Tag Archives: san francisco

Photographs: San Francisco, Photographs: Urban/Street

Between The Curves

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Between The Curves
“Between The Curves” — Two large freeway overpasses cut through downtown San Francisco.

San Francisco is not far from where I live — less than an hour’s drive in good traffic (and three times that in really bad!) or a one-hour express train ride. When I have a day free I like to head up there on the train early in the morning and then explore, photographing as I go. San Francisco is a very walkable city, and I have a great choice of routes when I get off the train — I can head south to the an area with tons of new development, walk along the waterfront, go west toward an older (still somewhat) industrial area, or go north and head straight into the center of the downtown district.

I took the latter path on this day back in 2019, cross-crossing on east-west routes from time to time. Frequently when I come into The City by car I travel along the freeway route that mostly flies overhead, leaving only longer views. From underneath the City looks a lot different! I chose this view partly because I like the concept of the dark forms cutting off the view, but also because I was intrigued by the curving shape of the opening between the two overpasses.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

Doorway 776

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Doorway 776
A colorful doorway in San Francisco’s Chinatown district.

Doorway 776. © Copyright 2020 G Dan Mitchell – all rights reserved.

A colorful doorway in San Francisco’s Chinatown district.

For the most part, the fronts of buildings in dense urban areas like San Francisco are not generally beautiful. As I photograph in such places I feel like the insides of such buildings may be interesting and feel like home, but that the outsides are often left in a more utilitarian state, with little attention to beautification or personalization. I see this in San Francisco, but I also see it in other major American urban areas and even in other countries that I’ve visited.

All of that makes the occasional exceptions even more notable. I’ve gotten to know a few of them found here and there in San Francisco areas that might be regarded as a bit “gritty.” This wildly colorful front entrance is on a Chinatown side street, not far from the hustle and bustle of one of the busiest streets.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

Abandoned Scooter

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Abandoned Scooter
A scooter lies abandoned on a San Francisco sidewalk

Abandoned Scooter. © Copyright 2019 G Dan Mitchell – all rights reserved.

A scooter lies abandoned on a San Francisco sidewalk.

I almost stepped on this scooter while walking through a section of San Francisco. Scooters are everywhere it our urban environment now — the new electric rental scooters abandoned on sidewalks along with the smaller number of scooters owned by individuals… some of which rely on old-fashioned muscle propulsion. It is hard to say precisely why I photographed this one — in fact, a lot of my street photography is done quickly and without a lot of careful consideration. Stuff happens quickly “on the street.” I know that its weathered and broken character caught my attention, and the green color on the wheel is the sort of thing that often attracts my notice. It also seemed like its color was not that different from the concrete sidewalk on which it had been ab abandoned.

If you like looking for meaning in photographs — beyond the intrinsic meanings of form and color and texture and all of that stuff — you could problem find some in this scene. I’ll toss out a few thoughts to get you started, but I’ll also warn you that I likely didn’t think of any of them, at least not consciously, as I made the photograph. The red curb line at the top of the image indicates a place where there is no stopping. Finding such a popular and commonplace item as an urban scooter turned to trash brights thoughts about the disposable economy. Why is that rear wheel green? Perhaps you can think of others…

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Architecture, Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Window Maze

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Window Maze
Cubist patterns of color, reflections, and perspective in the windows of a San Francisco builiding

Window Maze. © Copyright 2019 G Dan Mitchell – all rights reserved.

Cubist patterns of color, reflections, and perspective in the windows of a San Francisco builiding.

Continuing with the theme of “windows,” here is another photograph I recently made while walking in San Francisco. My San Francisco ambling typically has a general structure — I usually arrive at the Fourth Street Caltrain Station early in the morning, then typically start walking north (often along the waterfront, though not on this visit). I photograph as I go, and eventually reach a turn-around point, where I start back towards the train station on a different route.

I made this photograph on that return walk, and I was actually in a bit of a hurry — I had just enough time to get to the station and board before my train was to leave, and missing it would have meant an hour wait. These windows caught my attention and I paused very briefly to make two exposures. The objective reality of the scene is simple — a couple of “window walls” joining at a corner — but the subjective effect is quite complex and wild, with confusing combinations of elements (the windows themselves, what lies inside, and things behind me in the reflections), perspective lines, and color.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.