Tag Archives: season

California Golden Poppy, Spring Grass

California Golden Poppy, Spring Grass
A California golden poppy flower amidst a field of spring grass

California Golden Poppy, Spring Grass. © Copyright 2019 G Dan Mitchell – all rights reserved.

A California golden poppy flower amidst a field of spring grass.

Everyone knows that the California Golden Poppy is this state’s “official flower.” I suppose there are two primary reasons. First, the flower’s name connects to California’s gold rush history. Second, these flowers are found all over the state, often in extraordinary abundance, especially during the spring following wet winters — which is just what we are experiencing this year. Visitors looking for these flowers often produce near-mob-scenes at some of the best-known locations. The good news is that you can find the flowers everywhere! I found this one in a place not far from my home where I often hike. But I could have found a fine poppy subject on a short neighborhood walk within five minutes of my home!

Perhaps to the surprise of many who try to photograph them, these flowers pose several distinct challenges — and that’s not counting the challenge of getting yourself down low enough on the ground to get up close. The color is so intense that it is easy to over-expose even when your camera tells you that you haven’t, and the result is blown-out loss of detail. (Hint: Underexpose a bit when photographing the poppies.) A second challenge is that the flowers close and night and only open in the morning when hit by sun — making it tricky to photograph them in the more manageable soft light. You could look for one in the shade… or you could make or carry your own shade, which is what I do. Third, the shape of the flower is a challenge, mainly in the depth-of-field realm. In many cases you want to throw the background out of focus in order to bring attention to the flower. However, because the flower doesn’t have a “flat” side, this tends to make parts of the flower out of focus, too. My solution here was to allow that to happen with the further petals, but to make the nearer, sharp petals the visual focus.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

White Globe Lily Flower And Buds

Chinese Lantern Flower And Buds
One white globe lily flower and serveral buds about to bloom

White Globe Lily Flower And Buds. © Copyright 2019 G Dan Mitchell – all rights reserved.

One white globe lily flower and several buds about to bloom.

Since a recent post regarding this same type of wildflower went into some detail about it, I’ll try to keep this post a bit shorter. (Note: I wrote “try,” not “promise.” ;-) This is a white globe lily flower, one of my favorites from a local spot that I’ve been visiting for decades, especially in spring, and to which I’ve returned again this spring.

The importance of these “local spots” cannot be over-emphasized. I’ve seen a lot of photographers get trapped by the “I only photograph amazing places” mantra. Some of them, whose naturally busy lives limit the frequency with which they can drop everything and head off to an exotic locale, become frustrated with their photography. I understand — it is important to “do photography” almost continuously in order to produce and maintain the instincts of seeing that are so important. But seeing can happen locally, too. In fact, practicing (a term I know from a life in music) as often as possible, even with subjects that might not be your first choice, is crucially important… and it can be done as close as your own back yard or in your neighborhood.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographing Spring Wildflowers

PattyPhotographingFlowersShellCreek20190401
Patricia Mitchell photographing spring wildflowers at Shell Creek

Photographing Spring Wildflowers. © Copyright 2019 G Dan Mitchell – all rights reserved.

Patricia Mitchell photographing spring wildflowers in San Luis Obispo County.

Many, though perhaps not all readers, know that my wife Patricia Emerson Mitchell is also a fine photographer. She photographs many things, but her speciality is the small world, usually seen by means of training her macro lens on flowers and foliage, often with an eye to seeing the shapes and colors in abstract ways.

On our way to Death Valley earlier this spring we took a detour through California hill country where fields of wildflowers were blooming. During most of the year this spot would be dry and brown, but winter rains turn it green, and in wet years like this one we get to see astonishing wildflower blooms.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

First Light, Dunes and Creosote

First Light, Dunes and Creosote
Blossoming spring creosote plants among the sand dunes at first light.

First Light, Dunes and Creosote. © Copyright 2019 G Dan Mitchell – all rights reserved.

Blossoming spring creosote plants among the sand dunes at first light.

I love early morning in the sand dunes. When photographing there I typically arrive well before sunrise, when there is just a hint of light in the sky. In Death Valley this is mostly a very quiet time of the day, often with few other visitors, when the winds have died down yet the temperatures are still comfortable. The ideal morning is preceded by a windy afternoon the day before and into the evening, which may wipe away many of the footprints from the previous day’s visitors. However, walking into the dunes I always find new “footprints” — of mice and reptiles and other desert residents.

The transition of morning dusk light to full sunlight always amazes me, even after experiencing it many times. At first things move slowly though inexorably as the overall sky begins to gradually lighten. Well before actual sunrise there is quite a bit of light, but it is soft and gentle light, generally with a blue tint from the pre-sunrise sky. (I made this photograph at just about this point.) Then the pace accelerates as the first direct sunlight strikes some high point, generally to my west, and the light begins to transition to the saturated reddish colors of sunrise and work its way to lower elevations. By this time I’m engaged in photographing and usually working fast as the light changes very quickly. As the sun rises above the horizon or a mountain ridge a brief moment of soft, direct light begins, but the light quickly becomes intense and the difference between shadow and highlights becomes very large. Before long the coloration of this intense light diminishes and conditions move toward “just plain daylight.” I photograph a bit longer… and then it is time for a break!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.