Tag Archives: pattern

Photographs: Abstract, Photographs: Structures and Objects, Photographs: Textures

A Door

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A Door
“A Door” — Etched glass door to outdoor light

This is either really interesting (somewhat interesting?) or a really great illustration of what can make photographers so annoying! With a camera in my hand, I start to see differently, and things that would otherwise often escape my notice start to catch my attention and intrigue me, and they sometimes become photographs. At almost any time the visual impulse may kick in and I’ll see something that demands to be photographed. This was one of those times.

We were visiting our daughter and son-in-law in Southern California, after our landscape and nature photography trek to Death Valley. Enjoying a few lazy days after working the desert, we were sitting around at their home doing nothing in particular that I can remember — when I noticed that the colors of objects behind this door and outside were being reflected and refracted in such a way that the etched surface of the glass was producing intense colors. The glass actually has no color — everything seen here is either the color of something behind the glass or a refraction of some sort.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Salt Flats, Evening Shadows

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Salt Flats, Evening Shadows
The evening shadows of mountains and clouds stretch across patterned salt flats.

Salt Flats, Evening Shadows. Death Valley National Park, California. March 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The evening shadows of mountains and clouds stretch across patterned salt flats.

The stark landscape of the desert is visually unique. Because there is little or no plant life (and what there is typically is sparse and small), the bare earth itself is revealed. Patterns of rock and soil and even water that would be hidden in a forested landscape are out in the open. In many cases there is little or nothing to provide a sense of visual scale — objects could be the size of baseballs or small cars and there is no way to tell. The landscape is often so large that haze and light play tricks, and cloud shadows play across the relatively plain playas and hills. Because the native colors are often subtle, any color from light (blue from shadows and warm tones in early and late light) can have a more profound effect.

Late on this day we visited the sunny side of this section of Death Valley, ascending the ramp of an immense gravel fan at the base of a canyon. The hills on this side of the valley were interesting, but looking back and across the valley very interesting patterns began to emerge. The far hills were already in the blue shadows of the oncoming evening, and the shadows of clouds raced across the nearer portions of the playa, which are here laced with their own patterns of flow channels and dried salt. Altogether these elements produced a landscape that seems more like an abstraction than a reality.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Security Shutters

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Security Shutters
Partially closed security shutters in front of a San Francisco business

© Copyright 2015 G Dan Mitchell – all rights reserved.

Partially closed security shutters in front of a San Francisco business

There are many things I enjoy about doing street photograph, and several of them have to do with the fast-moving and spontaneous nature of the pursuit. The urban environment, at least once you start seeing its possibilities, can be an almost overwhelmingly rich source of potential subjects, to that point that I often have to make a subconscious choice to deal with only a subset of them at any given moment. For a while I may focus on color, then I may engage with human subjects, then it might be effects of light, or balances of shapes and mass, or tiny details, or…

As we turned down this block between Stockton and Grant during an evening of night street photography in San Francisco, for some reason I made one of these gear changes. Moments before I had been photographing people and the fronts of shops that were closing up for the day — but as I walked down this street I forgot about all of that and instead photographed mostly small details such as the accordion pattern of this security panel over a window.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Bricks, Reflection

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Bricks, Reflection
Bricks and water reflecting urban sky.

Bricks, Reflection. San Francisco, California. May 29, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Bricks and water reflecting urban sky.

Walking up Market Street in San Francisco I was watching out for anything that could be photographically interesting — architecture, people, vehicles, light — when I looked down and saw this little vignette of… not much at all really. Perhaps someone had been cleaning the street earlier, and now a puddle of water covered some sidewalk bricks and flowed over the gaps between others.

I stopped, more or less in the middle of the sidewalk, likely forcing a few people to take a path around me or perhaps just wonder what I was photographing with my camera pointed straight down. What I saw was, first, the water itself. Then I saw the narrow vertical band of lighter tones, where there was a break between reflected buildings. I only paused for a moment to make a couple of exposures, and then I continued on.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.