Tag Archives: shallow

Photographs: Birds, Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Wetland Menagerie

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Wetland Menagerie
A small collection of shallow water feeders in Central Valley wetlands.

Wetland Menagerie. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small collection of shallow water feeders in Central Valley wetlands.

Today’s photograph is something that is a bit more of a record perhaps — a photograph of three sorts of wetland birds that are not among those that typically loom largest in our attention. The long-beaked birds at the left are white-fronted ibises. I think that the brown birds are teals — perhaps cinnamon teals? The taller black and white birds are black-necked stilts.

All of these are shallow-water feeders. The ibises and stilts give this away with their long legs and beaks, while the ducks dispense with the dignity that comes from standing erect and simply get up close and personal with the water and the muck beneath it. I’ve written before about how I came to photograph such critters not from an initial attraction to birds, but more to discovering them in the landscape. This leads to several aspects of my relationship to birds: I’m not an expert on them, and I’m still learning new things about them all the time. (This week’s new nugget is that there are “diving ducks” and “dabbling ducks.” Who knew?)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Three Black-Necked Stilts

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Three Black-Necked Stilts
Three black-necked stilts feeding in a shallow wetlands pond.

Three Black-Necked Stilts. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three black-necked stilts feeding in a shallow wetlands pond.

Often when I go out to photograph birds the potential conditions of light and weather can dominate my thoughts more than the birds themselves. It isn’t that the birds are not endlessly fascinating — they are! Rather it is that I want to photograph them, if possible, in exceptional conditions. That typically means near the beginning or end of the day and, if possible, when the atmosphere is interesting… and by “interesting” I usually mean foggy.

This was not that day. The sky was clear from dawn until dusk. But while the light was perhaps ordinary, the birds were not. There were more of them than I recall seeing in the past. They were mostly geese of various sorts (snow, Ross’s, cackling, white-fronted…) but also cranes and abundant small blackbirds. And, as always, along the edges of the ponds there were black-necked stilts, a bird that I’ve come to enjoy quite a bit. Photographing them is either really easy… or incredibly hard. The hard part comes when they suddenly take flight and tracking them is a challenge. But between those flights they spend a lot of time feeding and moving slowly as this trio was doing when I photographed them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: Sierra Nevada

Glaciated Terrain

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Glaciated Terrain
A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines

Glaciated Terrain. © Copyright 2019 G Dan Mitchell – all rights reserved.

A Sierra Nevada scene including glaciated slabs, a shallow lake, and old moraines.

There are quite a few “terrains” in the Sierra Nevada, ranging from foothills oak grasslands through the mid-elevation forest, and on up to the rocky alpine heights. Off all of them, I think my favorite is that found just below the treelike, where granite slabs are frequently interspersed with small trees and meadows, where you are rarely very far from water, and where evidence of the glacial heritage of the range are everywhere. There is virtually no element of this scene that doesn’t owe something to those glaciers — the smoothly rounded slabs of foreground granite, the lake lying in a scooped-out hollow where glaciers converged, the moraines (at least two of which appear in the photograph), and even the line between the tops of the glaciers and the more jagged formations that remained above their reach.

This photograph is also about light, and a more subtle form of it. I composed the scene to exclude as much of the direct morning sun as possible, but yet to take advantage of its presence nearby. One of the favorite forms of light among photographers is that which is reflected into the scene from nearby objects in bright light. Here much of the warmer colored light is of that sort, reflected into the scene from nearby slopes that were already in the direct morning sun. This light fills shadows and can add soft color to the cold tones in the shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Snow Geese, Pond

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Snow Geese, Pond
A flock of snow geese stands in a shallow wetland pond.

Snow Geese, Pond. © Copyright 2018 G Dan Mitchell – all rights reserved.

A flock of snow geese stands in a shallow wetland pond.

This is a somewhat different photograph of geese than I might usually make. More often I photograph them in flight or in huge flocks, either landed or flying, and quite often the photographs feature Ross’s geese. This group is none of those things. When I came to this spot — and, yes, I was looking for big flocks — I found small groups of geese (and other birds) that were mostly quietly tending to their business in these shallow ponds. There wasn’t a lot of flying, a lot of noise, or much else.

However, their relative passivity did give me a chance to make some photographs that can (especially when viewed larger than these web images permit) reveal some of the individuality of the birds in the group. Their heads are up, which often indicates that they are aware of something that focuses their attention, possibly a potential danger of some sort. (It could have been me, but I was using a long lens and was pretty far away.) Because of their erect bearing, we get to see the juxtaposition of all those heads and beaks, pointing in various directions. It is also possible (again, in a larger version of the photo) the tell-tale “grin” pattern on the sides of the beaks that characterizes snow geese. (It is easy to mistake them for Ross’s geese and vice versa, and the indicators can be a bit subtle.) In addition, contrary to our expectation that such bird will all look pretty much the same, among the members of this group you can spot some significant variations in appearance. For example, note the two birds with darker feathers or the several with distinctly yellow features on their heads.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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