Tag Archives: pipes

Photographs: Architecture, Photographs: Scotland, Photographs: Travel

Pipe Organ, St. Giles Cathedral

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Pipe Organ, St. Giles Cathedral
“Pipe Organ, St. Giles Cathedral” — The pipe organ at the St. Giles Cathedral, Edinburgh.

Pipe organs are impressive in many ways. The sound is remarkable, especially in appropriate acoustical spaces. (It must be quite an experience for the lone musician to make that much sound, at volumes that can compete with full symphony orchestras.) The visual appearance is compelling and somewhat magical. But there’s another aspect that has long impressed me. Back in my college music teaching days, I used to point out to classes that early versions of the organ were entirely mechanical — and that it is just about impossible to imagine a more complex and sophisticated technology from that era. And it was all for a musical instrument!

This set of pipes belongs to the organ at St. Giles’ Cathedral in Edinburgh, where we stayed for several days earlier this year. Sometimes we have only the vaguest notions of what we’ll see in the cities we visit — and sometime I’ll explain why that occasionally is a good thing. In that manner we essentially stumbled into St. Giles’ on our first afternoon in Edinburgh and found it entrancing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Scotland, Photographs: Travel, Photographs: Urban/Street

Blue Frames

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Blue Frames
“Blue Frames” — An old stone building with blue frames around doors and windows, Stirling, Scotland.

The main focus of our visit to Scotland earlier this year was waking the Great Glen Way from Fort William to Inverness, but that hike only took up about a third of our visit. Before the walk we spent several nights adjusting to jet lag, including stays in Glasgow, Oban, and Fort William. After the walk we had a night in Inverness, and multiple nights in Stirling, Glasgow, and Edinburgh… before a bit more than a week in England. Stirling, where I made this photograph, was our first serious non-hiking destination after the walk.

Like so many old towns — and Stirling is very old — the construction materials often reflect what was available locally. Here many of the old buildings are stone — they have been updated for modern tenants, but their appearance is far from contemporary. I love interesting geometry and color, and this juxtaposition of old stone walls with the blue-painted frames around the doors and windows caught my attention. Looking more closely, you may also see the remnants of older openings that have been closed off.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Near Keane Wonder Mine

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Near Keane Wonder Mine
Rugged terrarin near the Keane Wonder Mine, Death Valley.

Near Keane Wonder Mine. © Copyright 2023 G Dan Mitchell.

Rugged terrarin near the Keane Wonder Mine, Death Valley.

One morning on my recent photographic Death Valley trip I headed up the road from the Valley toward Beatty, Nevada. I didn’t plan to actually go to Beatty, butI wanted to learn a bit more about the closure of part of the read between the park and Beatty, to photograph some large-scale vistas, and perhaps to check out the area near the Keane Wonder Mine. I knew that the latter was closed for restoration work, but I thought I might be able to at least get close to it. It turned out that this was not the case, so I decided to photograph the landscape near the mine from a distance.

The mine was one of the more productive in Death Valley during the 1900s. Its works are extensive, and a lot of remnants are still there. (For years it was closed off due to safety concerns, but access was again permitted a few years agp.) Much of the area in the photograph is more or less natural landscape, but a closer look reveals tailings, the remains of a long pipe system that likely supplied water, and some other evidence of mining.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Industrial Building, Mixed Lighting

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Industrial Building, Mixed Lighting
Industrial Building, Mixed Lighting

Industrial Building, Mixed Lighting. Mare Island Naval Ship Yard, Vallejo, California. April 5, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Numerous sources of artificial light illuminate an industrial building from outside and inside

I like night photography for a number of reasons. I enjoy the very slow work, finding subjects and compositions in near darkness and then waiting patiently for long exposures to complete. “Normal” photography can be a slow and meditative process, but night photography must be. Given so much time to stand and wait, I cannot help but notice the stillness and quiet of the night, and to feel the cool and damp air. In fact, as a person who does night photography, these things are almost as much part of the experience as the visual elements.

In the visual context, there are a few things about the appeal of night photography that might not occur to a person who has not done it. When photographing in very low light, what we photograph is often very different from what we actually see. Often the subject is quite dark, even when lit by the moon or nearby lights, but the camera doesn’t care—a long enough exposure can collect more light that our eyes can, and a dim and drab subject can become bright. Also, the illusion that the camera stops time is not quite so strong when photographing at night. Over the course of a many minutes long exposure stars move, lights of cars appear and pass, clouds blur into soft streaks, and the edges of shadows from moonlight blur. In industrial areas such as this one, the lighting is a mixture of things glowing from within and lit from without, and the diversity of lighting—tungsten, fluorescent, sodium vapor, LED, mercury vapor, moonlight—paints the nightscape with wild colors. This building is an excellent example. The upper windows emanate a glow from yellow interior light. Relatively colorless light hits the upper walls, but the light takes on an odd blue/pink tone on the lower building, and the shadows head toward blue.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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