Tag Archives: reflection

Photographs: Nature, Photographs: Sierra Nevada

Ledge Meets Lake

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Ledge Meets Lake
A ledge llittered with fractured rocks above the shorline of an alpine Sierra Nevada lake.

Ledge Meets Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

A ledge llittered with fractured rocks above the shorline of an alpine Sierra Nevada lake.

This little conjunction of rock and water has fascinated me since I first saw it. The lake is in the eastern Sierra Nevada backcountry, above another lake where a group of us went to photograph for a week a couple of years ago. I have a long acquaintance with this upper lake, having first visited it perhaps a couple of decades ago. It is fascinating how my perception of the place changed over time. From that long-ago first visit I only remember that there wasn’t much in the way of obvious campsites here. On later visits I took in more of the alpine surrounds of this lake, which is set in a high bowl. Over several days of repeated visits on the more recent trip I became very familiar with the rocky terrain around the outlet of the lake.

While I’m not completely averse to photographing icons, I spend most of my photographic time in places like this looking for things that I would overlook without careful attention. Seen this way, there are photographic opportunities almost everywhere I look. In fact, I “saw” this little scene it at least four (and counting!) different ways, several of which attentive viewers may recall.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Cirque In Shadow

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Cirque In Shadow
A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Cirque In Shadow. © Copyright 2021 G Dan Mitchell – all rights reserved.

A high country cirque in shadows, surrounded by a landscape of talus, cliffs and late-season patches of snow.

Over the past decade-plus I have traveled into the Sierra backcountry almost annually with a group of fellow photographers each summer. We’ve photographed from Yosemite to Sequoia-Kings Canyon and some non-park areas along the eastern edge of the range. Our practice has been to take a day or two to get to a suitable spot where we set up a basecamp and then photograph the heck out of the surrounding area. One plus of this approach, as contrasted with trying to cover more ground by moving daily, is that we get to become more intimately familiar with the rhythms of the place.

I made this photograph a few years ago on one of these trips. We camped in thin forest at a nice high-country lake mostly surrounded by rocky terrain. Over the course of the week we explored the surroundings, gradually uncovering what the area had to offer. This lake is one of several along the course of a small stream coming down from much higher country, and it lies in an east-facing cirque more or less at timberline. The late-season snow field in the talus field attracted me from the first time I saw it, and it was only after several visits that I decided to try photographing it in the deep shade from the surrounding peaks and ridges.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Rocky Shoreline, Reflections

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Rocky Shoreline, Reflections
“Rocky Shoreline, Reflections” — Talus boulders and their reflection at the edge of a Sierra Nevada lake.

Three summers ago a group of us (yes, THAT group) spent a week camped at a little backcountry lake on the east side of the Sierra Nevada. The lake is a pretty one, with forest on one side, rocks on the other, and a few areas of meadow and granite slabs here and there. All in all, a fairly typical sort of scene in the range. Beyond the lake itself, the valley that holds in also contains many other small lakes and is surrounded by ridges and peaks, all of which gave us plenty to photograph.

This photograph comes from the rocky side of this lake. A common pattern with high country lakes is for there to be some flat area(s) along one side and perhaps at the inlet and outlet streams, and for one side to be close to some sort of slope. Anyone who tries to circumnavigate such lakes is familiar with the difficulties of finding a way along that rocky side. The rocky slope next to this lake was exceptionally rough, with large boulders extending right down to the shoreline. What it lacked in “walkability” it made up for in reflections. A much higher ridge above the rocks left this area in shadow late in the morning, producing a nice blue tonality to the light.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Peninsula Trees, Morning

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Peninsula Trees, Morning
Trees on a rocky peninsula catch the first morning sun at a Yosemite National Park backcountry lake.

Peninsula Trees, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees on a rocky peninsula catch the first morning sun at a Yosemite National Park backcountry lake.

There’s nothing like have the time for a slow morning wandering the perimeter of a forest-lined Yosemite backcountry lake. We camped at this one for something like four nights back in 2014, when a group of us spent a week in the high country making photographs. Each morning, well before sunrise, it was down to the shoreline wander and photograph.

I love photographs of trees in back-light, but there are some challenges. The obvious one, of course, is that you are pretty much guaranteed to be shooting almost directly into the sun. But second challenge is that the scene between camera position and subject is often in the bright sunlight, even if the background is pleasantly shaded. Photographing on a lake can help with this issue since the water helpfully reflects that shaded background and is hardly affected at all by the direct light, aside from a bit of extra illumination of anything that happens to be floating on the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.