snow in the meadow on the Valley floor, but there was more up higher, and the trees ascending the further slope all were fringed with it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Morning, Fresh Snow

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Morning, Fresh Snow
The previous night’s new snow covers the trees of this conifer forest

Morning, Fresh Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

The previous night’s new snow covers the trees of this conifer forest

This is another photograph from my recent week in Yosemite Valley in late February — and a cold and snowy week it was! But that was good news during a winter that had previously bene characterized by nearly a month of no precipitation and by well above-average temperatures. Yosemite Valley is always more picturesque after (or during) snow, but the climatological backdrop made this even more true this year.

I drove down into the Valley on this morning after snowfall the night before. There wasn’t a lot of snow — perhaps 4-5 inches where I had stayed overnight and no more than an inch or two in most of the Valley. But in many ways that was just about the perfect amount. On this very cold morning the snow stayed in the trees, and the thin layer still allowed the darker colors and shapes of the branches and tree trunks to be visible. As I came to this spot I noticed that the snow-lined trees were back-lit, so I stopped, wandered into the forest, and photographed… and before long the sun passed behind the upper edges of high cliffs, the area was in shade, and the opportunity was gone.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: People, Photographs: Urban/Street

Selfie, Reflection

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Selfie, Reflection
Reflection of a couple posing for a selfie, Whitney Museum, Manhattan

Selfie, Reflection. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Reflection of a couple posing for a selfie, Whitney Museum, Manhattan

I made this photograph when we visited the Whitney Museum on a trip to New York City earlier this year — the new version of the Whitney located in Chelsea near the end of The High Line Park. We were there at least partly to see the Calder exhibit, but also because we like the Whitney itself. I not only like the place (and this is true of other museums I visit) for the work that is exhibited, but also for the photographic opportunities. There are lots of people to see, and this museum incorporates all kinds of other interesting visual opportunities: the architecture of the building, the outside terraces, the views of the surrounding areas.

I made this photograph on one of the outdoor terraces on an upper floor. The terraces provide open views of Manhattan, and they house large works that display well in outdoor spaces. There are always lots of people passing through these spaces, and this couple stopped to make a selfie photo against one of the sculptures, inadvertently positioning themselves where their reflection also incorporated a slightly distorted view of the Manhattan surroundings. The subject of “selfies” is a big one on its own, and I won’t try to take that on in its entirely here. However, people making these photographs of themselves sometimes seem to let down their guard as they temporarily become almost oblivious to their surroundings and they often assemble into interesting group poses.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Window And Shadows

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Window And Shadows
“Window And Shadows” — Afternoon light forms shadows behind a window at the Whitney Museum, New York City

This photograph was made near a window on one of the upper floors of the New Whitney Museum in Manhattan. At the west end of the upper floors, near the end of the main corridors outside the gallery, there are small windows that overlook the Hudson River and New Jersey in the distance. At some point on every visit to the Whitney I find myself standing next to one of these windows overlooking this view and trying to make photographs. (I have my rituals — I also go out onto the various terraces and platforms outside the east side of the building and photograph Manhattan and people.)

I don’t think it is a secret that I’m attracted to patterns and shapes, and the angles of shadows cast by light coming through windows often interests me. I only partly see a subject like this as what it objectively is — I’m more likely to think of it simply as light and shadow and texture and shape.

TWO

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.