Tag Archives: sand

Dunes, Light And Shadow

Dunes, Light And Shadow
A curving interaction between light and shadow on Death Valley sand dunes

Dunes, Light And Shadow. © Copyright 2018 G Dan Mitchell – all rights reserved.

A curving interaction between light and shadow on Death Valley sand dunes

The visual patterns of desert sand dunes can quickly become a sort of photographers’ playground. While we often may go out looking for individual subjects and composition (the “perfect photograph of that mountain”), once in the sand dunes there are likely to be photographs almost everywhere we look. The subjects are remarkably varied, ranging from the smallest to the largest, from nearly pure abstraction to literal depictions, including human elements or not, and changing over the course of the day and in evolving light. Topping another wave of sand or curving around into a new hollow can bring a whole new set of possible photographs.

I made this photograph on a morning when we walked out into a lonely section of dunes before sunrise. I generally tend to photograph more “literal” subjects in that softer pre-sunrise illumination. That softness quickly disappears with the sunrise most days, and I begin to look for more stark compositional contrasts. Here I was attracted but the abstract shape of the sand that was struck by the light, and the suggestively organic shapes of the curve.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Creosote, Sea Of Dunes

Creosote, Sea Of Dunes
A sea of sand dunes extends to distant desert mountains behind a cluster of creosote bushes

Creosote, Sea Of Dunes. © Copyright 2018 G Dan Mitchell – all rights reserved.

A sea of sand dunes extends to distant desert mountains behind a cluster of creosote bushes

This photograph comes from those moments just before sunrise on the dunes, when there is not yet any direct, intense light. Instead the light is soft and diffused, and blue tones are seen in the distance and in shadows. We had arrived in this area earlier, after perhaps a 20 minute walk that began in near-darkness. This is not necessarily time for slow and contemplative photography — conditions evolve quickly, and I often have to make some fairly quick decisions before the light changes or is gone. Moments after making this photograph, for example, that direct light did arrive from the right, and the scene was completely transformed.

Sand dunes are remarkable and surprising places. I think the first impression for most people is of the sand itself — its extent, its shapes, the variations and texture and color, and (of course!) how difficult it is to walk across it. It is hard to imagine a more perfect canvas for the play of light. The dunes are not intrinsically very colorful, but they do a remarkable job of picking up color and light from their surroundings. Beyond the sand itself, the things that appear in the dunes are also fascinating. A close look reveals evidence of the passage of unseen animals, in spring flower blossoms may collect in hollows, and somehow plants manage to survive and sometimes prosper in this forbidding environment. In Death Valley creosote bushes grow throughout many of the dunes. Some of them can appear almost lush at certain times of the year — with new leaves and many small, yellow flowers. Others, like those on this small hill, seem to be barely hanging on to life.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, First Light

Dunes, First Light
First light on Death Valley sand dunes

Dunes, First Light. © Copyright 2018 G Dan Mitchell – all rights reserved.

First light on Death Valley sand dunes

No matter how many times I experience it — and I’ve experienced it a lot! — the instant when the first sunlight suffuses the landscape is always magical. Invariably, it sneaks up on me, even though I plan to be there for it and have probably calculated the precise time of the light’s arrival. Perhaps it is because I’m engaged in photographing the pre-sunrise light, a phenomenon that also is transitory. To this day, it still somehow surprises me when this light arrives in complete silence and stillness. Somehow it seems like there should be music or a rising wind… but it is just the light.

Sand dunes provide unending possibilities for photography, and they are a remarkable canvas on which the light can paint. In the middle of the day this sand would be a sort of bland off-white color. But for a few moments at the start and end of the day the sand takes on almost gaudy colors of sky and sunlight, and the soft shadows both emphasize the forms of the dunes and produce their own shapes and lines. Non-photographers probably wonder how we can force ourselves out of bed a couple hours before dawn and drive or hike long distances the pre-dawn darkness. We wonder how the rest of the world can sleep through it!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Mountains, Haze

Dunes, Mountains, Haze
Afternoon winds and blowing sand soften the contours of sand dunes and desert mountains

Dunes, Mountains, Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Afternoon winds and blowing sand soften the contours of sand dunes and desert mountains

For us, the drive to Death Valley from the San Francisco Bay Area is always a long one, even when we break it into sections as we did on this trip. We came through Trona and up the Panamint Valley, then following the newly reopened Wild Rose Canyon Road up into the mountains. Along the way to made a few stops in this range, and finally ended up in Death Valley itself in the middle afternoon. After getting settled in following the drive it is very tempting to just be lazy! However, we were there (mostly) to make photographs, so we got to work.

For me, the first photography of almost any trip amounts, to some extent, to a sort of warm-up exercise. I may (or may not) have a particular photograph or subject in mind, but it is important to get the camera out, head into the field, and start making photographs right away, if for no other reason than to “prime the pump” for the rest of the visit. We we headed to the dunes, stopping at a place where few others go, shouldered tripods, packs and cameras, and headed out to see what we could find. I had my sights on some low dunes where various vegetation grows, but along the way I looked toward the more distant higher dunes and spotted this beautiful backlight and haze as wind began to blow sand into the air from the dune ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.