Tag Archives: plant

White Globe Lily, Spring Green

Chinese Lantern, Spring Green
A solitary white globe lily blossom against a background of spring green

White Globe Lily, Spring Green. © Copyright 2019 G Dan Mitchell – all rights reserved.

A solitary white globe lily blossom against a background of spring green.

As much as I love traveling to more distant and even exotic locations to make photographs, I often photograph right in my (more or less) back yard. If you follow me, you know that I photograph urban and industrial subjects all around the San Francisco Bay Area, but I also photograph some very nearby natural areas. This photograph, and a few others that will follow before long, was made in a place I’ve been visiting for decades, and it is only a very short drive from my home.

I know the spot where I photographed this flower very well. In fact, every spring I go to this little canyon to renew my acquaintance with a group of spring wildflowers found there. At this point, I know exactly what flowers I’ll find around precisely which bend in the trail. One of my favorites here is the white globe lily flower, a lovely and subtly-colored bulbous wildflower that grows at the end of slender graceful shoots. I didn’t see any the first time I visited this season, but on this visit I found a few blossoms and even more bud that should open a week or so later


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Desert Mallow Blossoms

Desert Mallow Blossoms
Orange desert mallow blossoms, Death Valley National Park

Desert Mallow Blossoms. © Copyright 2019 G Dan Mitchell – all rights reserved.

Orange desert mallow blossoms, Death Valley National Park.

These orange desert mallows are among my favorite desert flowers. It seems to me that they are often somewhat unobtrusive, but the will suddenly burst forth with a bush-full of bright orange color. The blooms are lovely, and they remind me a bit of small California golden poppies.

Although I sometimes don’t recall exactly where I photographed such things, my recollection in this case is that I photographed them in a quiet desert canyon starting at the top of a large alluvial fan, where we had gone to eat lunch the first day we arrived in Death Valley on our early April visit. After hours of driving (actually a couple of days of traveling!) it was good to stop and sit in a quiet place. As we ate we looked around the canyon a bit and started to pick out likely photographic subjects, though there was no hurry to get to work. Eventually we wandered over toward the edge of the canyon where some interesting-looking plants were growing, among them a mallow bush.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Creosote, Sunrise Light

Sunrise light shines on blossoming creosote bushes among undulating sand dunes

Dunes, Creosote, Sunrise Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sunrise light shines on blossoming creosote bushes among undulating sand dunes.

Yes, this is yet another photograph of dunes in early morning light. I admit it, I cannot resist. (We probably spent more time than usual in the dunes on this trip because recent heavy rains had closed off access to a number of the non-dune locations I would have liked to visit.)

I made this photograph a few minutes later than some of the others I have shared. The strikingly warm light of dawn was already transitioning towards the more neutral daytime colors, but the sun was still low enough to send its light across the ridges of dunes and leave the valleys between them in the softer, shaded light. This small group of creosote bushes caught in the light was beginning to blossom.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Desert Indian Paintbrush

Desert Indian Paintbrush
Indian paintbrush flowers in a canyon at Death Valley National Park

Desert Indian Paintbrush. © Copyright 2019 G Dan Mitchell – all rights reserved.

Indian paintbrush flowers in a canyon at Death Valley National Park.

This impressive — and very red! — flower and its neighbors were photographed in Death Valley National Park in early April, as this year’s spring bloom seemed to be getting underway in earnest. Predicting desert wildflower bloom timing is a tricky thing. This year a lot of folks were saying that there wouldn’t be that much of a bloom since the early season had been rather dry. However, very heavy rains swept through Southern California, including Death Valley, in early 2019. An atmospheric river situation developed near the start of March and there was enough rain to flood washes, fill desert playas, and damage many roads. I had an idea that there might be a good bloom this year, but that it might be a bit later than usual. Judging what I saw on my two visits — one in early March and other at the start of April — that is what happened, and a lot of flowers were emerging near the end of that second visit.

I’m going to use the second part of this post to share a little technical consideration to be aware of when photographing intensely colorful subjects, especially those that are yellow, orange, red, purple, or similar colors. It has to do with exposure. Most digital cameras meter the overall light, but they assume that the colors will be roughly balanced. In scenes with extremely intense colors — like those seen on the paintbrush flowers — the camera’s metering system can over-expose a color channel, often the red channel, even when it seems like the exposure is right. Often the safest thing to do when photographing such a subject (flowers, brilliant sunsets, autumn leaves) is to under-expose by about 1/3 to 2/3 stops so that you’ll retain some highlight detail in the intensely colorful subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.