Tag Archives: sand

Dunes, Afternoon Light, Blowing Sand

Dunes, Afternoon Light, Blowing Sand
Late afternoon light and blowing dust above Death Valley sand dunes

Dunes, Afternoon Light, Blowing Sand. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light and blowing dust above Death Valley sand dunes

Wind and blowing dust on sand dunes can produce an otherworldly and spectacular scene. They are also very difficult to work in — tough on equipment and tough on photographers! (I recently read some advice about entering the dunes during serious sand storms. Basically, the recommendation was, “don’t.” For the stubborn, who would do it anyway, the text continued with a recommendation to wear protective clothing, eye protection, and some kind of mask — perhaps towels soaked in water. Fun, eh?) The conditions on this occasion were not really that bad, probably not even as challenging as they might appear to be in the photograph, but it was an afternoon of blowing wind and sand.

We were in a section of low dunes, a distance away from the popular areas where the challenge seems to be to surmount the highest dune. In these lower areas there is plenty to see and photograph, and I usually prefer them to the less accessible and higher areas. Here there are plenty of plants growing in the same, and the more intimate landscape of hills and valleys provides endless subjects. As I was working that terrain I happened to look west toward the late day sun — barely out of the frame — to see the complex patters leading away on the closer dunes, the dark shape of the more distant tall dune, and the light shining through the wind-blown sand in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Creosote Bushes, Dunes At First Light

Creosote Bushes, Dunes At First Light
First light on sand dunes and a pair of creosote bushes, Death Valley

Creosote Bushes, Dunes At First Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

First light on sand dunes and a pair of creosote bushes, Death Valley

I made this photograph during that short, beautiful period when the day’s first light arrives in the desert. I had spotted these clumps of creosote plant earlier, when the light was still pre-dawn blue. I made a few photographs at that point which, of course, have an entirely different feeling than this one. I think I had begun to move on to another subject when I decided to instead stick with this one as the sun rose behind distant mountains. The first light struck the top of dunes to my left (not visible in this photograph), and as the angle of the light increased with the rising sun it began to sweep across nearer dunes beyond the plants.

The color contrasts here are, I think, quite something, even with the overall soft quality of the scene and the light. That one band of dune just beyond the plants is very colorful in the early direct light. Beyond the sun is just beginning to strike a few other dunes. In the far distance the hills and washes at the east side of Death Valley are still in the blue morning twilight shadows. The creosote plants are still in shade — but not for long — and silhouetted against the more colorful den.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Light And Shadow

Dunes, Light And Shadow
A curving interaction between light and shadow on Death Valley sand dunes

Dunes, Light And Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

A curving interaction between light and shadow on Death Valley sand dunes

The visual patterns of desert sand dunes can quickly become a sort of photographers’ playground. While we often may go out looking for individual subjects and composition (the “perfect photograph of that mountain”), once in the sand dunes there are likely to be photographs almost everywhere we look. The subjects are remarkably varied, ranging from the smallest to the largest, from nearly pure abstraction to literal depictions, including human elements or not, and changing over the course of the day and in evolving light. Topping another wave of sand or curving around into a new hollow can bring a whole new set of possible photographs.

I made this photograph on a morning when we walked out into a lonely section of dunes before sunrise. I generally tend to photograph more “literal” subjects in that softer pre-sunrise illumination. That softness quickly disappears with the sunrise most days, and I begin to look for more stark compositional contrasts. Here I was attracted but the abstract shape of the sand that was struck by the light, and the suggestively organic shapes of the curve.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Creosote, Sea Of Dunes

Creosote, Sea Of Dunes
A sea of sand dunes extends to distant desert mountains behind a cluster of creosote bushes

Creosote, Sea Of Dunes. © Copyright 2018 G Dan Mitchell – all rights reserved.

A sea of sand dunes extends to distant desert mountains behind a cluster of creosote bushes

This photograph comes from those moments just before sunrise on the dunes, when there is not yet any direct, intense light. Instead the light is soft and diffused, and blue tones are seen in the distance and in shadows. We had arrived in this area earlier, after perhaps a 20 minute walk that began in near-darkness. This is not necessarily time for slow and contemplative photography — conditions evolve quickly, and I often have to make some fairly quick decisions before the light changes or is gone. Moments after making this photograph, for example, that direct light did arrive from the right, and the scene was completely transformed.

Sand dunes are remarkable and surprising places. I think the first impression for most people is of the sand itself — its extent, its shapes, the variations and texture and color, and (of course!) how difficult it is to walk across it. It is hard to imagine a more perfect canvas for the play of light. The dunes are not intrinsically very colorful, but they do a remarkable job of picking up color and light from their surroundings. Beyond the sand itself, the things that appear in the dunes are also fascinating. A close look reveals evidence of the passage of unseen animals, in spring flower blossoms may collect in hollows, and somehow plants manage to survive and sometimes prosper in this forbidding environment. In Death Valley creosote bushes grow throughout many of the dunes. Some of them can appear almost lush at certain times of the year — with new leaves and many small, yellow flowers. Others, like those on this small hill, seem to be barely hanging on to life.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.