Tag Archives: recesses

Photographs: Nature, Photographs: Sierra Nevada

Inlet Stream, Subalpine Lake

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Inlet Stream, Subalpine Lake
Sierra Nevada ridge, forest, and lake viewed from the meadowy inlet stream

Inlet Stream, Subalpine Lake. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sierra Nevada ridge, forest, and lake viewed from the meadowy inlet stream

I made this photograph on a lovely late-summer morning at a Sierra Nevada backcountry location where we camped for about a week a while ago. Camped nearby, hidden among trees and boulders on a small glacial moraine, we woke each morning, emerged from tents, and were immediately in a target-rich photographic environment. We had choices — wander the nearby meadow and lake, head up the hill to bigger meadows, or embark on a longer hike above timberline.

The lake is more or less a Sierra classic. It sits on a bench above a deeper canyon, with low hill at the outlet end suggesting that the terrain was scooped out by glaciation. Above (and behind my camera position) the valley continues, rising well above treelike and culminating at a ring of high peaks. A river drains to the west in the valley between the lake and the more distant ridge. I made the photograph in the morning as the first direct light hit the meadow and the distant mountains were still in shadow.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Nature, Photographs: Sierra Nevada

Reflection, Morning Shadows

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Reflection, Morning Shadows
Shadows on lakeside meadow as morning light hits Sierra Nevada peaks

Reflection, Morning Shadows. © Copyright 2018 G Dan Mitchell – all rights reserved.

Shadows on lakeside meadow as morning light hits Sierra Nevada peaks

This is a scene of what I regard as classic Sierra Nevada scenery. It also has the three main ingredients of many mountain photographs: rocks, trees, water. I made the photograph in the morning, probably most of the way through this morning’s photographic work. A typical morning in such a place begins with an alarm going off (quietly!) well before sunrise, followed by rolling out of the tent, grabbing camera pack and tripod, and heading off to some likely location to find morning light. Photography begins before sunrise, often moves quickly as the first direct light hits the landscape, and then evolves with the changing morning light… until, several hours later, it is time to wander back to camp and fix coffee and breakfast.

We were camped very close to this lake — though you could have easily walked past it and completely missed our camp, which was hidden away in the trees. We remained here for the better part of a week, allowing plenty of time to become familiar with the local landscape, photograph in a range of conditions, and make longer excursions away from camp. I actually did not photograph this closest lake much until near the end of our stay, when I realized that it was now or never. I made this particular photograph in the morning, well after sunrise but a few minutes before the sun peeked over nearby peaks to illuminate the shoreline meadow.

See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Meadow, Stream, Evening

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Meadow, Stream, Evening
A stream meanders through a subalpine meadow on its way to a lake, John Muir Wilderness

Meadow, Stream, Evening. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A stream meanders through a subalpine meadow on its way to a lake, John Muir Wilderness

This photograph is the final one (for now, at least) in a series that takes me back to late summer, high in the eastern Sierra Nevada, base-camped for over a week with friends and extensively photographing the surrounding area. A group of us does this almost every summer, so a good thing is made even better through the combination of time devoted to beautiful photographic subjects, time spent in these stunning places, and time spent with good friends. We say we are there to photograph – and we certainly are! — but the truth is that we also spend a lot of time hanging out, talking, and just being.

I made the photograph on the last evening before our planned departure the next day to return to what passes for the real world. The location is a meadow right below our campsite, which was hidden in trees up on the hill of an old moraine. Strangely, even though we were camped right next to this wonderful spot I had not really focused my attention on photographing it, often instead wandering off to more distant subjects. On the final days of the trip it occurred to me that I should finally spend some time in this spot right in the neighborhood! So, late in the day on the final evening of the trip, off I went to walk slowly along the edge of “our” lake, crossing small inlet streams and traversing the surrounding meadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Reflections, Early Morning

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Reflections, Early Morning
A distant ridge in very early morning light is reflected on the surface of an alpine tarn

Reflections, Early Morning. John Muir Wilderness, California. September 1, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A distant ridge in very early morning light is reflected on the surface of an alpine tarn

A photograph is a curious thing. It can “tell” you things about a subject — and about the person who made the photograph — that might not be easily communicated in other ways. On the other hand, a photograph usually leaves it to the viewer to guess at many aspects of the image’s context — and the viewer either brings her/his own context or may simply be unaware. For example, I probably see this scene very differently from others who view the photograph, even those who were there or who know the place. Let me explain.

What is not “visible” in this photograph? It was made near the end of a long stay in this area, where we were camped in forest a few hundred feet lower near a lake. So by this time I knew the spot quite well, and rather than “discovering” it I was essentially revisiting and looking more closely at things I already had seen. I had crawled out of my tent before sunrise, resisting the temptation to stay in the warm sleeping bag “for just a few more minutes,” and instead unzipping the bag, pulling on a down jacket and boots, heading outside and shouldering my gear. It was still not light when I arrived here, and a made a few “warm up” photographs as I wandered around this pond in the damp meadow. To make the photograph I was standing almost as much in the lake as I was next to it. At the time of this photograph the first, warm dawn light had come and gone, though the alignment of the peaks meant that not much direct light fell on the scene. Having visiting this spot for a week now, I was also noticing that the grass on the rise across the small pond was now visibly transitioning from summer green to autumn brown. As I worked a breeze came up, ruffling the surface of the water — and this photograph was made during a brief interval when it quieted enough to reflect the distant peaks. And speaking of those peaks, as I stood here and looked at them I was also aware that in about 48 hours I would be leaving, crossing a 12,000′ pass that is visible at the low point on that ridge. The trip was coming to an end.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.