Tag Archives: oculus

Photographs: Architecture, Photographs: New York City

The Oculus

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The Oculus
The central skylight of the Oculus, World Trade Center, New York City.

The Oculus. © Copyright 2021 G Dan Mitchell – all rights reserved.

The central skylight of the Oculus, World Trade Center, New York City.

Almost exactly two years ago we were in New York City for a week spent visiting relatives, making photographs, eating out, and generally wandering about as we pleased. Yes, this was before the Great Transition that came in March of 2020. (We recently visiting New York City again in the post-transition world, and it isn’t the same experience at all. I’m looking forward to a time when it is once again.) To be precise, we were there for most of the period between about Christmas and New Year’s Eve.

At some point — perhaps while on a long walk or possible at the termination of a subway ride — we ended up in Lower Manhattan in the vicinity of the World Trade Center, where this fascinating Oculus structure is located. It is a combination of shopping area and transit terminal, but it is also an arresting architectural presence. Its organic, rib-like structure contrasts with the cubic forms of most of the surrounding buildings. Inside, especially if you lift your eyes above the lower floor shopping area, it is a remarkable interior space that, in many ways, suggest some sort of light-filled cathedral.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Oculus, World Trade Center

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Oculus, World Trade Center
The Oculus, Work Trade Center, Christmas Eve.

Oculus, World Trade Center. © Copyright 2021 G Dan Mitchell – all rights reserved.

The Oculus, Work Trade Center, Christmas Eve.

From Christmas Eve 2019, this is the interior of the Oculus structure at the World Trade Center in Manhattan. As I recall, we somehow ended up there in the afternoon, perhaps late in the afternoon, and the very last of the Christmas shoppers were trying to make their final purchases before everything closed up. By this time the crowds were thinning — though there were still quite a few folks where we were standing, a spot with this elevated view of the interior of the structure.

On one hand this is essentially a glorified shopping mall. On the other hand it is at the World Trade Center site and the architecture is quite striking, both inside and out. I recall being impressed by it when construction was still ongoing, even though I wasn’t really aware at that time of what it was. Despite being surrounded by a collection of retain establishments, the space reminds me visually of the interiors of large cathedrals. At this hour of the day, some light was entering the space through the row of skylights along it spine high above.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: New York City

World Trade Center and Oculus

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World Trade Center and Oculus
One World Trade Center flanked by building and part of the Oculus structure

World Trade Center and Oculus. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

One World Trade Center flanked by building and part of the Oculus structure

Any commentary on a photograph from this location could easily expand to a chapter or more of text, but I’ll attempt to keep it to my usual two paragraphs. If you take the MTA E line spur to the WTC you emerge to more or less this view, one that has changed continuously for the past decade and a half — beginning with the events of September 2001, continuing in the aftermath of clean-up, followed by a long period of monumental construction work, and now beginning to look relatively complete. We did not visit the site for some time after the towers were destroyed, but I recall that our first visit was still a powerful experience — most of all I recall turning a corner and seeing a wall of photographs of FDNY victims.

Today the site, while still carrying the memories of the 2001 incident, begins to feel more and more like it is becoming a finished place and less like it is a perpetual construction zone. The huge Oculus structure now houses the PATH terminal and plenty of businesses. In this photograph its striking, skeletal form intrudes into the frame from the left, and dramatic clouds from another New York summer day are behind the new Trade Center building.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects

Inside The Oculus

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Inside The Oculus
Play of midday light and shadows on the walls of the Oculus, SFMOMA

Inside The Oculus. San Francisco Museum of Modern Art. July 13, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Play of midday light and shadows on the walls of the Oculus, SFMOMA

This week we made a visit to the San Francisco Museum of Modern Art (SFMOMA) to see and hear the Soundtracks exhibit, which presents objects and installations of sonic art of various sorts. To be honest, I wasn’t that hopeful about this exhibit — I’ve often found that many visual artist’s ideas about sound art can be naive and banal in too many cases. However, the exhibit was (is, and you should go) excellent, with a wide variety of work that is interesting in a range of ways.

In any case, virtually every visit to this museum is also an excuse to make at least a few photographs, often of the architecture of the place. The central “Oculus” structure (which housed one of the sonic art pieces, too) is interesting to me as much for the play of light and shadows on its curved walls as it is for its own architectural form. I have photographed it many times, but being so close to the summer solstice the shadows took on different qualities than I had seen before. Here shadows from the structure of the upper window fall across a curved wall that is perforated by a pattern of large holes.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.