Tag Archives: rock

Patterned Cliff Face, Detail

Patterned Cliff Face, Detail
A small section of shaded Sierra Nevada cliff reveals remarkable details of dikes, fractures, color, and stains

Patterned Cliff Face, Detail. © Copyright 2018 G Dan Mitchell – all rights reserved.

A small section of shaded Sierra Nevada cliff reveals remarkable details of dikes, fractures, color, and stains

Most often when I think of large rocky faces in the Sierra Nevada, the clean, smooth, and almost uniform faces of Yosemite granite come to mind — large expanses of nearly unbroken rock shaped by glaciers. However, when I get into the high country and the other areas of the range I am reminded that things aren’t quite so simple. In places you can find mountains cut through by giant dikes of non-granite rock, or you might encounter the remnants of more ancient layers that lay above the granite intrusions and today give us red, black and other colors of material.

Since I’m no geologist, I can’t explain the details of the face in this photograph, but I can share a few observations. It is the headwall of a high bowl that contains a subalpine lake, and the area does show signs of glaciation. The fact is gigantic, and this is just a small section. It is far from uniform, with mostly gray rock cut through by thick intrusions of lighter material, and the whole thing cracked and fractured. In many places the surface has been deeply stained as water has flowed or seeped across it.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Granite, Reflections

Trees, Granite, Reflections
A granite outcropping and trees reflected in the surface of a subalpine Sierra Nevada lake

Trees, Granite, Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

A granite outcropping and trees reflected in the surface of a subalpine Sierra Nevada lake

This scene was along the edge of a lake I visited on several evenings, hiking up from our base camp during our September week in the Eastern Sierra Nevada backcountry to make photographs. The logical starting point for photographs here was near the lakes outlet, where there was a small, rocky meadow and several nice granite outcroppings that extended into the lake. I initially began by photographing there.

But soon the light left that area and I decided to wander around a bit more. Not far away was a small bay extending off from the main body of the lake, and on the other side of this bay several attractively twisted and bent trees stood on and in front of a large granite outcropping.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fractured Rock

Fractured Rock
Detail of a fractured rock wall in the John Muir Wilderness

Fractured Rock. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a fractured rock wall in the John Muir Wilderness

There are quite a few “photographer jokes” that you’ll hear if you hang out long enough with these folks. (I should make a list sometime!) Some of them come up in answer to the common question, “What did you photograph?” (A variation on, “What are you photographing?” and not totally unrelated to, “Did you get anything good?”) In a lot of cases, when asked the “what did you photograph?” question, you have choices: given a long answer (often the truest response) and make your questioner wish they hadn’t brought it up, give a very short superficial answer, or make a joke. One joke answer among some folks I know and sometimes photograph with is a cheery, “Rocks, water, and trees!”

If you have been watching recent photographs from this location in the Eastern Sierra Nevada, you may be forgiven for noting that in some cases I seem to have been reducing the subjects from “rocks, water, and trees” down to the minimal, “rocks…” This is — obviously! — one such example. It is the sort of thing that most folks would probably not see, since it wasn’t in an obvious place and is in a location where you could easily walk past while looking at other, larger things. But I wasn’t looking for the obvious, at least not only for the obvious, so I stopped here and poked around a bit, discovering a small section on a larger rock fact where the remnants of an old layer of pink rock were gradually breaking away from the underlying gray material. One more thing — when I make a photograph like this one, focusing on some compositional aspect of some small and non-iconic thing, I often think of the photographs of Mike Osborne, one of the original “First Light” photographers and a person with a unique and wonderful way of “seeing” the Sierra Nevada landscape.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Subalpine Lake, Late Afternoon Light

Subalpine Lake, Late Afternoon Light
Late afternoon light on a rocky peninsula on a subalpine Sierra Nevada lake

Subalpine Lake, Late Afternoon Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light on a rocky peninsula on a subalpine Sierra Nevada lake

This is a photograph that required a bit of persistence! During our September stay in the Eastern Sierra Nevada backcountry, I first walked up to this lake several days before I made this photograph. When I arrived for the first time I made a guess as to where I might find a photograph, but the guess was wrong! As the light faded I tried a different spot, and I found a good one, but I missed the best light. I made a mental note to come back, and even noted the specific spot to be in. A day or two later I headed back in that direction late in the day, with plenty of time to get there before the good light arrived… but then I got distracted by some other attraction, spent too much time on it, and arrived at this lake — you guessed it! — about three minutes too late! However, I did have a bit more time to consider the location and timing of the shot I had it mind.

I went back one more time, and this third time was almost not a charm. I got there plenty early and found my spot well before the good light… and discovered a woman set on fishing from the lovely rocks on the peninsula in the center of the photograph! Since I was early I decided to wait quietly and not try to convince her to get out of my shot, but I did explain what I was there for. I waited. She continued to fish. I began the internal debate about just how aggressive I should be about trying to get the shot. I think she figured out that I really wanted this photograph, since about five minutes before I made it she moved on to another spot on the other side of the rock. (She continued to fish, and I had to time my exposures between her casts, when sent line right into the water beyond the rocks.) In the end my persistence paid off, and I got a photograph that I like — to me it seems to capture that lovely late-day, late-summer light in the high country, and it even includes some really lovely color in the water. I finished the photography here… and had time left over for a short hike to the top of a nearby pass before the light faded.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | FacebookEmail


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.