Tag Archives: shop

Los Banos Donuts

Los Banos Donuts
Los Banos Donuts shop at night

Los Banos Donuts. © Copyright 2018 G Dan Mitchell – all rights reserved.

Los Banos Donuts shop at night

I can’t be certain, but there is a very good chance that this place was there back when I made my first trip to Yosemite decades ago as a child. I recall my Dad driving us over Pacheco Pass and down through a green hills into the Central Valley. (Yes, this was before the San Luis Dam was constructed, though I think it was already approved or planned. Yes, I’ve been in California that long!) I know we passed through Los Banos, stopping in the mid-town park. I don’t know if we stopped for donuts on that trip, but I have stopped here a few times since then.

Each time I’ve passed through this town for the past few years, typically before dawn or well after sunset, I’ve noticed the place and made a mental note to stop and photograph it in the dark, its big red DONUTS sign and glowing interior lights calling to us in the darkness. But since I was usually in a hurry to get somewhere — a destination to the east or else back home — I never stopped. Until this season. I finally pulled over and stopped briefly in a parking lot across the street and made a few exposures. I thought the pickup truck was an appropriate touch. (And, no, I did not stop for donuts. This time.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Friendly Pizza

Friendly Pizza
A bright red pizza shop on a cold winter day in Manhattan

Friendly Pizza. © Copyright 2017 G Dan Mitchell – all rights reserved.

A bright red pizza shop on a cold winter day in Manhattan

This was one among a string of very cold days in New York City between Christmas and New Years Day. The light was “gray” (though, objectively speaking, “blue” might be a more accurate description) as a result of this weather and of being in the urban canyons of Manhattan. The streets of Manhattan are often very busy and there is a lot to see, but in many areas the actual appearance of the streets is pretty much all business. Aside from those exceptions — some parks and stores, for example — much of the street/sidewalk scene is more about practical than aesthetics. On a cold day this seemed especially true, except that on such a day the contrast with a shop like this one, with its bright red and yellow colors and bright lights, was perhaps stronger than usual.

I sometimes struggle a bit to explain what I “see” when making my street photographs — I know what I’m after but it isn’t easy to put into words. However, I think this photograph does include some of the elements. I see the street as a kind of urban landscape, where the size and color and relatives shapes of things matters. I’m also intrigued by shops, especially when something makes them stand out. (Here it is the color and the corner location.) Perhaps even more important, I’m always on the look out for fleeting human tableaux that form and are gone — here with the fellow striding purposefully toward the shop entrance, the slow-moving man with the wheeled suitcase, and the woman in the winter coat.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Preparing to Open

Preparing to Open
Morning on a San Francisco street, as a man prepares a store for opening

Preparing to Open. San Francisco, California. December 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Morning on a San Francisco street, as a man prepares a store for opening

This is another in my small series of photographs made on a recent two-day visit to San Francisco. Since we were there primarily to attend a couple of event musical performances, we had time during the day to combine general laziness with street photography and walks in the area. We weren’t up exactly at the crack of dawn — and then there was breakfast — but we were up and out on the street before things became very crowded.

From where we stayed, the walk down toward the Hayes Valley area near the opera house and symphony hall gradually evolved from a mostly urban residential to a mostly commercial area of shops and restaurants. This market was roughly at the midway point, where there were still residences (of the old style rather than newer condos) but there were also a few businesses, including this corner market, outside of which an employee was doing a quick clean up before, I presume, opening up for the day.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Noodle Shop

Noodle Shop
A single nighttime diner in a Manhattan noodle shop on a dark street

Noodle Shop. New York City. July 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A single nighttime diner in a Manhattan noodle shop on a dark street

I suppose it is because I plan to be there again soon, but I’ve been going back through some earlier photographs from New York City this week, and especially focusing on photographs I made at night there last July. While staying in a busy part of the city (yeah, I know, all the parts are busy…) where there are lots of small business and lots of people I managed to get out frequently and wander with my camera. Most of the neighborhood tended to be quite crowded and busy, with lots of light. However, a few of the side streets included quieter spots where there were no crowds, especially late at night, including this street where there was only one person still eating in this noodle shop.

With photographs like this, especially when rendered in black and white, there is a lot of creative latitude when it comes to deciding how to interpret the scene. I’m generally not a big fan — with some exceptions — of allowing highlights to completely blow out, so the brightly lit areas set a sort of limit on how light I can go. I want to see at least some detail in almost all areas of the photograph, even in the deep shadows, so I often have to do some careful work during the post processing stages to get what I want from these dark area. It is tricky — too dark and all detail is lost, but too light and the shadows end up gray and the mystery is gone. In this photograph I wanted most of the image to feel very dark, with only the three brightly lit areas standing out.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.