Tag Archives: scene

Photographs: Architecture, Photographs: Mono Lake Basin, Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

Ship Yard Buildings, Crane

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Ship Yard Buildings, Crane
Weathered ship yard buildings illuminated by saturated colors of artificial lighting

Ship Yard Buildings, Crane. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered ship yard buildings illuminated by saturated colors of artificial lighting

I recently had a chance to return to this old ship yard facility near Vallejo, California to work on night photography. This is actually the place where I first tried out that genre approximately fifteen years ago. It was more or less on a whim — I read that someone was inviting photographers to come up to Mare Island, in conjunction with the annual Flyway Festival, and find out about night photography. I knew almost nothing about it, but decided to give it a try. Since that time I’ve been hooked. I’ve returned to photograph that locations often during the intervening decade and a half, and my night photography expanded from that beginning point to incorporate other subjects and places. (Most recently I have focused on night street photography done with small handheld cameras.)

This photograph is a prime example of several of the things that intrigue me about photographing at night. Scenes that might seem mundane in “normal” daylight are often transformed in the night. Not only do many distractions simply disappear, but the light itself, especially in areas with varied artificial illumination, transforms these subjects. In many places LED lights have replaced the wild mix of tungsten, fluorescent, sodium vapor, and other sources today — an unfortunate development in the visual sense, as LED light is more or less like daylight. But in places like this spot, the colors of the light become intense. Here it is the exceedingly green light of a large work light that predominates. Another appealing aspect of night photography is that it lets me make photographs of things that I really can’t see with my own eyes. In the ambient lighting I could only barely see the details of this scene. But with a long exposure there is enough light to reveal features that I could not see at all, a pure example of “seeing what the camera sees.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: San Francisco, Photographs: Urban/Street

From The Gallery Window

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From The Gallery Window
A San Francisco street scene viewed from the window of a photography gallery

From The Gallery Window. San Francisco, California. December 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A San Francisco street scene viewed from the window of a photography gallery

We came to this place more or less by chance. It was a somewhat lazy day for us — we had attended a concert the night before and stayed overnight near the venue. Since we had another concert coming up on the second evening we decided to not have any serious plans in the morning. We got up late and finally wandered down past City Hall, through a farmers market, and then headed down Market Street. At one point I happened to look across the street and see the sign for “SF Camerawork” above an unlikely looking storefront, so we walked across to take a look, noticed that it was scheduled to open in less than 10 minutes, and decided we would stick around and take a look.

It probably seems odd that I hadn’t ever visited before, especially since this organization has existed in the City for decades, but sometimes odd things happen. In any case, the door finally opened, we climbed the long and marrow stairway, and arrived to find them in the process if installing an upcoming show: Landmark: Yosemite Through The Lens of Contemporary Landscape Photography. Despite the unfinished state of the installation, they allowed us to poke around and see the work that was already hung. They had one of Jerry Uelsmann’s fantastical landscape, several of the Mark Klett & Byron Wolfe juxtapositions of classic photographs collaged with modern photos of the same locations, a few witty Ted Orland pieces, and more. The exhibition space itself is very nice — open and with good light — and at one point I wandered to one of the street-facing windows and took advantage of the upper story location to make a few photographs of the street below.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: United Kingdom, Photographs: Urban/Street

Balthazar, London

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Balthazar, London
Street scene, bakery, bar, and red car

Balthazar, London. London, England. August 5, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Street scene, bakery, bar, and red car

Here is another photograph in what I sometimes refer to at the “this-will-perplex-fans-of-my-landscape-photography” category. :-) The scene is a busy London street, photographed during a visit last August as we walked though this area. (If memory serves, we may have been on our way to a concert.)

In general, I’m not a fan of photographs that require too much explanation. That being said, I acknowledge that some photographs do require this… so here is a bit of explanation. You could look at this simply as a visual record of a place in the city. In fact, there is a bit of that here, since part of what got my attention was the red “Balthazar” awning above the bakery across the street, and my wonder at the use of the same name for a popular bakery in Manhattan. You can also try looking at the photograph simply as an image constructed of a limited range of colors (one in particular!) and forms, some of which may reveal surprises if you look closely. Anyway, that’s my story, and I’m stickin’ to it.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: New York City, Photographs: Urban/Street

Manhattan Sidewalk Scene

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Manhattan Sidewalk Scene
Pedestrians on a Manhattan sidewalk on a cloudy winter morning.

Manhattan Sidewalk Scene. New York City. December 24, 2015. © Copyright 2016 G Dan Mitchell – all rights reserved.

Pedestrians on a Manhattan sidewalk on a cloudy winter morning.

This is one of those street photographs that I probably can’t fully explain to viewers. I’ll try, but it simply may or may not work for you — and it certainly is, at least superficially, not much like my landscape photography. Or is it? When I’m out and about in an urban area, sometimes I start to look beyond the general hubbub of the scene and I began to spot elements that I find fascinating: a particular person, a relationship of colors, light in unexpected places, juxtapositions of people doing things that may be related or unrelated, and transitory moments that are gone as quickly as they appear.

When I’m in this mode of seeing I often stop and watch the scene, waiting for something to happen. I don’t know in advance quite what it will be, but I know that the potential is there. (This, in fact, is one similarity to photographing the natural world, where more things than you might imagine are the result of simply being there at the right time and watching.) Here something about the front of this building caught my attention, and there was a steady stream of people passing by. (Of course there was — this is Manhattan!) At the moment of this exposure a bunch of things happened — somehow there are two strollers in the scene. Several people are engrossed by their smartphones. The woman at the far right is in a surprising and somewhat contorted position, and everything seems to have stopped in some sort of tableau.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.