Tag Archives: san francisco bay area

Wisteria Leaves

Wisteria Leaves
Spring wisteria leaves, San Francisco Bay Area.

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Wisteria Leaves. © Copyright 2022 G Dan Mitchell.

Spring wisteria leaves, San Francisco Bay Area.

The process leading me to this photograph was a bit oblique. This is another image from our spring visits to a garden full of seasonal flowers. I had been photographing tulips when I was distracted by wisteria plants that were almost completely covered with dense flowers. I went to photograph the flowers, but up close they didn’t see quite as fascinating as the bush seen as a whole. But as I worked on photographing the flowers the leaves kept getting in my way… until I realized that perhaps they might make the photograph.

Moving from focusing on the flowers to incorporating the leaves, I first simply included a few leaves in a flower photograph to provide a bit of contrast. As I worked I continued to given the leaves a larger and larger portion of the images. Soon I was primarily focused on the leaves, including the flowers only as background. I placed the flowers behind the leaves and narrowed the focus zone to emphasize the leaves. Eventually, as in this photograph, I removed any obvious presence of the flowers at all.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Fairy Lantern, Spring Greenery

Fairy Lantern, Spring Greenery
A fairy lantern blossom among spring greens in the hills of the San Francisco Bay Area.

Fairy Lantern, Spring Greenery. © Copyright 2019 G Dan Mitchell – all rights reserved.

A fairy lantern blossom among spring greens in the hills of the San Francisco Bay Area.

This is not a fairy lantern blossom from the spring 2020 season. It is not news to anyone at this point, but my ability to get into the field was interrupted by stay-at-home orders more or less at the peak of the local wildflower season. Fortunately, I did get out a few times before the world came crashing down. And, truth be told, I have a lot of unfinished photographs sitting in the raw file archive from which this one comes.

While I know that this lovely flower can be found in quite a few places, I almost go back to the same specific location. It is along a trail in a local country park that drops down into a small canyon cut by a seasonal stream. The sides of the canyon are steep, and there is plenty of overhanging foliage, and on the right spring day the whole place is quiet and full of green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Powerplant, Railroad Avenue – Mare Island Naval Shipyard

Powerplant, Railroad Avenue - Mare Island Naval Shipyard
Powerplant, Railroad Avenue - Mare Island Naval Shipyard

Powerplant, Railroad Avenue – Mare Island Naval Shipyard. Mare Island, Vallejo, California. February 27, 2010. © Copyright G Dan Mitchell – all rights reserved.

Night panoramic photograph of the powerplant building and other structures along Railroad Avenue at the historic Mare Island Naval Shipyard, Vallejo, California.

This is a bit of a first for me – a night photography stitched panorama. This image is composed of two separate exposures which were aligned and “stitched” into a single image in post. (As such, it could be a very large print!) Shooting from an elevated position, I shot almost directly north (as you can tell from the star trails in the larger version). The view looks up Railroad Avenue past the iconic power plant building with its smokestack that is visible from all over Mare Island.

I’m usually a bit casual about exposure time with long exposure night photographs. It isn’t that I don’t care – it is just that one has a ton of leeway when it comes to the very long exposures I typically use. For example, on a 3 minute exposure you would have to be off by three minutes to overexpose by one stop! So rather than use a stopwatch or an automatic timer I just count to myself. I’m usually will within a 10% error, and that is good enough. However, when stitching “good enough” often isn’t. The separate component frames really need to be quite similar, so in this case I resorted to using my watch to get relatively accurate 90 second exposures.

Another interesting factor in night photography is illustrated in this photo, namely the wildly varied colors of the light sources we deal with. There are three dominant sources in this image. The overall illumination comes from the full moon, which is quite similar to day light in terms of white balance. On the near wall of the brick power plant there is very “hot” and saturated yellow/red tinted light, probably from sodium vapor lamps. Near the left end of the image is an old wooden building that is illuminated by very green light, which I believe comes from mercury vapor lamps. I often chuckle a bit when people speak of “white balancing” the color in a scene like this. If you pick one source for your white balance you’ll throw the others even more out of line. My philosophy is usually to just go with what looks right!

Finally, the idea of making the stitched panorama came from the recently started Panocturnists web site, begun by people connected with The Nocturnes, the San Francisco Bay Area night photography group. I was intrigued by the idea of creating panoramic night photography, and I’ve done a few images along these lines on my two most recent visits to Mare Island.

(More of my Mare Island photographs)

This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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Technical Data:
Canon EOS 5D Mark II
Canon EF 50mm f/1.4 USM
ISO 200, f/8, 90 seconds

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