Tag Archives: san francisco

Three Women, Grant Street

Three Women, Grant Street
Three women stand in front of a Grant Street storefront at night, San Francisco.

Three Women, Grant Street. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three women stand in front of a Grant Street storefront at night, San Francisco.

At this point I’m not sure I recall the exact circumstances that had me in this part of San Francisco after dark, but from the group of photographs that I have in my archive I can tell that I had made my way to the Chinatown district by evening, and after photographing there headed south past the Moscone Center, all of which suggests I had gone up there and back on the train. Taking the train to San Francisco for a day of street photography has long been a favorite activity, though I think it has now been about two years since the last attempt, aside from a few brief forays when I was up there this past fall for a couple of shows.

This San Francisco district, and others like it, are great places to photograph after dark, especially if you can work quickly, in street photography style, using a small handheld camera. There is often a fair amount of light from the combined sources of street lights, passing traffic, and the often-colorful lights spilling from commercial storefronts. With a small camera, especially at night, I can photograph without being so obvious that I intrude on the scene myself. One theme in my night street photography is people doing seemingly unusual things in a very normal human fashion. This appears to be a group of three friends passing through this area, but pausing to look in an unusual direction for just a moment.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Waiting Man

Waiting Man
A man stands at the curb with his head bowed, San Francisco.

Waiting Man. © Copyright 2021 G Dan Mitchell – all rights reserved.

A man stands at the curb with his head bowed, San Francisco.

This photograph comes from a day spent doing street photography while walking through San Francisco… just a few short months before our world changed in early 2020 and such activities become difficult, if not impossible. I still photograph “street” a bit in the areas not far from where I live, but I haven’t been back to shoot this way in San Francisco since the “before times” — though I’m starting to imagine being able to do so once again. I did just a bit of this kind of photography when I spent a few days up there during our Open Studio event at a gallery in North Beach, though I’m still distracted by streets full of masked people.

I know that some people wonder why this “nature photographer” wanders off to photograph urban environments, and some are even perplexed by the photographs. There are lots of reasons for a landscape photographer to also be a street photographer. In some ways the genres are complementary, and doing one actually has the potential to improve the other. If nothing else, photographing street can remove the “I don’t have anything to photograph!” excuse, since there’s potentially something right outside your front door. In addition, for photographers who are often more comfortable photographing things than people, this work can be a way to stretch your boundaries.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Waiting For Transit

Waiting For Transit
People await their ride at a San Francisco light rail station.

Waiting For Transit. © Copyright 2021 G Dan Mitchell – all rights reserved.

People await their ride at a San Francisco light rail station.

Perhaps you already knew that I made this photograph a few years ago — it is in San Francisco, it is at a transit stop… and no one is wearing a mask! You wouldn’t find that combination today. (That’s one reason that the San Francisco Bay Area has among the lowest infection rates in the country, but I digress…) I made the photograph on one of my photography days in San Francisco, which tend to follow a familiar pattern: Up well before dawn, catch a train to the City, arrive around sunrise, spend the morning wandering on foot and photography, then take the train back home my mid-afternoon. San Francisco is a very walkable city, and you can cover a lot of ground there on foot.

Recently I had the pleasure of giving a talk on street photography to a somewhat surprising group, the photography section of the San Diego Chapter of the Sierra Club. That’s not your typical topic for this group, and I was aware that there might be some skeptics. My premise is that doing street photography (and other kinds of not-nature photography) can make you a better photographer, and that the benefits can accrue to your nature photography, too. I can’t recreate the entire talk here, but this photograph embodies a few key ideas. First, it takes advantage of a very local photographic opportunity, so I can photograph even when I can’t travel to lovely, far away, natural places. Second, it treats the street as a kind of urban landscape, occupied by “human wildlife.” In fact, I often construct photographs like this one by first finding the “landscape” and then waiting for passers-by to populate it. Third (and final for now) photographing these local subjects is good “practice” that keeps my ability to see photographically tuned up.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cherry Pickers

Cherry Pickers
A line of cherry pickers along a San Francisco street.

Cherry Pickers. © Copyright 2021 G Dan Mitchell – all rights reserved.

A line of cherry pickers along a San Francisco street.

Since the previous photograph I posted featured cranes (of a different sort!) I suppose that you could, from a certain perspective, regard this as part of a series. Well, these are sort of cranes, right? I encountered them along a San Francisco street a couple of years ago, in an area under extensive construction as part of the underground expansion of the City’s transit system. I can’t explain why there would be quite so many cherry pickers lined up in a row, but they certainly caught my attention.

I think this photograph my be an example of how the act of carrying a camera can change how you see. I know it changes how I see. Normally, I might give this sight no more than a moment’s notice before moving on: “Interesting. Cherry pickers parked along the road.” But with a camera in hand I start to ask visual and other questions: Who thought to segregate them by color? Do they always store them this way or did someone carefully extend them so their angles nearly matched? Am I the only person who thought they looked like gigantic anthropomorphic figures marching to the right?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.