Tag Archives: rock

Bear Gulch Reservoir

Bear Gulch Reservoir
“Bear Gulch Reservoir” — Spring at Bear Gulch Reservoir, Pinnacles National Park

This small reservoir sits at the upper end of a very popular trail through caves at Pinnacles National Park. The area has been in my consciousness for decades. The caves were perhaps the “main attraction” when my family visited the park (then a national monument) when I was just a kid, so I distinctly remember emerging from the canyon at the upper end of the caves to arrive at this reservoir. I’m not sure of its history, but I suspect that the reservoir has been there a very long time, certainly before it was even a a national monument.

The reservoir is relatively sheltered in the bottom of this canyon, and the water was very still on the day of this recent visit. The surrounding terrain is filled with the pinnacles that give the park its name. If you look closely, you may be able to see a couple of fellow hikers taking a rest in the shade next to the water in the lower left corner of the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Layered Rock Face

Layered Rock Face
Rock layers lie exposed on a cliff in a quiet desert canyon.

Layered Rock Face. © Copyright 2019 G Dan Mitchell – all rights reserved.

Rock layers lie exposed on a cliff in a quiet desert canyon.

On this trip we arrived in Death Valley in the late morning. Midday in the desert is not necessarily a great time to be out in the open, especially on a windy day like this one, so I often head for canyons to find better light and shelter. We took a side road into a quite canyon that doesn’t get a lot of visitors, mainly with the idea of finding a sheltered place to eat lunch and rest a bit after our drive.

We relaxed and finished lunch, and then began to pay more attention to nearby photographic opportunities. Up the canyon was an incredibly barren and rugged landscape, but nearly there were smaller features that seemed quite attractive. We found some canyon plants that were blooming, so we spent some time photographing wildflowers. Across the narrow canyon from our position was this bit of fascinating canyon wall, where old sedimentary layers had been uplifted and then eroded away to created this terraced effect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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,Autumn Aspens, Cliff

Autumn Aspens, Cliff
Autumn aspen trees cling to ledges along the face of a cliff in the Eastern Sierra Nevada

Autumn Aspens, Cliff. © Copyright 2016 G Dan Mitchell – all rights reserved.

Autumn aspen trees cling to ledges along the face of a cliff in the Eastern Sierra Nevada.

The aspens in this photograph have fascinated me for years. Nearby are some relatively large, tall, and straight trees, but for the most part the trees in this scene are small, slender, and sometimes even a bit misshapen. They manage to eke out a living on what appears to be solid rock as they send their roots into narrow cracks.

These trees seem to have, at least in my experience, a fairly short period of maximum color. Or at least that is what I tell myself when looking to explain why I have somehow almost always missed their best color. But it also appears that they change colors earlier than some of the other trees in the area — I made this photograph just past the middle of September, nearly two weeks before the typical start of the more widespread fall color season in the Sierra.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Sculpted Sandstone

Sculpted Sandstone
Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

Sculpted Sandstone. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky light reflected on sculpted and curving sandstone in a Utah slot canyon

We have to change the way we think about the daily progression of light when photographing in slot canyons. I first learned this when photographing in the red sandstone country of Utah, but it is just as true in the relatively less colorful canyons of Death Valley or even in some places in the plain gray granite landscape of the Sierra Nevada. In most cases we are drawn to the warm, early morning light, with its long shadows and lovely color. But in the canyons that light can be far less compelling, and it may even just end up seeming drab. Once you reset your expectations you find that the best canyon light often comes in the middle of the day, when the sun rises high enough to directly illuminate the red canyon rims, and then this light bounces and reflects downward into the canyon depths.

I made this photograph in a spot in a Utah canyon that was perhaps an even better than usual location for reflected canyon light. The rock was red standstone. Late-morning sunlight lit the upper rim, and that light suffused the lower reaches of the canyon. But here the narrow section of slot canyon wasn’t very long, and some bluish light from the sky reflected on angled rock surfaces, introducing a striking color contrast to the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.