Tag Archives: new

Urban Forest Spring

Urban Forest Spring
Spring leaves on a tree in front of San Francisco’s One Front Street building.

Urban Forest Spring. © Copyright 2012 G Dan Mitchell – all rights reserved.

Spring leaves on a tree in front of San Francisco’s One Front Street building.

Today’s photograph temporarily climbs out of the sandstone valleys and slot canyons of Utah to enter a different kind of canyon in the urban landscape. This striking building is found in downtown San Francisco, and I’ve photographed it quite a few times during my street photography walks in The City. Unfortunately, those are on hold right now due to the lock-down, so I mined this one from my old raw file collection.

While I don’t approach photographing the natural landscape and the city in exactly the same way, there are more connections than might seem to be the case at first. I look for shape and line in both cases, and I consider how things are juxtaposed in both landscapes. And here, as in essentially photography, light is a key factor. One thing that is a bit more present in urban photography — and which is a source of interest to me — is the way that reflections play into the compositions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Bamboo Fence, New and Old

Bamboo Fence, New and Old
A partially updated bamboo fence, Portland, Oregon

Bamboo Fence, New and Old. © Copyright 2012 G Dan Mitchell – all rights reserved.

A partially updated bamboo fence, Portland, Oregon

Seems like I still have one more photograph from our 2012 visit to the Japanese Gardens in Portland, Oregon. We were there on a family visit and I was traveling light when it came to photography, taking only a single camera and one lens. A bit to my surprise, it turned out that we had some good photographic opportunities, so I made the best of the minimal gear.

The garden of course features beautifully arranged and managed plant life, but it also includes a lot of structures, ranging from small buildings to bridges and fences and benches and more. The form of this fence attracted me — I do like geometry! But I was also intrigued by the juxtaposition of new and old sections of the fence, a reminder that such things are not static but rather in a state of continual change.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Reconstruction And Reflections, 2011

Reconstruction And Reflections, 2011
Reflections in new windows during reconstruction at the World Trade Center site, 2011.

Reconstruction And Reflections, 2011. © Copyright 2011 G Dan Mitchell – all rights reserved.

Reflections in new windows during reconstruction at the World Trade Center site, New York City, 2011.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Afternoon Light, Lee Vining Canyon

Afternoon Light, Lee Vining Canyon
Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

Afternoon Light, Lee Vining Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

Clouds from a dissipating storm, afternoon haze and light, spring aspens and meadows in Lee Vining Canyon

This is another photograph from my marathon one-day trip from the San Francisco Bay Area over Tioga Pass and back earlier this week. This was as close to Monday’s opening of Tioga Pass Road as I could make it. In some ways it may have turned out for the best to not go on the actual opening day. I suspect that there were more people up there that day, and it was fairly deserted a couple of days later. I think that the weather was probably a bit more cooperative when I went, too — it was mostly fair, but with some interesting clouds and even a couple of drops of rain.

By mid-afternoon I had crossed the pass and dropped down to Lee Vining. The midday light isn’t generally my favorite for photography, so I went for a hike near Mono Lake before swinging back to Lee Vining to grab an early dinner before starting my return trip. The plan was to start back up through Lee Vining Canyon as the light was starting to become interesting, giving my as much as a couple of hours of potential photography time along Tioga Pass Road. It was somewhat hazy — a slightly thick atmosphere left behind in the wake of a weather front. This can produce dramatic lighting sometimes, but it can also lower contrast, mute colors, and generally make photography a bit tricky. (One option is to shoot for black and white!) As I started the climb up into Lee Vining Canyon, some beams of light came down from dissipating clouds and began to light the new growth of meadows and aspen trees at the bottom of the canyon.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.