Thick smoke from the September 2014 Yosemite National Park Meadow Fire drifts over the Grand Canyon of the Tuolumne, blotting out the afternoon sun.
Today’s “Morning Musing” post will take the form of a second “photo of the day,” but with a bit of back-story about what you are seeing.
Last weekend a wildfire suddenly appeared in a popular area of the Yosemite backcountry along the Merced River drainage above Yosemite Valley, roughly between Half Dome, Clouds Rest, and Mount Starr King. I was not in the area of the fire, but further north in a different backcountry area, where our group of photographers had been camped for several days on a high ridge area. On this morning we did see a small “puff” of smoke coming from over the shoulder of Clouds Rest, but it was no larger than other fires that, as is typical this time of year, were burning in various areas of the backcountry.
Our plan was to pack up camp and follow a more-or-less cross-country route into a canyon and on to a new camp that night. We loaded up and set out, and by the time we were half way to our goal the smoke plume has begun to stretch across the sky above our position, thought it was still quite diluted. However, very soon the winds whipped up to a surprising degree and the smoke suddenly became a lot thicker and began to blot out the sun and drop ash on us. By this time we were in a valley and could no longer see the location of the fire, but it was plainly apparent that this fire was roaring and likely to become a very serious matter.
This photograph has not been color corrected at all. This is, in fact, what the atmosphere in and above the canyon looked like! Fortuitously, later that evening as we sat around in camp, we saw a flash in the sky and heard thunder… and before long light rains arrived and continued into the next afternoon.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Memorial pool at the National September 11 Memorial, New York City.
It is hard to know precisely what or how to write about this place as it evokes so many responses of all different sorts. On that September day over a decade ago we were on the opposite coast, watching the events unfold as if in a dream. A year and a half earlier we had stood on top of these buildings at night. Since then my oldest son has moved to New York and now works within a very short distance of this place. Our first visit to the site was a few years ago, when almost all original traces of the September 11 events were gone (though if you looked closely you could see chips and cracks in places), and it had become an incredibly busy construction site, with more cranes than I had ever seen in one place and with the new tower climbing skyward. It was hard to connect what we saw on that visit to what had occurred – until we walked around a corner and saw a memorial to firefighters from the closest fire station.
This time we first walked here on Christmas morning. We didn’t pick that day for any particular reason except that we were not far away and it seemed like a place that we wanted to visit. We walked down, looked up at the new tower through trees, and walked back. The next day we wanted to visit the Memorial, so we returned and stood in the lines with thousands of other people in freezing weather as light snow flurries fell. Once there I knew I wanted to photograph, but I didn’t want to intrude on anyone else, so I photographed things more than people in the flat, cloudy light. This photograph includes a bit of one of the pools, where water that has just fallen down the upper walls, leaving ice behind on this cold day, pauses momentarily before continuing its descent into the center void of the memorial.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Early fall color comes to McGee Canyon in the eastern Sierra Nevada, California.
I’m going to use today’s post not only as the opportunity to share another daily photograph, but also to share some observations about the arrival of the fall aspen color season in the eastern Sierra Nevada range, where I spent a good part of the past week.
I made the photograph at the very end of a three-day backpack trip up into the McGee Creek drainage, where we settled in at a 10,000+” lake for a couple of nights to enjoy the late-season solitude. (Before starting the pack trip I had spent a couple of days in Tuolumne Meadows, and upcoming posts will concern that part of the trip.) McGee Canyon is an eastern Sierra “type” – a typical trailhead canyon that rises from the high desert, into forests, through increasing rugged and rocky country, and finally reaches the crest of the range at a pass. On this early afternoon we were fortunate to get a few clouds, moderating the intense sun and adding a bit of texture to the landscape. The photo was somewhat casual – still wearing my full pack, I shot hand-held.
About the onset of fall color… I have watched this transition carefully for a number of years. While I have learned a lot about how the process unfolds, I have also learned that many aspects of it defy precise prediction. Every September, those of us who chase eastern Sierra aspen color start to watch for signs that might provide clues about the nature of this season – the amount of snow during the previous winter, how late it remained before melting out, long-range weather forecasts, early color changes in many other plants that can show up even in late August, and more. But, truth be told, in the end every aspen season seems to hold surprises and defy out attempts to know in advance how it will play out. A season may start with early color up high, only to be interrupted by early storms. Or a season may start late and then move very quickly. Or poor early color in one part of the range may lower expectations… only to be followed by great low-elevation later on. Or there may be any number of other possible variations, too numerous to list.
All of this is my way of saying to take my observations with a suitable dose of salt. :-)
Several weeks ago I began to read the typical early September notes about “early color” here and there, especially in portions of the Rockies and some areas of the Southwest. I was intrigued, but not ready to believe it. I read and hear these reports of early color every season – and generally the correlation between what is written and what occurs in the actual event is weak.
This has been an odd summer season for me, for reasons I won’t go into here. As a result, I had not been to the Sierra since early July or so – a very large gap of time for me, since I rarely allow more that a couple of Sierra-free weeks to occur in the summer. I was not there at all during August – which is almost unheard of. I usually catch my first hint of oncoming autumn on one of those late-August visits. It is hard to put my finger on precisely what it is, but invariably (well, almost invariably, since it didn’t happen this year…) there will be a day when I sense “something” in the air that reminds me that summer will end very soon – whether it is a breeze, a quality of light, a change in the plants, I can never tell for sure. But I am sure when I experience it.
Soon there are more concrete signs. The golden-brown dried meadow areas start to expand, the wildflowers are harder to find, corn lily plants begin to turn golden-yellow, bilberry leaves turn dark red (and brilliant red when back-lit) and the leaves of willows near streams and lakes turn yellow. By mid-September all of this is typically underway, and at this point I start thinking about aspen color in earnest. Whether it is because we tend to go to different places to find our aspens or because we have experienced different seasonal variations, individuals will tell you to look for the aspen show to begin at somewhat varying times. I tend to look for real aspen color around the very beginning of October, and to expect a peak roughly a week into the month in the higher country. Except for watching for the odd tree with a branch full of yellow leaves, I don’t expect to seem much real color in September.
But… I just returned from a pack trip that was right in the middle of September… and I saw a significant amount of aspen color. As I drove over the Sierra crest on my way to the east side I was not expecting to see aspen color, and I did not see much. Despite the other sources of fall color, the aspens just east of Tioga Pass and down in Lee Vining Canyon were almost uniformly as green as I expected. When we arrived at our eastern Sierra trailhead, there were a few yellow leaves here and there, but nothing too out of the ordinary. However, a mile or two up the trail I was quite surprised to find large stands of aspens in which many trees were showing color – just a few leaves on some, but perhaps a quarter or a third of the tree in the most extreme cases. In my experience, this is unusually early – but at least a week and arguably perhaps a bit more. (Not all of the color in the photograph comes from aspens, by the way.)
What does this mean? I’m not sure. If I had a bit more time I would have investigated one or two other east-slope canyons to see what is going on elsewhere – it could be that this canyon is somehow out of sync with others. But I doubt it. All I’ll say is the following: Some aspen color is already beginning to appear in some areas of the eastern Sierra. While no one knows when the main show will arrive (or what it will look like), if I were making plans for a visit to the eastern Sierra to photograph aspen color, at this point I would lean toward going a little bit early rather than a little bit late. However, as always, realize that you cannot count on the timing or the quality of the display, and flexibility increases your odds of being there at a good moment.
More articles on Eastern Sierra aspen photography:
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Canon is offering an Instant Rebate on Canon Lenses and Speedlites of up to $300 through September 29 1, 2012. The promotion includes a large selection of lenses (zooms, primes, L, non-L, EFS, wide to telephoto, macro, tilt/shift), tele-extenders (1.4x and 2x), and electronic flashes including the most recent models. If you have been considering any of this gear, there is a good chance that you can save a bit on your purchase.
The following list includes links that you can use to purchase from site-sponsor B&H Photo. Your purchases through these links are appreciated as they help support this site – thanks! Expires soon – on September 29 1, 2012)
As always, I post offers like these on the Deals page, and not just for Canon. Similar deals are listed there on products from Adobe, Nikon, and more. Updated earlier today, and several expire very soon – including a very low price on Photoshop CS6 for Windows and additional discounts on Adobe Lightroom 4, Photoshop Elements 10, and a Photoshop Elements 10/Premier Elements 10 bundle.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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